I don’t recall how these two go hand in hand, but when I was little both the NEOGEO and Turbo-Graphx 16 were a pretty big deal. While everyone I knew had a Nintendo or a Genesis, only those lucky individuals had the aforementioned machines. I’m sure what the price point was on them, but I always thought the graphics looked amazing, with the colors really popping out of the screen. I was pretty jealous of everyone who had either, especially the handheld versions.
But my jealousy never stemmed from the system itself, but from the games that I couldn’t own. The big one was Splatterhouse, an Evil Dead II and Friday the 13th-inspired slasher game of sorts* that followed a kid, who would turn into a Jason Voorhees-like character after putting on “the Terror Mask”. It was an interesting reversal of the slasher, turning the victim into the stalker with all of the power. I guess you could say I wanted to live vicariously through it. Anyway, this 1988 masterpiece was initially an arcade game that would be released on the Turbo-Graphx in 1990. Now, nearing its 30th anniversary, it’s officially joined Nintendo Switch’s library of NEOGEO Masterpieces. It’s $29.99. Splatterhouse will be included in the upcoming Namco Museum compilation, which will include Dig Dug, Galaga, Galaga ’88, Pac-Man, Rolling Thunder, Rolling Thunder 2, SkyKid, Tank Force and The Tower of Druaga.
*Interesting Wiki fact: “The Terror Mask was changed from a white hockey mask to a red mask with black accents. This is to keep Rick from looking too much like Jason Voorhees. The mask became more skull-like in later games.”
Here are the full story details via Wiki:
“Two college students, Rick Taylor and Jennifer Willis, take refuge from a storm in West Mansion, a local landmark known as “Splatterhouse” for the rumors of hideous experiments purportedly conducted there by Dr. West, a renowned and missing parapsychologist. As they enter the mansion and the door shuts behind them, Jennifer screams.
Rick awakens in a dungeon under the mansion having been resurrected thanks to the influence of the “Terror Mask”, or in some versions, the “Hell Mask”, a Mayan sacrificial artifact from West’s house which is capable of sentient thought. The mask attaches itself to Rick, fusing with his body and transforming him into a monster with superhuman strength. With the mask’s encouragement, Rick goes on a rampage through the dungeon and the mansion grounds, killing hordes of monsters. Inside the mansion, Rick finds Jennifer, prone on a couch and surrounded by a throng of creatures that retreat upon his arrival. After their departure, Jennifer transforms into a giant, fanged monster that attempts to kill Rick while begging him for help. Rick is forced to kill Jennifer, who transforms back to normal and thanks him before she dies. Infuriated, Rick tracks the remaining monsters to a giant, bloody hole in the mansion’s floor. Upon entering it, Rick discovers that the mansion itself is alive. He follows a bloody hallway to the house’s “womb”, which produces fetus-like monsters that attack him. Rick destroys the womb, which causes the house to burst into flames as it “dies”.
Escaping the burning mansion, Rick comes across a grave marker. The Terror Mask releases energy into the grave, reviving a giant monster named “Hell Chaos” that claws its way up from the earth and attempts to kill Rick. Rick destroys the creature, which unleashes a tormented ghost that dissipates into a series of bright lights. As the lights vanish, the mask shatters, turning Rick back to normal, and he flees as the house burns to the ground and the credits roll. However, after he leaves and the credits end, the Terror Mask reassembles itself and laughs evilly, staying there for 45 seconds, with the word “END” appearing on the bottom right corner of the screen.”
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