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Six Lessons ‘Dead Island’ Can Learn From ‘Far Cry 3’

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With its emphasis on co-op and light RPG elements, Dead Island is one of the more interesting takes on the popular zombie genre we’ve seen from a big budget game in some time. I enjoyed the original quite a bit, despite its flaws. The story and characters may be alarmingly dull, but there’s nothing quite as satisfying as strapping a car battery to a machete so you can mow down a horde of zombies. I recently bought Far Cry 3 (finally), and I’ve realized that the entire time I’m playing it, all I can think about is how many things it does better than Dead Island. Comparing it to the post-apocalyptic zombie game might seem a bit odd at first, but the two games are actually very similar.

Each game violently tosses you into a hostile world where pretty much everything wants to kill you, and usually in horribly brutal ways — only yesterday I was mauled by a bear as I was stalking two pirates on a beach only to jump into the ocean and get eaten by a shark. Both games are about exploration, survival, and scavenging to survive, though Far Cry 3 puts more effort into the all of that. So while they’re different, they’re also really similar. The big difference is Far Cry 3 is far superior to Dead Island in many ways. To remedy this, I’ve chosen six things Far Cry 3 does really well, so Dead Island can take notes. Check them out after the break.

Now, because Dead Island: Riptide is already pretty deep into development at this point (it releases in April), some of these ideas might not be feasible this late into production. Riptide isn’t being described as a real “sequel,” it’s more like a Dead Island 1.5, so I’m pretty sure Deep Silver has a true sequel in the works, possibly from a different developer. If they do, I totally wouldn’t mind if they “borrow” some or all of this list to help make Dead Island 2 the best damn zombie game it can be.

Memorable Characters

Can you name any character from Dead Island that wasn’t Xian, Purna, Sam B, or Logan? Could you even name those?I couldn’t name them all (thanks, Google search!), but I can name several of the people I met during the many, many hours I spent playing Far Cry 3. Though let’s be honest here, when I say playing Far Cry 3, what I really mean is setting bears on fire and stabbing sharks in the face in Far Cry 3. More on that later.

Visually, they weren’t all that special, but the excellent voice work and mannerisms made them seem like real people. They look and act like real people, while in Dead Island it was often difficult to tell the living from the dead. Unfortunately, Dead Island Riptide isn’t starting fresh, as you can import your character(s) from the first game into the pseudo-sequel, but that doesn’t mean they can’t get the voices and animation right this time around.

Satisfying Stealth

Dead Island was in no way a stealth game, though it should’ve been. Look, if you’re going to make the guns as useless as they were in the original game, forcing you to get up close and personal, then why not give me the chance to sneak up on a zombie for an execution? Sure, you could do that in Dead Island, but it was difficult, and more often than not it ended with you desperately trying to hack (or bludgeon) your way out of a crowd of newly pissed of zombies.

There’s more to this idea, too. I want a bow, and I want to be able to sneak up on the undead for silent kills, but I also want to be able to distract them. Far Cry 3 has a nifty, and beautifully simple, feature that lets you press right on the D-pad to throw a rock. This will create a noise that temporarily distracts enemies in the area, great for clearing out a heavily guarded area or for getting an enemy to turn around so you can sneak up behind them and stab them in the face.

I just noticed how much time I spent face-stabbing in Far Cry 3… kind of scary, actually.

Equipment Upgrades

Yes, Dead Island already lets you create and customize the weapons in your zombie-slaying arsenal, but I’d like to see this taken one step further. I want to be able to use the items I scavenge from the environment (more on that later, too) to make the game more enjoyable. I want to feel stronger, and I don’t only want that sense of progression to come from my current level. I want to be able to craft bigger pouches, pockets, backpacks, etc. so I can hold more items, ammunition, and other precious resources (such as the incredibly stupid energy drink and granola bar health items). Please?

I Am Jason Brody

There are first person games, and there are first person games. Dead Island falls firmly into the first group, while Far Cry 3 is definitely a card carrying member of the second. While I play Far Cry 3, I feel like I’m in the world. Jason Brody may be a too entitled and moderately unlikable guy, but I felt like I was him. When I fell and hit the ground too hard, I felt it. When I got too close to fire and had to pat out the flames, I felt it. When I was shot and I had to dig the bullet out of my arm, I felt it. When I swam across a shallow river only to get attacked by an alligator, I felt it — and my roommates heard my screams. I case areas before I go in, observing them from afar, assessing the risks, and deciding on which approach I should take to complete my objective. I feel like I’m in the game.

In Dead Island, I haul ass from point A to point B, hoping I don’t run out of stamina (something they should remove from Riptide) before I reach my destination. If something tries to stop me I spam the right trigger until the bad thing falls down.

See the difference?

Scavenge To Survive

Scavenging is something that’s admittedly a little difficult to make interesting. I mean, you’re really just looking through bags, boxes, corpses, and various other containers in search of items your character needs to survive. It’s the adventure game equivalent to grinding — though there’s totally that too in Dead Island — but that doesn’t mean it can’t be satisfying. Sifting through the contents of countless briefcases isn’t fun, nor is it particularly satisfying. However, swimming through shark infested waters to that broken down ship that you just know has treasure in it, exploring ancient temples, or climbing a mountain so you can check that shack near its peak is all exponentially more satisfying.

In Far Cry 3, scavenging is moderately enjoyable. You’re still looking through containers, but the game made getting to many of those containers fun. I’d like to see more of that in the next Dead Island.

A Sense of Exploration

Now, Far Cry 3 doesn’t have the most memorable of game worlds. It’s a big, gorgeous island with few recognizable landmarks. Essentially, it looks like real life. Dead Island suffers from the same issue, in that its world isn’t all that interesting. It’s beautiful, and the contrast between a zombie apocalypse and a tropical island resort was fun to look at, but exploring it wasn’t very enjoyable. For an open world game to succeed, its world has to be interesting and unique and fun to explore. Far Cry 3 did this by making its world unpredictable. Bandit hide-outs, temple ruins, sharks, bears, tigers, big fucking birds that you really should not underestimate, you never know what’s going to happen, so you always have to be prepared. Dead Island is trying to remedy this by adding a dynamic weather system into the mix (I totally requested this last summer) that can cause flash floods. I love this idea and I can’t wait to see it in action.

Far Cry 3 also made getting around its world easy. If you’re lazy (like me, sometimes) you can fast travel, or you can drive one of the many vehicles you find scattered about the world, or you can go by foot and hope one of the aforementioned monsters doesn’t eat you along the way, or you can grab a boat or jetski and jump waterfalls, or you can paraglide above it all in relative safety, I only hope you’re good at landing (I always messed that part up). The point is, you have options, and each is fun in a different way. Riptide has added a boat, though I guess we’ll have to wait and see how that turns out.

While we’re taking pages out of other game’s books, let’s look at The Walking Dead. In Telltale’s episodic series, which I’ve recently discovered actually causes me physical pain if I go a day without talking about it, I cared about the people I interacted with, I cared about the person I controlled, and I cared about the story. I can’t say the same for Dead Island, and I wish the game had made me feel even a fraction of the emotions I felt while watching its incredible trailer.

Have a question? Feel free to ever-so-gently toss Adam an email, or follow him on Twitter and Bloody Disgusting.

Gamer, writer, terrible dancer, longtime toast enthusiast. Legend has it Adam was born with a controller in one hand and the Kraken's left eye in the other. Legends are often wrong.

Editorials

‘Immaculate’ – A Companion Watch Guide to the Religious Horror Movie and Its Cinematic Influences

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The Devils - Immaculate companion guide
Pictured: 'The Devils' 1971

The religious horror movie Immaculate, starring Sydney Sweeney and directed by Michael Mohan, wears its horror influences on its sleeves. NEON’s new horror movie is now available on Digital and PVOD, making it easier to catch up with the buzzy title. If you’ve already seen Immaculate, this companion watch guide highlights horror movies to pair with it.

Sweeney stars in Immaculate as Cecilia, a woman of devout faith who is offered a fulfilling new role at an illustrious Italian convent. Cecilia’s warm welcome to the picture-perfect Italian countryside gets derailed soon enough when she discovers she’s become pregnant and realizes the convent harbors disturbing secrets.

From Will Bates’ gothic score to the filming locations and even shot compositions, Immaculate owes a lot to its cinematic influences. Mohan pulls from more than just religious horror, though. While Immaculate pays tribute to the classics, the horror movie surprises for the way it leans so heavily into Italian horror and New French Extremity. Let’s dig into many of the film’s most prominent horror influences with a companion watch guide.

Warning: Immaculate spoilers ahead.


Rosemary’s Baby

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The mother of all pregnancy horror movies introduces Rosemary Woodhouse (Mia Farrow), an eager-to-please housewife who’s supportive of her husband, Guy, and thrilled he landed them a spot in the coveted Bramford apartment building. Guy proposes a romantic evening, which gives way to a hallucinogenic nightmare scenario that leaves Rosemary confused and pregnant. Rosemary’s suspicions and paranoia mount as she’s gaslit by everyone around her, all attempting to distract her from her deeply abnormal pregnancy. While Cecilia follows a similar emotional journey to Rosemary, from the confusion over her baby’s conception to being gaslit by those who claim to have her best interests in mind, Immaculate inverts the iconic final frame of Rosemary’s Baby to great effect.


The Exorcist

Dick Smith makeup The Exorcist

William Friedkin’s horror classic shook audiences to their core upon release in the ’70s, largely for its shocking imagery. A grim battle over faith is waged between demon Pazuzu and priests Damien Karras (Jason Miller) and Lankester Merrin (Max von Sydow). The battleground happens to be a 12-year-old, Regan MacNeil (Linda Blair), whose possessed form commits blasphemy often, including violently masturbating with a crucifix. Yet Friedkin captures the horrifying events with stunning cinematography; the emotional complexity and shot composition lend elegance to a film that counterbalances the horror. That balance between transgressive imagery and artful form permeates Immaculate as well.


Suspiria

Suspiria

Jessica Harper stars as Suzy Bannion, an American newcomer at a prestigious dance academy in Germany who uncovers a supernatural conspiracy amid a series of grisly murders. It’s a dance academy so disciplined in its art form that its students and faculty live their full time, spending nearly every waking hour there, including built-in meals and scheduled bedtimes. Like Suzy Bannion, Cecilia is a novitiate committed to learning her chosen trade, so much so that she travels to a foreign country to continue her training. Also, like Suzy, Cecilia quickly realizes the pristine façade of her new setting belies sinister secrets that mean her harm. 


What Have You Done to Solange?

What Have You Done to Solange

This 1972 Italian horror film follows a college professor who gets embroiled in a bizarre series of murders when his mistress, a student, witnesses one taking place. The professor starts his own investigation to discover what happened to the young woman, Solange. Sex, murder, and religion course through this Giallo’s veins, which features I Spit on Your Grave’s Camille Keaton as Solange. Immaculate director Michael Mohan revealed to The Wrap that he emulated director Massimo Dallamano’s techniques, particularly in a key scene that sees Cecilia alone in a crowded room of male superiors, all interrogating her on her immaculate status.


The Red Queen Kills Seven Times

The Red Queen Kills Seven Times

In this Giallo, two sisters inherit their family’s castle that’s also cursed. When a dark-haired, red-robed woman begins killing people around them, the sisters begin to wonder if the castle’s mysterious curse has resurfaced. Director Emilio Miraglia infuses his Giallo with vibrant style, with the titular Red Queen instantly eye-catching in design. While the killer’s design and use of red no doubt played an influential role in some of Immaculate’s nightmare imagery, its biggest inspiration in Mohan’s film is its score. Immaculate pays tribute to The Red Queen Kills Seven Times through specific music cues.


The Vanishing

The Vanishing

Rex’s life is irrevocably changed when the love of his life is abducted from a rest stop. Three years later, he begins receiving letters from his girlfriend’s abductor. Director George Sluizer infuses his simple premise with bone-chilling dread and psychological terror as the kidnapper toys with Red. It builds to a harrowing finale you won’t forget; and neither did Mohan, who cited The Vanishing as an influence on Immaculate. Likely for its surprise closing moments, but mostly for the way Sluizer filmed from inside a coffin. 


The Other Hell

The Other Hell

This nunsploitation film begins where Immaculate ends: in the catacombs of a convent that leads to an underground laboratory. The Other Hell sees a priest investigating the seemingly paranormal activity surrounding the convent as possessed nuns get violent toward others. But is this a case of the Devil or simply nuns run amok? Immaculate opts to ground its horrors in reality, where The Other Hell leans into the supernatural, but the surprise lab setting beneath the holy grounds evokes the same sense of blasphemous shock. 


Inside

Inside 2007

During Immaculate‘s freakout climax, Cecilia sets the underground lab on fire with Father Sal Tedeschi (Álvaro Morte) locked inside. He manages to escape, though badly burned, and chases Cecilia through the catacombs. When Father Tedeschi catches Cecilia, he attempts to cut her baby out of her womb, and the stark imagery instantly calls Alexandre Bustillo and Julien Maury’s seminal French horror movie to mind. Like Tedeschi, Inside’s La Femme (Béatrice Dalle) will stop at nothing to get the baby, badly burned and all. 


Burial Ground

Burial Ground creepy kid

At first glance, this Italian zombie movie bears little resemblance to Immaculate. The plot sees an eclectic group forced to band together against a wave of undead, offering no shortage of zombie gore and wild character quirks. What connects them is the setting; both employed the Villa Parisi as a filming location. The Villa Parisi happens to be a prominent filming spot for Italian horror; also pair the new horror movie with Mario Bava’s A Bay of Blood or Blood for Dracula for additional boundary-pushing horror titles shot at the Villa Parisi.


The Devils

The Devils 1971 religious horror

The Devils was always intended to be incendiary. Horror, at its most depraved and sadistic, tends to make casual viewers uncomfortable. Ken Russell’s 1971 epic takes it to a whole new squeamish level with its nightmarish visuals steeped in some historical accuracy. There are the horror classics, like The Exorcist, and there are definitive transgressive horror cult classics. The Devils falls squarely in the latter, and Russell’s fearlessness in exploring taboos and wielding unholy imagery inspired Mohan’s approach to the escalating horror in Immaculate

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