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Jason Statham Says ‘Meg’ is ‘Jaws’ Meets ‘Jurassic Park’

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In related news, I already have a new favorite movie.

After years of killer shark movies being relegated to the Syfy network, last year’s The Shallows seems to have burst open the floodgates. And I couldn’t be happier. Next summer will see the release of director Jon Turteltaub’s Meg, an adaptation of Steve Alten’s terrifying same-named novel. Jason Statham is the star, and he just spoke a bit about the film on the Jim & Sam Show.

Statham told hosts Jim Norton and Sam Roberts:

I just did a movie about a shark. It’s a cross between, I’d say, Jaws and Jurassic Park. It turned out really good. I mean, apparently. We don’t know until we see it. It’s called Meg, as in megalodon. 

Interesting to note that Statham was asked if the film was in 3D and he responded “probably.” We previously heard that it would be released in 3D, but this suggests it wasn’t shot in 3D.

Statham, by the way, is not a fan of 3D. The glasses bother him. Me too, Jason. Me too.

Meg will swim into theaters on August 10, 2018.

Alten himself promises the film will be edge-of-your-seat scary.”

In Meg

A deep-sea submersible—part of an international undersea observation program—has been attacked by a massive creature, previously thought to be extinct, and now lies disabled at the bottom of the deepest trench in the Pacific…with its crew trapped inside. With time running out, expert deep sea rescue diver Jonas Taylor (Statham) is recruited by a visionary Chinese oceanographer (Winston Chao), against the wishes of his daughter Suyin (Li Bingbing), to save the crew—and the ocean itself—from this unstoppable threat: a pre-historic 75-foot-long shark known as the Megalodon. What no one could have imagined is that, years before, Taylor had encountered this same terrifying creature. Now, teamed with Suyin, he must confront his fears and risk his own life to save everyone trapped below…bringing him face to face once more with the greatest and largest predator of all time.

Rounding out the international main cast of Meg are New Zealander Cliff Curtis (The Dark Horse, Risen, TV’s Fear the Walking Dead), Rainn Wilson (TV’s The Office, Super), Ruby Rose (xXx: Return of Xander Cage, TV’s Orange is the New Black), Winston Chao (Skiptrace, Kabali), Page Kennedy (TV’s Rush Hour), Jessica McNamee (The Vow, TV’s Sirens), Ólafur Darri Ólafsson (The BFG, TV’s The Missing), Robert Taylor (Focus, TV’s Longmire), Sophia Shuya Cai (Somewhere Only We Know), and Masi Oka (TV’s Hawaii Five-0, Heroes).

Jon Turteltaub directed the film from a screenplay by Dean Georgaris and Jon Hoeber & Erich Hoeber, based on the New York Times best-selling book by Steve Alten. Lorenzo di Bonaventura (the Transformers films), Belle Avery (Before the Devil Knows You’re Dead) and Colin Wilson (Suicide Squad, Avatar) are producing the film, with Wayne Wei Jiang, Randy Greenberg, Barrie M. Osborne and Gerald R. Molen serving as executive producers.

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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