Movies
New Red and Green Band Trailers For Vin Diesel’s ‘Riddick’!
UK distributor Eone has released both a new red and green band trailer for Riddick, the third Pitch Black film opening September 6 here in the States via Universal Pictures.
Directed by David Twohy, the pic stars Vin Diesel, Karl Urban, Jordi Molla, Matt Nable, Katee Sackhoff, Bokeem Woodbine, Dave Bautista, Conrad Pla, Raoul Trujillo, Nolan Funk and Keri Hilson.
“The infamous Riddick has been left for dead on a sun-scorched planet that appears to be lifeless. Soon, however, he finds himself fighting for survival against alien predators more lethal than any human he’s encountered.
The only way off is for Riddick to activate an emergency beacon and alert mercenaries who rapidly descend to the planet in search of their bounty.The first ship to arrive carries a new breed of merc, more lethal and violent, while the second is captained by a man whose pursuit of Riddick is more personal. With time running out and a storm on the horizon that no one could survive, his hunters won’t leave the planet without Riddick’s head as their trophy.“
Movies
‘Heart of the Beast’ – First Images of Brad Pitt in David Ayer’s Survival Thriller
From director David Ayer (Suicide Squad, Fury), Heart of the Beast will hit theaters on September 25 from Paramount Pictures, and GQ shares first look images this week.
In the film, a former Army Special Forces soldier and his retired combat dog attempt to return to civilization after suffering a catastrophic accident deep in the Alaskan wilderness.
Brad Pitt stars in the survival thriller Heart of the Beast, with J.K. Simmons (Whiplash) and Anna Lambe (“True Detective: Night Country”) also starring.
Cameron Alexander wrote the screenplay for Heart of the Beast. Academy Award winner Mauro Fiore (Avatar, Spider-Man: No Way Home) serves as director of photography.
“I’ll just be really honest: it made me cry,” Ayer tells GQ of the script. “Reading the script, it’s like a tone poem, in a sense. It’s so sparse—just a guy, a dog, mountains, and the calamities and triumphs that unfold, but what’s fascinating about the script is they’re constantly rescuing each other. It’s not like a guy and his pet—they felt like co-equals in this story. Brad wanted to be No. 2 on the call sheet, and rightly so. There was just something profound in the script. It felt like a study in grief, in healing, and of the human heart. So I had to do it.”
Ayer promises, “Don’t worry, the dog lives.”



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