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Stephenie Meyer Talks How ‘Twilight’ Almost Didn’t Happen

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The popularity of the Twilight books is a complete mystery to it’s author, Stephenie Meyer. She originally wrote it for herself, a 29-year-old mother of three, but it’s no mystery to the hundreds of thousands of fans. The popularity of the book series is so huge that even we were compelled to cover the film here at Bloody Disgusting. While we know it’s not a straight up horror film, it does have vampires, and some bloodletting. TWILIGHT may be a nice gateway for a younger generation of horror fans, something dark to pique people’s interests. With that, we went to the press junket for the film TWILIGHT, which opens in theaters this Friday, November 21st. Meyer was her usual charming self, re-answering questions that hundreds of fan websites have covered.A few years back Meyer sold the rights for the movie to a different company, she realized that they we not going to do the book justice, and almost didn’t renew the rights to anyone.

It was a horrifying experience, I had realized that it could go wrong, and that it could be done badly, that they would do something that had nothing to do with the [original] story, that was shocking to me.

The book and film are about a high school girl named Bella falls in love with a vampire. The new couple leads a rival vampire clan to pursue them and attempt to force her to decide if she, too, wishes to become one of the undead.

When Summit wanted the rights, Meyer was wary but agreed after getting it in writing that they had to stick to the fundamental elements of the story.

Tthe vampires have to have the same basic rules as the vampire world I’ve created, which means no fangs, no costumes, they have to sparkle in the sunlight, the characters have to exist by their present names and you can’t kill anyone that doesn’t die in the book.

When she was finally able to screen the final product she explains, ”So many scenes looked the way I had envisioned them, it was partially creepy and partially wonderful. … I think the acting in this movie is something special.

An interesting note was about how much involvement she had with the screenplay. The filmmakers and the company behind the film at Summit asked for her input on the script, they incorporated about 90% of her notes.

One thing I insisted on keeping true to the book is “the lion and lamb” line,” Meyer tells us at the junket where she revealed even more. “I actually think that the way Melissa [Rossenburg] wrote it sounded better for the movie, it was just a little more relaxed, but the problem is that that line is actually tattooed on people’s bodies, which I don’t approve of by the way…”She continues, “If you take that line and change it, that’s a potential backlash situation.

The Fans in this case were certainly helping Meyer in her decision-making, but what is it about vampires that so many people are connecting with? Meyer explains her theory.

I am not a vampire fan, and never have been. I don’t do horror, I’m an enormous scaredy cat, Hitchcock is about as much as I can handle, and I love it, but anything more then that and you’re not going to see me in the theater. It’s widely out of character for me to write about them [vampires].

Besides myself, it seems that everybody really loves to be scared, in a controlled environment, horror movies do really well, it’s a big industry, people read a lot of scary books, I’m just missing that gene.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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