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Mesa/Boogie Unveils Line Of Guitar FX Pedals

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Mesa Engineering, known throughout the music world for their ubiquitous Triple Rec amplifiers (seriously, those things are everywhere), have entered the guitar FX pedal world. The four models are, at the basic level, overdrive/distortion effects, including a clean boost, an overdrive, a more complex overdrive, and a full on high-gain distortion. Although there isn’t a mention of a release date, it seems that the pedals will be made available very soon. You can read more detailed descriptions of each pedal below.

Now, I know that they used to have V-Twin stompbox, but that was a preamp and was best used in a studio setting. Instead, these four pedal models are tailored to the strengths of the renowned Mesa/Boogie overdrive/distortion.

You can see video samples of the pedals on Mesa/Boogie’s website.

The Tone-Burst Boost/Overdrive offers a virtually transparent gain range usually associated with “clean” boost pedals. However, the TONE-BURST has enough gain to boost your guitar to the threshold of clip and slightly beyond, making it far more useful for a variety of applications. It’s incredibly powerful for adding boost, drive and/or EQ to any guitar and amp combination. Whether using it as a utility to boost the output of single coils to match a humbucker or as a subtle overdrive when a standard overdrive may be too much, the TONE-BURST is an incredibly useful and expressive pedal that makes the best things sound even better!

The Grid Slammer Overdrive is an overdrive pedal that produces a variable boost in gain over a wide range with a classic, guitar-centric midrange bump that enhances many different playing styles. It’s a true overdrive “specialist” that covers an amazing array of what many top players consider the most expressive and musical ranges of overdrive. From sweet, subtle breakup to a harmonically smoldering overdrive that can both sting and sing, the GRID SLAMMER sets a new bar in legendary overdrive!

The Flux-Drive Overdrive+ is an overdrive for those who want more of all the best things from an overdrive! It has more liquid gain and enhanced sustain that easily feeds into rich harmonic overtones making it incredibly addictive and inspiring to play, especially to enhance a crunch or higher gain amp channel! It also offers a more complete tone-shaping network with individual Treble and Bass controls. This architecture makes the FLUX-DRIVE a more complete preamp with added versatility beyond that of most overdrive pedals.

The Throttle Box Distortion serves up all genres of ROCK with cut and aggression, but retains the signature warmth and organic sonic quality found in all our instruments. While its main strengths lie in higher-gain sounds, it’s also versatile and the lower gain options shouldn’t be overlooked for classic rock or howling blues. It also features a unique Mid Cut that scoops out midrange to produce the signature Boogie “V” EQ-curve that so many artists have employed in our amps to create the world’s heaviest guitar tones!

Got any thoughts/questions/concerns for Jonathan Barkan? Shoot him a message on Twitter or on Bloody-Disgusting!

Managing editor/music guy/social media fella of Bloody-Disgusting

Music

“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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