“I’ve been incredibly lucky to have worked for many years with these three smart and talented editors. Shelly has been by my side since the beginning of Vertigo, so I couldn’t be happier about passing the baton to her,” Berger said. “She brings so much creativity, passion and professionalism to everything she edits with special note to the wildly successful FABLES, which she launched and has overseen for over 10 years. Will is a highly regarded story editor of many critically acclaimed series including 100 BULLETS, DMZ and SCALPED and has procured many European and South American artists for our titles. Mark has a great eye for new writing talent, and his avid interest in up-to-the-minute fiction has been a real asset to the line. I look forward to reading many great comics and graphic novels from these three for many years to come. Vertigo is in the best of hands.”

Bond began her career at Vertigo in 1993 as Assistant Editor. Her unique pop culture sensibility and love of all things British – plus a knack for discovering new, uncompromising and inspired talent – helped launch some of the most beloved Vertigo series and OGNs, including FABLES, FAIREST, THE INVISIBLES, LUCIFER, HEAVY LIQUID, SLOTH, iZOMBIE, AMERICAN VIRGIN, DEADENDERS, HOUSE OF SECRETS, YOUNG LIARS, THE SANDMAN: ENDLESS NIGHTS and DEATH: AT DEATH’S DOOR. The list of talented creators Bond has worked with over the years is equally long and impressive, including Michael Allred, Mark Buckingham, Mike Carey, Howard Chaykin, Becky Cloonan, Neil Gaiman, Peter Gross, Gilbert Hernandez, James Jean, Phil Jimenez, Peter Milligan, Grant Morrison, Paul Pope, Steven T. Seagle, Jill Thompson, Bill Willingham and many more.

Before DC, Bond was a video/film editor and talent agent. She also served as the editor for THE ELEMENTALS – a comic book by Willingham. The friendship and working relationship continues to this day, as FABLES celebrates 10 years of publication.

“It’s been a great privilege, both personally and professionally, to work with Karen Berger since Vertigo’s inception,” says Bond. I look forward to honoring her legacy by continuing to push the imprint to arresting new heights ably abetted by a fiercely talented editorial team. Expect nothing but the deft storytelling, incomparable artistry and the bravado that has made Vertigo an industry leader.”

Dennis has had a long and critically-acclaimed editorial career at Vertigo and DC Comics, which saw him form long-lasting relationships with some of the most renowned creators in comics, including Jason Aaron, Brian Azzarello, Lee Bermejo, R.M. Guera, Jim Lee, Denise Mina, Eduardo Risso, Brian K. Vaughan, Brian Wood and the legendary Joe Kubert. Dennis has edited a number of award-winning ongoing series and special projects for the imprint, such as 100 BULLETS, SPACEMAN, SCALPED, THE LOSERS, PRIDE OF BAGHDAD, DONG XOAI: VIETNAM 1965, THE GIRL WITH THE DRAGON TATTOO, NORTHLANDERS and DMZ to name a few. Additionally, Dennis has edited many best-selling projects outside of Vertigo, including the JOKER graphic novel, Azzarello and Lee’s SUPERMAN: FOR TOMORROW and the current BEFORE WATCHMEN mini-series.

A lifelong fan of crime fiction and music, Dennis began his career at Vertigo as Assistant Editor. Prior to Vertigo, Dennis worked at a boutique music and film publicity agency. One of his first jobs was at his local comic shop after college. Dennis points to his current gig as “the best job I’ve ever had.” While he’s worked with some of the best and brightest talent the comic book industry has to offer, Dennis says few come close to the experience of working with one of comics all-time greats, writer/artist Joe Kubert, describing it as “a dream come true.”