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‘Troll 2’ Star Hunts Down, and ‘Destroys’, Old Men… Errr Vampires

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Michael Stephenson was the child star of the 1990 horror pic Troll 2, a movie so infamously bad, he used the experience to write and direct Best Worst Movie, about the film becoming a cult phenomenon. In a twist of fate, that documentary enabled Stephenson, 32, to line up financing for his first narrative feature, a dark comedy titled Destroy, reports Heat Vision.

In Destroy, vampires don’t exist, but that doesn’t stop a well-intentioned would-be vampire hunter from leaving a trail of blood-splattered wooden stakes across Bavaria. But while he thinks he’s saving the world, he is mistakenly murdering sweet, innocent old men.

Stephenson is directing and producing with Lindsay Stephenson, via the duo’s Magic Stone Productions, as well as Jennifer Roth, one of the producers of Black Swan. The script was co-written by Zack Carlson, programmer of Austin’s Alamo Drafthouse Cinema.

Destroy will shoot in Eastern Europe and is in the early stages of casting.

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Matilda Firth Joins the Cast of Director Leigh Whannell’s ‘Wolf Man’ Movie

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Pictured: Matilda Firth in 'Christmas Carole'

Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.

Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things),  Julia Garner (The Royal Hotel), and Sam Jaeger.

The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).

Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.

Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.

Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.

In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.

Wolf Man 2024

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