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The Black Dahlia Murder Releases Full Album Preview Of ‘Everblack’

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Michigan metal band The Black Dahlia Murder has released an album preview for their forthcoming release Everblack, which hits stores June 11th via Metal Blade Records. The video, which you can watch below, samples music from each of the 10 tracks. Vocalist Trevor Strnad has also given track-by-track explanations over at Decibel, so be sure to head on over there to check out the meanings.

Everblack can be pre-ordered here.

The Black Dahlia Murder will be embarking on the Vans Warped Tour this summer. All tour dates can be found below.

THE BLACK DAHLIA MURDER
w/ Vans Warped Tour
06/15 Auburn, WA White River Amphitheatre
06/16 Portland, OR Portland Expo Center Parking Lot
06/19 Chula Vista, CA Cricket Wireless Amphitheatre
06/20 Pomona, CA Pomona Fairplex
06/21 Pomona, CA Pomona Fairplex
06/22 Mountain View, CA Shoreline Amphitheatre
06/23 Ventura, CA Ventura County Fairground At Seaside Park
06/26 Las Cruces, NM NMSU Practice Field
06/27 Mesa, AZ Quail Run Park
06/28 Las Vegas, NV Silverton Casino Parking Lot
06/29 Salt Lake City, UT Utah State Fairpark
06/30 Denver, CO Sports Authority Field at Mile High
07/03 Noblesville, IN Klipsch Music Center
07/05 Toronto, ON The Flats At Molson Canadian Amphitheatre
07/06 Darien Center, NY Darien Lake Performing Arts Center
07/07 Holmdel, NJ PNC Bank Arts Center
07/09 Virginia Beach, VA Farm Bureau Live At Virginia Beach
07/10 Columbia, MD Merriweather Post Pavilion
07/11 Mansfield, MA Comcast Center
07/12 Camden, NJ Susquehanna Bank Center
07/13 Uniondale, NY Nassau Veterans Memorial Coliseum
07/14 Hartford, CT The Comcast Theatre
07/16 Scranton, PA Toyota Pavilion
07/17 Burgettstown, PA First Niagara Pavilion
07/18 Cuyahoga Falls, OH Blossom Music Center
07/19 Auburn Hills, MI The Palace of Auburn Hills
07/20 Tinley Park, IL First Midwest Bank Amphitheatre
07/21 Shakopee, MN Canterbury Park
07/23 Kansas City, KS Cricket Wireless Amphitheater
07/24 Maryland Heights, MO Verizon Wireless Amphitheater
07/25 Atlanta, GA Aaron’s Amphitheater at Lakewood
07/26 St. Petersburg, FL Vinoy Park
07/27 West Palm Beach, FL Cruzan Amphitheatre
07/28 Orlando, FL Central Florida Fairgrounds
07/29 Charlotte, NC Verizon Wireless Amphitheater
07/30 Cincinnati, OH Riverbend Music Center
07/31 Milwaukee, WI Marcus Amphitheatre
08/02 Dallas, TX Gexa Energy Pavilion
08/03 San Antonio, TX AT&T Center
08/04 Houston, TX Reliant Center Parking Lot

Got any thoughts/questions/concerns for Jonathan Barkan? Shoot him a message on Twitter or on Bloody-Disgusting!

Managing editor/music guy/social media fella of Bloody-Disgusting

Music

“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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