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New Kid Rock Song “Detroit, Michigan” Is Just Awful

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Being that I’m a born and raised Southeast Michigan boy, I’m all for support and love for Detroit. Those of you out of ‘The Mitten’ can make jokes about the D, but it’s honestly on the rise and incredible things are happening there every day. If you want to make fun of a Michigan city, mock Flint. That place is terrifying. I’d rather walk through Detroit at night than Flint during the day. No joke.

All of this leads up to the new Kid Rock song “Detroit, Michigan”, which lyrically aims to give praise to The Motor City. While I can commend Rock for shooting some love, did he have to do it with such an awful, awful song? The vocal harmonies sound like they’re out of tune, the Motown feel is so forced and simple, and, overall, it’s just a boring, groan-inducing track.

The song comes from Rock’s upcoming album Rebel Soul, which comes out Nov. 19th. You can listen to “Detroit, Michigan” as well as read the lyrics below.

Note: You can hear the song here.

Talkin’ ‘bout soul, soul, soul
Hey Memphis
Talkin’ ‘bout rock n roll
Hey Texas
New York City’s uptown grooves
A little Mississippi Delta blues
Flossin’ Austin and the Boston Pops
And everybody knows that Cleveland rocks

Talkin’ ‘bout girls, girls, girls
California
Talkin’ ‘bout fine, fine girls
Oklahoma
A downtown Nashville honky-tonk
Some big fat back beat DC funk
Jacksonville and the Southern rock
In New Orleans the party never stops

Detroit, Michigan

Ya heard about Marvin Gaye, we got him
Can I get a witness?
Talkin’ bout Hitsville USA we got it
How sweet it is
We got those fine, fine super Supremes
The kind of girls ya see in your dreams
When ya hear our thunderin’ sound
Ya know it comes from Detroit town

Talkin’ ‘bout Rosa Parks we sent her
Talkin’ ‘bout Henry Ford the inventor
Talkin’ ‘bout Aretha yeah we got her
The Queen of Soul
Bob Seger yeah we got him
And that old time rock n roll
Slim Shady set the world on fire
The Big Three baby and the finest cars
George Clinton’s P Funk all stars
We spend our days on the line and our nights in the bars

Detroit, Michigan

Got any thoughts/questions/concerns for Jonathan Barkan? Shoot him a message on Twitter or on Bloody-Disgusting!

Managing editor/music guy/social media fella of Bloody-Disgusting

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“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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