Movies
Edgar Wright To Bring Depp To Life As Kolchak ‘The Night Stalker’!
Shaun of the Dead director Edgar Wright is going big time as Disney has set the British filmmaker to get behind the camera for the long-gestured The Night Stalker, the remake of the ABC telepic and series that the studio is developing as a potential star vehicle for Johnny Depp (Dark Shadows, A Nightmare on Elm Street) to play intrepid tabloid reporter Carl Kolchak, reports Deadline.
Wright comes aboard before the studio has set a writer, and he will oversee and shape the project with Depp and Dembrowski from the ground floor.
The film took root at the studio last summer, borne out of Depp and Dembrowski’s fond memories of the original ’70s movie and series that starred Darren McGavin. He covered crime for a tabloid and his cases always led to supernatural perpetrators that included zombies, vampires, werewolves and aliens. Of course, neither his editor nor anyone else would believe him or allow him to run what seemed like outrageous stories. But Kolchak would put himself in grave danger each episode.
The subject matter will be tailored to fit Disney’s family film mandate and likely get a PG-13 rating. 
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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