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5 Horror Movies With Horrible Endings!!!

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As often as the importance of endings is stated, it can never be stated loud enough. Can you have a reasonably enjoyable film with a bad ending? Sure, there are plenty. Just as there are more bad films than good films, there are more bad endings than good endings (even amongst good films). We’ve all got our share of favorites that start sputtering around the end of act 2. Sunshine comes to mind. It’s an absolutely brilliant film for much of its running time and it might be regarded as a classic if it hadn’t turned so many people off in the final reels.

But whether or not a film is good or bad – the ending is the last impression its audience will have. A bad one can devalue an otherwise good film or it can be the cherry on top of a truly bad one. With that in mind, let’s take a look at 5 Horror Films With Horrible Endings. Notice I didn’t say the worst endings – I figure it’ll take another few pieces to get to the bottom of that. Also, if you’re in need of a pick-me-up check out 5 Horror Movies With Amazing Endings!

Head inside to check it out! And submit your votes in the comments for which bad endings should make the next piece!

SCREAM 2

I was cool with Timothy Olyphant’s Mickey being Ghostface, but once Laurie Metcalfe dropped the guise of Debbie Salt and revealed herself as Mrs. Loomis (mother of Skeet Ulrich’s Billy Loomis from the original) the whole movie just craters. A half-baked explanation about her meeting Mickey in some online chat room only makes it worse. In fact, the series never really recovered from this, did it? The problems of Scream 3 and Scream 4 don’t have much to do with that scene, but the moments right before Laurie Metcalfe walks through that door mark the last time a Scream film truly felt like a breath of fresh air.

CREATURE

This movie cuts some significant corners when it allows its entire final battle to take place offscreen.

THE DEVIL INSIDE

A slightly better movie than Creature, but a URL isn’t an ending. Skipping the 3rd act altogether is not a recommended solution to your 3rd act problems.

NEAR DARK

Before you kill me – I love this movie! And it has a great third act! My only beef is with Caleb and Mae’s blood transfusions. If you can get infected by just one vampire bite, then wouldn’t the clean blood you’re pumping into a vampire get infected if there was even just one drop of vampire blood left in that body? Wouldn’t you have to remove every last iota of infected blood (thus destroying the patient) before you started the transfusion? If you feel like you can explain this to me in a satisfactory way – go ahead. Whomever changes my mind gets a free Blu-ray.

HOWLING 3: THE MARSUPIALS

I like how it tries to riff on Part One’s ending, but I found the mid-awards show werewolf transformation pretty ridiculous. Even on my first viewing when I was 10. Not that the rest of Howling 3 is any good. It isn’t. But when your last few moments manage to top the entirety of the transcendentally bad film that preceded them, you know you’ve got a sh*tty ending.

What are some of your favorite bad endings?

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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