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[Editorial] Why I Love Horror

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So, let me first start off by saying that today is my birthday and therefore I’m writing this, well…because I can. However, it’s because today is my birthday that I’m reflecting back upon my years on this planet and the things that bring me joy; strumming tunes on my guitar, playing a video game or two, hanging out with friends and family, traveling, cooking up an awesome meal for my pals (my hot wings are becoming famous), etc… One of the things that also brings me a great amount of joy is my love of horror, which I have been enjoying ever since I can remember. And since today is my birthday, I figured I’d share with you a bit of my horror journey and why it means so much to me.

I was one of those kids that was drawn to horror ever since I can remember. I sneakily stayed up late to try and watch episodes of Tales From The Crypt, even though they terrified me. I would always borrow Schwartz and Gammell’s The Scary Stories Treasury from the library because the images were so amazing (and the stories weren’t that bad either). I was more drawn to facing Dracula in Castlevania than fighting Bowser in Super Mario Bros. on my NES. My first horror movie memory (as well as my first movie memory in general) was seeing Freddy Kruger burst through Joey’s waterbed in Nightmare On Elm St. 4 on TV.

As a kid, yeah, my love for horror was simply because I craved the blood, gore, and monsters. How cool were they? These were the stuff of nightmares, the things my parents didn’t want me to see because I, “…wasn’t old enough yet.” They were forbidden or, at the least, frowned upon, which was enough for me to say, “I WANT IT!”

As I grew, I began seeing horror in a somewhat different light. While I still loved the gore, creatures, and blood, it became more about what kind of horror movie had the ability to frighten me. After all, since I was watching one horror flick after another, I became somewhat desensitized. I was able to watch “The Year’s Most Terrifying Film!” and not even once wince.

But there was something else that happened in my life that had a rather lasting impact upon me and my ability to appreciate and, in a strange way, connect with horror. When I was very young (about 4 or 5), a family member developed a disease that required them to stay in the hospital for a couple of years. Don’t worry, they’re doing fine now. But for those few years, especially during a time where I was so impressionable and my mind so malleable, the constant trips to the hospital to visit said family member became less and less scary and more and more normal. As a matter of fact, to this day I have no worries of fears when going to a hospital.

I remember a day when my dad took me to the game room so that I could play some NES while he and the doctors did some discussing. The last thing any parent needs at that time is some whiny, sniveling little brat complaining that they, “…just want to go home!” This was also before consoles were put on those wheeled TV stands so that kid wouldn’t have to leave their rooms. So, as I said, off to the game room I went. Now let me paint you a picture of the game room, shall I? It was very well lit, with lots of windows that let in a great deal of sunshine. The walls were painted with happy imagery, such as trees, smiling animals, the whole shebang. However, and here’s where things get a little surreal, the kids who were in that room, playing on NES consoles or putting together puzzles or building a new Lego sculpture, were patients. Many of these children had, for necessary reasons, limbs amputated. Some had tubes running in and out of them. Others were bald and gaunt from treatments. The sight of these children in a room so cheery felt almost like some nightmarish circus.

But this room became very familiar to me. It became my playroom away from home. It was the family room TV where I had my NES hooked up, only in a hospital and with many other children playing nearby. These children, whose great suffering was so easily seen both physically and mentally, became my pals. And, as you can imagine, there were times when I would go in and those children wouldn’t be there anymore, either because they died or because they were well enough to go home.

This surreal lifestyle was a way of life for me. It made me see deformities and physical handicaps in a completely different way than had I never gone through these years. The creatures in horror films were now relatable. They could be understood, if one were to simply empathize a little. They were simply the “Other”, that which we may not understand and which the vast majority of us choose to not understand.

I had two choices when I was going through this at that young age: I could’ve feared and mistrusted those poor children who so desperately needed a distraction from their grueling everyday pains OR I could’ve done what I ultimately chose to do, which was face them head on and not avert my eyes. I’ve stared deep into the eyes of people who knew that they were basically the walking dead, where any breath could very well be their last. I saw their strength, their constant will to fight, and it inspired me. And horror was the way that I could take the reality of the situation and give it an outlet, a way to come to a conclusion where the true enemy could be defeated.

For me, horror is seeing people in terrifying, seemingly unwinnable situations and finding the strength to push forward, to persevere, to fight for every moment of life. And I love that. I love seeing people appreciate what they have.

I also love horror because I see the strength of the community. We may bicker and complain about remakes, sequels, reboots, whether a film is horror or not, etc… But at the end of the day there is this bond that only we can understand. We can look at each other and recognize the passion and the love. For many of us, horror is our outlet from the daily drudgery that is life.

I’ve been a writer for Bloody-Disgusting for over three and a half years and every day fills me with joy. I get to be a part of the greatest community on the planet (yeah, some bias may be showing here) and while I may not agree with everything each of you say, I respect the hell out of each and every single one of you. We’ve each gone through our own difficulties and we’re here, stronger with each day.

We are society’s “The Other”. We are our family’s “black sheep”. We are, according to other students, “the weird one”. But that won’t stop us. That has never stopped us.

And that, my dear readers, is why I love horror. Because of you. Because of what it has taught me. Because of how it has shaped me to appreciate every single moment I have.

Now, having gone all sentimental and personal with all of you, I’m off to enjoy the rest of my birthday with a sushi dinner, some free birthday shots, and a horror movie or two.

P.S. The reason the banner image is from The Shining is because that’s one of my all-time favorite horror films. That’s all.

Got any thoughts/questions/concerns for Jonathan Barkan? Shoot him a message on Twitter or on Bloody-Disgusting!

Managing editor/music guy/social media fella of Bloody-Disgusting

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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