Movies
TV: Freddie Highmore Moves From The Chocolate Factory Into “Bates Motel”
In a few weeks “Lost” “Heroes” and “House M.D.” director Tucker Gates will be getting behind the camera to start filming the 1-hour pilot presentation of A&E’s upcoming series “Bates Motel,” which serves as a prequel to Alfred Hitchcock horror classic Psycho and examines the twisted relationship between serial killer-to-be Norman Bates and his mother Norma. Vera Farmiga was recently locked as Norma Louise Bates who is described as passionate, and compelling, a smart, multidimensional character who is always capable of surprising us. And now they’ve found their Norman!
Per TV Guide, Freddie Highmore (Charlie And The Chocolate Factory, Finding Neverland) will be stepping into the shoes vacated by Anthony Perkins (and Henry Thomas in part 4, yo).
The Universal TV-produced Bates Motel has a 10-episode straight-to-series order for a 2013 premiere. Former “Lost” co-showrunner Carlton Cuse and Kerry Ehrin (“Parenthood”) serve as writers-executive producers. “Bates Motel” had been developed as a miniseries when A&E bought it in January. When Cuse and Ehrin boarded the project two months later, they reworked it as a series and wrote several scripts. That prompted A&E’s July decision to forgo a pilot and go straight to series.
After pulling in $28 million at the worldwide box office this month, director (and star) Dev Patel’s critically acclaimed action-thriller Monkey Man is now available to watch at home.
You can rent Monkey Man for $19.99 or digitally purchase the film for $24.99!
Monkey Man is currently 88% Fresh on Rotten Tomatoes, with Bloody Disgusting’s head critic Meagan Navarro awarding the film 4.5/5 stars in her review out of SXSW back in March.
Meagan raves, “While the violence onscreen is palpable and painful, it’s not just the exquisite fight choreography and thrilling action set pieces that set Monkey Man apart but also its political consciousness, unique narrative structure, and myth-making scale.”
“While Monkey Man pays tribute to all of the action genre’s greats, from the Indonesian action classics to Korean revenge cinema and even a John Wick joke or two, Dev Patel’s cultural spin and unique narrative structure leave behind all influences in the dust for new terrain,” Meagan’s review continues.
She adds, “Monkey Man presents Dev Patel as a new action hero, a tenacious underdog with a penetrating stare who bites, bludgeons, and stabs his way through bodies to gloriously bloody excess. More excitingly, the film introduces Patel as a strong visionary right out of the gate.”
Inspired by the legend of Hanuman, Monkey Man stars Patel as Kid, an anonymous young man who ekes out a meager living in an underground fight club where, night after night, wearing a gorilla mask, he is beaten bloody by more popular fighters for cash. After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him.
Monkey Man is produced by Jordan Peele’s Monkeypaw Productions.
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