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eOne Entertainment Heads To ‘The Devil’s Rock’

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12 years ago

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On the Eve of D-Day, two Allied commandos sent to destroy a German gun installation uncover a secret occult lair where the Nazis are hiding a deadly she-demon, whom they plan to use to turn the tide of the war.

In stores February 14 from eOne Entertainment, The Devil’s Rock marks the directorial debut of special effects master Paul Campion (The Lord of the Rings Trilogy, X-Men: the Last Stand), who crafts a bloody battle from hell in this Nazi-era frightfest. Featuring special effects and make-up by the five-time Academy Award® winning WETA Workshop (Avatar, District 9, Lord of the Rings, King Kong), this WWII-based film has been called “the best Kiwi horror since Peter Jackson’s Brain Dead.”

“The Devil’s Rock, June 5, 1944. A crack commando team comprised of Captain Ben Grogan (Craig Hall, King Kong, 30 Days of Night) and Sergeant Joseph Tane (Karlos Drinkwater, “Spartacus: Blood and Sand”) are sent on a top secret mission to destroy gun emplacements inside German occupied territory in the Channel Islands. Diverted off their landing point by strong currents, they eventually find themselves near the entrance of an ominous German bunker. After placing explosives on the gun turret, they surprise and kill a fleeing German soldier pleading for help. And when the screams of a woman follow from inside, Grogan makes the decision to go on an unauthorized rescue mission. Once inside, however, the Captain encounters much more than he bargained for: a scene of unworldly carnage, where only a mysterious Nazi officer and a beautiful but devilish captive remain alive, and the battle between good and true evil is about to begin.“

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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1 hour ago

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April 19, 2024

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

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