Movies
A Dark, Weird and Creepy International ‘Stoker’ Trailer
Fox Searchlight has locked down a March 1, 2013 release for Park Chan-wook’s english-language debut, Stoker, his vampire tale penned by Ted Foulke (aka Wentworth Miller). The full trailer has been revealed that puts the nasty Stoker family on display. This looks to have all of the good character development seen in Chan-wook’s Korean cinema (Oldboy, Thirst, JSA).
Miller also stars alongside Mia Wasikowska, Nicole Kidman, Matthew Goode, Jacki Weaver, Lucas Till, Alden Ehrenreich, Phyllis Somerville and Dermot Mulroney.
“After India’s (Wasikowska’s) father dies in an auto accident, her Uncle Charlie (Goode), who she never knew existed, comes to live with her and her emotionally unstable mother (Kidman). Soon after his arrival, she comes to suspect this mysterious, charming man has ulterior motives, but instead of feeling outrage or horror, this friendless girl becomes increasingly infatuated with him.”
This is the first in a planned trilogy. Park Chan-wook is the Korean master of genre cinema having directed Oldboy, Sympathy for Mr. Vengenace and Lady Vengeance, along with Thirst and JSA.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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