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Lamb Of God’s Chris Adler Is Officially The Drummer For Megadeth’s New Album

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After several days of rumor and speculation, it has now been confirmed that Lamb Of God drummer Chris Adler will be recording drums for the next Megadeth album!

Adler states:

Megadeth was the game changer for me. Growing up, there was no other band that meant as much to my musical interest and direction. There is no doubt I would not be doing what I have been doing for the past three decades had I not stumbled across ‘Killing Is My Business’ and the bible of all metal, ‘Peace Sells’ in my formative years.

About 10 years ago, Lamb Of God toured with Megadeth and I was able to share that story with Dave and David, and we have kept in touch ever since,” adds Adler. “When Dave called me a while ago and asked if I was interested in making a thrash metal album with him, I felt like I must’ve been on a hidden camera show. “I was trying to play it cool, but I was speechless other than YES! Once I called my wife and my band guys to let everyone know, I had some time to really think about it and how I can best fit into this situation. I’m coming into this on fire. There is an incredible amount of respect, but the goal here is to make the very best thrash album we can. Together, I believe we can do something very special! Get ready for a very exciting chapter in the Megadeth legacy.

The as-yet-untitled album will be the followup to 2013’s Super Collider.

Vocalist/guitarist Dave Mustaine comments:

Chris is a tremendous talent, and an amazing person. He is going to bring a new level of excitement and energy to Megadeth that the fans are going to lose their minds over. I have nothing but respect for my previous drummers, but this is going to absolutely KILL! Back in 1989, Megadeth originally worked as a three piece – guitar, bass and drums – when we laid down the framework to our Grammy nominated platinum album ‘Rust In Peace.’ I want to thank the other members of Lamb Of God for allowing this opportunity to take place for all of us in the metal community.

Bassist Dave Ellefson adds:

Chris has been an endearing friend to us in Megadeth for many years now, and he truly appreciates our music and its legacy. His drumming has forged such an innovative and ferocious path for metal music and I’m very proud that he is anchoring our rhythm section with us on this new album. I can clearly see a new dawn of ‘utmost heaviness’ unfolding in Megadeth’s next chapter.

Managing editor/music guy/social media fella of Bloody-Disgusting

Music

“He Walks By Night” – Listen to a Brand New John Carpenter Song NOW!

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John Carpenter music

It’s a new day, and you’ve got new John Carpenter to listen to. John Carpenter, Daniel Davies and Cody Carpenter have released the new track He Walks By Night this morning, the second single off their upcoming album Lost Themes IV: Noir, out May 3 on Sacred Bones Records.

Lost Themes IV: Noir is the latest installment in a series that sees Carpenter releasing new music for John Carpenter movies that don’t actually exist. The first Lost Themes was released in 2015, followed by Lost Themes II in 2016 and Lost Themes III: Alive After Death in 2021.

Sacred Bones previews, “It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration.

“Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone.

“The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results.”

You can pre-save Lost Themes IV: Noir right now! And listen to the new track below…

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