Connect with us

Comics

Review: ‘Hellboy: The Midnight Circus’ HC

Published

on

An ambitious overdose of emotion, action, and humor, “Hellboy: The Midnight Circus” is a tremendously fun ride. Readers get a chance to see what the blue-collar paranormal investigator was like as a child. As a prequel, this will clearly hook uninitiated newcomers into the critically acclaimed “Hellboy” series.

WRITTEN BY: Mike Mignola
ART BY: Duncan Fegredo
PUBLISHER: Dark Horse Comics
PRIECE: $14.99
RELEASE: October 23, 2013

In a flashback to the past, Hellboy is a curious and naive little boy as he wanders around the hallways of the Bureau for Paranormal Research and Defense. The B.P.R.D. agents have become accustomed to Little Hellboy being around, even letting him join in on their raunchy conversations. But there are some who are terribly frightened of the demonic infant, who is destined to become the destroyer of mankind. Professor Trevor Bruttenholm though wants to believe he can guide the young lad to become a better man. When Hellboy suddenly runs away from the only place he knows, Bruttenholm has to find the missing child first before his real family from Hell get to him.

Influenced by Ray Bradbury’s novel, “Something Wicked This Way Comes,” writer Mike Mignola has come up with an interesting coming-of-age tale about the distinction between upbringing and growth. Symbolizing childhood innocence, Little Hellboy discovers the awkwardness of first crushes as he wanders around the traveling circus. Though he doesn’t understand what the word means, Little Hellboy meets Lust, who will tempt him for her own purposes. Each circus performer is trying to sway Hellboy to join them and claim his rightful throne in Hell.

As the narrative continues, Mignola develops the father/son relationship as he distinguishes parallels to Pinocchio’s journey to Hellboy’s. Though they are not related by blood, Professor Bruttenholm treats Little Hellboy as if he were his own son. Professor Bruttenholm sees himself as a father just trying to raise a child, who others perceive to be a “bad kid.” Living as an orphan, Little Hellboy wants to belong to a welcoming and loving family.

Throughout the storyline, Duncan Fegredo illustrates different artistic styles to heighten the visual experience. In the opening pages, Fegredo keeps the panels shot from Little Hellboy’s point-of-view. With the assistance of Dave Stewart’s coloring, the lines are a bit bolder and the character designs are more detailed when Little Hellboy enters the circus. In an unforgettable piece of imagery, Little Hellboy sees himself growing up across a hall of mirrors. Little Hellboy actually witnesses who he will become the monster everyone is so afraid of.

Fegredo nails the right emotional arcs between Little Hellboy and Professor Bruttenholm. Depicting childhood wonder, Little Hellboy always has this look of awe when he is speaking to the adults. Notice the anxiousness and confusion on Hellboy’s face when the B.P.R.D. agents are talking about sex. In his close-ups, Professor Bruttenholm has this worried and tired expression of an over-protective but loving parent.

Just in time for Halloween, “Hellboy: The Midnight Circus” is downright impossible to put down when you start reading. For those who only know about Hellboy through the Guillermo Del Toro movies, this a great way to be re-introduced to the character in the comics.

4.5/5 Skulls

Reviewed by – Jorge Solis

Comics

‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

Published

on

Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

Continue Reading