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On Pulling That “Killing Joke” ‘Batgirl’ Cover

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I don’t want to run the risk of contributing to an already crowded room with the controversy surrounding DC Comics decision to pull Rafael Albuquerque’s variant cover for June’s issue of ‘Batgirl’ #41.

As you may or may not know, “Batgirl” has gone through a youthful transition as of late. The title has a renewed sense of optimism akin to what it was like when Mark Waid took over Daredevil. “Batgirl” has never been a title where the main character has gone through a long slog through a depressing hell, but there was a time. Alan Moore’s The Killing Joke, took the character and pushed her to the limit. It was an attempt to make Commissioner Gordon go insane, but saw his daughter permanently disabled at the hands of The Joker.  It often is cited as one of the best Batman stories of all time, but here today, when violence against women is no longer a narrative device in comics, it’s not cool.

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I mean, a cover is something NOBODY can opt out of. It’s something on display on the shelves, and it’s something that you can’t control your gut reaction to. And the image is haunting. It has a vague tone of sexual violence that can’t be denied amidst a slew of other covers featuring the clown prince of crime that are comparatively happy in their own right. The reality of comics, and mainstream superhero books is that the scales have been out of balance for a very long time.

Luckily DC Comics has been making a valiant effort to restore some semblance of gender equality in their titles. Batgirl doesn’t have a boob-window, and her costume is more practical than sexy… finally. But releasing this cover shouldn’t be considered a misstep on their path to righteousness. It’s an oversight at best. Variant covers are not for everybody, they’re for the avid fans, the ones who get the reference, the ones who know how “Batgirl” overcame this bad history.

But, here’s the kicker with being a huge company, they have to be treated like they’re for everybody. You can’t have some 14 year old girl who loves “Batgirl” with all her heart see this cover and send her down the horrible path to Alan Moore’s The Killing Joke it’s not what this book is about. It’s not what comics are about either, comics are about community, and being included. Taking this cover off the shelves wasn’t just a good decision, it was the only one, because you can’t opt out of a cover, but you can opt out of whatever is inside.

Whether or not the image was made in good taste is beside the point. I for one love it, but I get why it doesn’t work. It’s scary, it’s tonally inconsistent with the book, and it’s not very empowering. The correct way to do this cover, reverse the roles. Have Batgirl overcome this black dot on her history by showcasing her ability to overcome The Joker with a smile.

In DC’s official statement on the situation, it’s indicated that “threats of violence and harassment” were made following the release of the image. Both Albuquerque and DC Entertainment’s full statements on the cancellation of the cover follow in full.

Rafael Albuquerque:

My Batgirl variant cover artwork was designed to pay homage to a comic that I really admire, and I know is a favorite of many readers. ‘The Killing Joke’ is part of Batgirl’s canon and artistically, I couldn’t avoid portraying the traumatic relationship between Barbara Gordon and the Joker.For me, it was just a creepy cover that brought up something from the character’s past that I was able to interpret artistically. But it has become clear, that for others, it touched a very important nerve. I respect these opinions and, despite whether the discussion is right or wrong, no opinion should be discredited.

My intention was never to hurt or upset anyone through my art. For that reason, I have recommended to DC that the variant cover be pulled. I’m incredibly pleased that DC Comics is listening to my concerns and will not be publishing the cover art in June as previously announced.

With all due respect,

Rafa

 DC Entertainment:

We publish comic books about the greatest heroes in the world, and the most evil villains imaginable. The Joker variant covers for June are in recognition of the 75th anniversary of the Joker.Regardless if fans like Rafael Albuquerque’s homage to Alan Moore’s THE KILLING JOKE graphic novel from 25 years ago, or find it inconsistent with the current tonality of the Batgirl books – threats of violence and harassment are wrong and have no place in comics or society.

We stand by our creative talent, and per Rafael’s request, DC Comics will not publish the Batgirl variant. – DC Entertainment

Comics

‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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