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[Rotting Retro Review] “Preacher: Proud Americans”

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In “Preacher: Proud Americans” Garth Ennis gives Jesse and Tulip’s relationship a back seat to the developing mythology. Unsteady alliances are created and the nature of genesis is revealed. Ennis doesn’t let up for a second, and Dillion’s work only gets better. This is “Preacher” at it’s best. The narrative never stops moving, and the main adventure is bookended by two incredible backstories.


WRITTEN BY: Garth Ennis
ART BY: Steve Dillion
PUBLISHER: Vertigo
PRICE: 14.99

Jesse’s in an airport on his way to France and while waiting in the lounge he meets a man who knew his father. The result is Ennis’ take on Vietnam. We get an excellent flashback issue that focuses on John Custer. He is a proud, arrogant, and good man. Ennis is sure to make you feel Jesse’s moment. The story is earned and serves as a breath of fresh air before the real adventure begins. Dillion’s work in Vietnam is incredible. A panel of a man taking a bullet to the face will give you chills. Dillion’s attention to detail shines as he draws John in Jesse’s likeness. Their share the same emotive eyes but the subtle differences in the jawline and hair make John distinct.

Jesse lands in France and parts ways with Tulip almost immediately. He fears for her safety and after a quick parlance with ol John Wayne, he ditches her. Meanwhile Starr has just about run out of ideas for how to exterminate Cassidy. Before he can, word arrives that D’Aronique is on his way to Masada. Dillion’s depiction of D’Aronique is perfect and over the top. As a putridly obese member of the church, Ennis’ dialogue contributes to making an absolutely loathsome force.

Jesses’s arrival is tumultuous. He learns more about his bloodline, and it seems Jesse is a lot more special than we once thought. Things erupt into chaos when D’Aronique orders Starr and Jesse to fight one another. What’s worse, The Saint of Killers arrives. Ennis takes this time to create some truly interesting alliances. He also spends the majority of the volume deepening every character’s motivations.

Jesse’s goals become clearer. He wants something more out of life. The Saint of Killers wants to revenge his lost family. Starr believes The Grail is run by imbeciles. He’s kind of right. Ennis spends a lot of time developing Starr in this volume. It moves the character from a throwaway villain to a more motivated man. By the end you’ll find yourself identifying with his goals, just as Ennis reminds you that he still is a terrible person.

Cassidy is left to last. An afterthought, but as he should be, up until now Cassidy’s motivation in all this was never really clear. He always seemed to be along for the ride. In an excellent decision, Ennis treats us to an origin story of sorts. The final two issues devote themselves to telling Cassidy’s story. Its the classic American immigrant story through and through, but this time from the perspective of a vampire. The whole thing ends with a renewed commitment from Cassidy that solidifies his “stake” in the overarching narrative.

Ennis and Dillion continue to spin an incredibly compelling adventure. The moment where the Saint of Killers has literally filled a hallway with bullet-riddled bodies is horrid and lovely. Dillion never runs out of ways to turn people into swiss cheese. His creative deaths are only rivaled by Ennis’ quips that go along with them.

The elimination of D’Aronique is handled in such a humorous, dark, and fantastic way that you’ll cheer at the pages of your book. Dillion’s final panel on the corpse perfectly represents “Preacher” in all its glory.

“Proud Americans” manages to deepen the series in almost every way imaginable. It’s hard for me to imagine a volume that can get any better than this. Things have kicked into high gear, and the narrative is more compelling with every page. Having the love story sit out was a breath of fresh air. While the flashback issues develop characters with such incredible care, that by the end of this volume you should officially be in love with “Preacher.”

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‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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