Movies
Deranged
“Add some Hammer style blood and you have the original tale that may have inspired the entire slasher genre.”
Ezra Cobb – Ed Gein – what’s the difference? None. Now sit down next to dead momma and have some dinner. Deranged is a 1974 slasher film depicting the life of Ezra Cobb. It is also the true story of Ed Gein – the real killer whose maniacal behavior inspired several horror stories, including the Texas Chainsaw Massacre. Herschell Gordon Lewis may be the Godfather of Gore, and Elvis Presley the King of Rock and Roll – but Ed Gein is the granddaddy who inspired decades of slasher films that you are still watching to this day.
Ezra Cobb (Ed Gein) was a lonely man – and learning of his story may even stir up feelings of pity for this corpse loving, lost soul, who really had no place in the world. Living alone with his mother on a farm for several years, she becomes ill, crippled by a stroke and bed ridden. Ezra brings her some “good and hot” soup regularly. His mom is his life – and one day, while feeding her pea soup, she croaks, spewing hot red blood out of her nose. Ezra is left lost, lonely, and without anything to live for. He buries his mother, and spends a year in the quiet house, with nobody to talk to, nothing to relate to. Just absence. Enough to make any man’s mind melt into mania.
Isolation and lack of purpose can cause a severe mess in the brain. The mind is driven by purpose and social relations, and when the two are void from an existence, as in Ed Gein’s case, you have the devil’s playground. Many of history’s infamous mass murderers had relationships with mothers who were miles from typical. This mom engraved visions of pus filled sluts where love and femininity should have been cultivated. In Deranged, Ezra, even when confronted with moments of normal lust or accompaniment, bugs out remembering momma’s words of how “the wages of sin are syphilis, gonorrhea and death”. Its a systematic thought process engrained into Ezra which means, bottom line – give Ezra wood, and you’re going to die.
Several of the supporting characters in this film help Ezra look normal. The policeman who pulls him over is hard not to laugh at. The fat woman who he befriends – who talks to her dead husband – makes Ezra seem like the normal guy at the table. Everything that surrounded Ezra in this film, and perhaps Ed Gein in reality, was warped. Take a warped environment, his upbringing, and his simplicity, and mix it together, and you come up with a lonely man who starts to hear voices in his head – hell we all do when isolated and left without purpose – only Ezra hears his mom’s voice telling him to dig her up and bring her home. So he does.
And thus begins the tale of absurdity and disgust – as Ezra begins to gather body parts from the cemetery to enhance his mother and his home. Guts for violin strings. Bones for table legs. When Ezra says he can play the skins, he doesn’t mean he can play the drums. That’s human skin there he’s beating with that “drumstick” (a femur). And as momma rots and falls apart, he cuts off skin and faces and tries them on and pretty much has tea parties, filling his life and home with company and furnishings literally made by “hand”.
Such is the true tale of Ed Gein. Ed became the inspiration for several fictional spin-offs that personified his behavior as characters. Leatherface, the most notorious of them all, is based on Ed Gein. Just looking at the dinner scene in Deranged, you can see hints of what was to come in the Texas Chainsaw Massacre franchise – the dinner parties with mom and all her corpsy friends. Some people have imaginary friends to fill the void – Ezra just checked the obituaries for his future houseguests.
Personal satisfactions that this particular 1974 film may offer to the average horror fan? Tom Savini’s first film! Savini on special fx always guarantees above-average quality gore, and is a great teaser montage of the master in his early days. There’s laughable psycho behavior everywhere, from the town policeman to the lonely fat woman. The blood is Hammer red, and although the corpses are quite waxen looking, and wounds fail to be displayed as per the norm of nowadays, the blood running from mama’s nose, the skull crushing beatings with the femur, and the gore dripping, gutted naked corpse of a hot victim should satisfy. Much along the lines of Don’t Go in the Basement, weirdoes left and right will keep your eyes attached to the commotion on the screen – none more creepily stranger or suspect than the narrator – the “newspaper columnist” – who tells this story ala Twilight Zone‘s Rod Serling. While poor old Ezra is wallowing in his own loneliness in the next room, deafened by silence, writing sad letters to his absent beloved mother – single camera shots pan into the hallway where this “newspaper columnist” lurks, enlightening viewers to the methods behind Ezra’s madness. Who’s the psycho here?
Final analysis: If you’d like to learn the true story of Ed Gein, the man that inspired the character of Leatherface, there is no more enjoyable way to do so than watching Deranged. Doing so will enlighten you on how NOT to live your life, how not to bring up your son – and in all honesty, may make you question how much of a “victim” Ezra himself is, being such a product of the environment he was raised in. Add some Hammer style blood and you have the original tale that may have inspired the entire slasher genre. Educate yourself and watch this film. Remember people – these tales of extreme horror are fictionally spun off of a true story – a real, everyday killer, Ed Gein. The more you know and learn, the less likely it is that you’ll end up with another man wearing your face.
Editorials
Meet the Actors Who Brought the ‘Backrooms’ Still Life Monsters to Life [SPOILERS]
Judging from the unprecedented box office success of Kane Parsons’ Backrooms adaptation, you’ve likely already seen the liminal horror hit that managed to make audiences afraid of empty hallways and bad wallpaper. And now that so many of us have already entered the yellow labyrinth (some of us more than once), the time has come to discuss the spoiler-filled details that make the movie so fascinating in the first place.
And if there’s one element here that makes the Backrooms movie stand out from any previous lore/mythology, it has to be the genius addition of the Still Life entities. Warped recreations of real people that somehow wandered into the Complex, these misremembered creatures are responsible for some of the most disturbing imagery of 2026 – as well as laugh-out-loud memes created by one of the film’s very own concept artists.
However, true to Parsons’ word that the movie would rely heavily on practical effects, each of these distorted monsters was brought to life by real actors under heavy layers of makeup and prosthetics (with the occasional splash of CGI enhancements). While Anora and If I Had Legs I’d Kick You actress Ivy Wolk wasn’t among these performers, despite what Letterboxd might have you believe, the creature cast did benefit from veteran players with plenty of genre experience.

For starters, Alien: Romulus alumni Robert Bobroczkyi (who previously brought that film’s horrific Offspring to life during its most memorable sequence) plays the flick’s main antagonist, the Still Life version of Captain Clark. And though there was some obvious CGI involved in making the character’s peg-leg and nightmarish face more believable, Bobroczkyi’s monstrous performance and his natural 7’7″ frame helped to make that final chase sequence a clear highlight among this year’s genre offerings.
The film’s Texas-Chain-Saw-inspired “dinner” scene also features a freaky collection of less-aggressive Still Life creatures in the form of the Bearded Man, the Red-Headed Woman and, strangest of them all, the cheekily named “Archibald Leland Sutter Still Life” (who earned this title among fans and crewmembers as a reference to his apparent affinity for lamps).
While this was the first major horror outing for both Patrick Baynham (The Bearded Man) and Dana Mahmood (Archibald), Rhiannon Roberts has worked as a stunt performer in everything from Yellowjackets to HBO’s The Last of Us adaptation – which is probably why The Red-Headed Woman is the most active out of Clark’s impromptu “family.” That being said, the Archibald Leland Sutter Still Life is my personal favorite of the bunch simply because his anachronistic outfit suggests that the Backrooms phenomenon might be a lot older than the Async Foundation. I also love how hard he tries to be helpful with that little light of his!

That might be it for the Still Life entities, but I think horror fans will also be pleased to hear that the film’s Found Footage prologue stars none other than Resident Evil: Welcome to Raccoon City star Avan Jogia as Naren Warne – and American Mary herself Katharine Isabelle also shows up in a blink-and-you’ll-miss-it cameo at Mary’s house party towards the middle of the story (though I have a feeling that she originally had a bigger part that was likely cut for time).
At the end of the day, Parsons’ Backrooms may have been an auteur-driven project motivated by the young director’s unique take on the classic creepypasta, but film has always been a collective artform, so it’s fun to see just how many talented performers it takes to bring this kind of supernatural nightmare to life in a way that connects with so many people.


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