Music
Lamb Of God’s Randy Blythe Indicted On Manslaughter Chargers: Management Issues Official Statement
According to Czech news site Novinky.cz Lamb Of God vocalist Randy Blythe has been formally indicted in the manslaughter of 19-year old Daniel Nosek, who died after sustaining injuries in a 2010 Lamb Of God performance in Prague. The court has three months to decide upon a court date or whether they want to send the case back for more investigation. If convicted, Blythe faces five to ten years in prison.
In an interview after his release, Blythe stated, “I feel ethically responsible to go back there and face this charge. [The victim’s] family right now is in a lot of pain, and they deserve some answers. To lose a child is the worst possible thing a human can go through, I think .. I want my name cleared. I have to go around the world and tour, you know. That’s what I do. I’m not going to hide here. I’m an innocent man. I’m going to go to court and see what happens.”
Lamb Of God manager Larry Mazer issued an official statement that you can read below.
“After a three month investigation, the prosecutor in the Czech Republic has decided to move forward with an indictment of Randy Blythe on the charge of manslaughter with intent to cause bodily harm. Obviously, we intend to fight vigorously against these charges as we feel that in no way did Randy intend to cause bodily harm on the young fan who subsequently died from injuries sustained at the show. As he has stated previously, Randy intends to go to Prague to defend himself at trial.
“While it is a tragedy that a Lamb of God fan died following a performance by the group, in no way do I feel that Randy did anything improper that led to the young man’s injuries and subsequent death. The price of a ticket to a show does not entitle audience members access to a band’s stage. In the years since the murder on stage of Dimebag Darrell Abbott, performers of all genres have had to become more guarded while performing in response to the dangers presented by fans trying to become part of the performance. We believe that Randy responded professionally to the numerous amount of fans rushing the stage that day, a number of them captured on videos that have been posted on the internet. We have testimony from the venue operator that acknowledges lax security and an improper barricade being used that evening. Numerous testimonies from fans also were contradictory as to the actions of the multiple fans that tried to access the stage.
“At this point, all that the band, myself, and our lawyers can do is to present a defense and try to convince the panel of judges who will hear the case that Randy is innocent of all charges and that his name and reputation need to be cleared and that he be permitted to carry on with his life and career always mindful that a fan passed away after a Lamb of God performance.”
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It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.
Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.
Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.
“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.
“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”
You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…
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