Movies
AFM ’09: ‘Blood: A Butcher’s Tale’ Trailer, Promo Art
We’ve got our hands on the American Film Market trailer and promo art for Mark Tuit’s Blood: A Butcher’s Tale, which stars Aaron Douglas, Jennifer Sciole, Kim Coates, Christa Campbell (2001 Maniacs), Emily Perkins (Ginger Snaps). Check out all the goods, along with a new synopsis by reading beyond the break.“Blood: a Butchers Tale, is the harrowing tale of Sam, a simple butcher who discovers that the love of his life, Darcy, is being seduced by a vampire.
As he investigates further, Sam realizes that his destiny is to become the destroyer of this blood thirsty race. Sam begins a killing spree with the slaughter of his beloved wife, then her blood addicted lover.
Sam then makes it his duty to systematically destroy the remainder of the clan, until he hesitates about killing Lily (Campbell), the last of her race. Helplessly he falls in love with Lily and learns to respect her desire to be normal.
Eventually Sam must battle with the possibility of repopulating the planet, with the exact race he set out to destroy.”
Get more at the film’s official website:
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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