Movies
Chloe Moretz Becomes Bloody Homecoming Queen ‘Carrie’
After meeting and reading a group of young actresses for Carrie, MGM and director Kim Peirce have made their decision and made the formal offer today to Chloe Moretz, reports Deadline.
If negotiations work out, she’ll play the title role in the remake of the Brian DePalma original that was based on the 1974 Stephen King bestseller. She’s expected to play the shy high school student “Carrie White, who is raised by a nightmarish religious fanatic mother, and comes to grip with devastating telepathic powers just as she reaches puberty. She eventually uses those gifts for lethal means when fellow classmates use the prom as an excuse to humiliate her before the entire school in a parable about bullying.”
Sissy Spacek played the character in the first movie, with Piper Laurie playing her mother, and Amy Irving, Nancy Allen, John Travolta, Betty Buckley and William Katt rounding out the cast. Both Spacek and Laurie got Oscar nominations for their work in the 1976 film.
Moretz is building an impressive resume from Let Me In to Kick-Ass, (500) Days of Summer, Hugo and the forthcoming Tim Burton-directed Dark Shadows with Johnny Depp. 
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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