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Bloodlust Zombies (V)

“Was ‘Bloodlust Zombies‘ scary? Absolutely not. Was it comparable to George Romero and his band of the undead? I’d have to say no. But it was still fun, bloody and entertaining as shit. I laughed, I yelled, I sat through the entire movie without complaining about a thing- and that says something for the multitude of screeners coming across my desk.”

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I get tired of zombie flicks. They’re the same old thing- someone or something triggers a zombie outbreak and sends the rest of the cast into a frenzy. Some die, some become zombies, and others reach the point of hysteria. It’s a formula that’s virtually raped by the horror industry. Before you attack me, I’m not saying that zombie movies suck- I’m just saying that I’ve seen it all, and it’s usually the same thing over and over again. It’s not my fault there’s a lack of originality.

Bloodlust Zombies is one of those indie flicks that takes on the zombie subgenre in the same vein as Zombieland- a comedy about the walking dead (insert eye roll). The thing is- it works. This is one of the few films that I’ve seen since Zombieland that was more than mildly entertaining and actually has some substance. I was impressed by not only the cinematography, considering the budget, but also with the content- the team behind this movie takes what we as horror fans know about apocalyptic scenarios and turns it into a fun filled flick complete with gore and office satire. With that kind of content, how could you go wrong?

Zlantoff Industries has been, unbeknownst to the rest of the office, developing a biological weapon that turns enemy soldiers into walking cannibals. While it may have seemed like a good idea, things go awry when, amidst celebration for the possible commercial success of the weapon, the lab techs accidentally unleash the disease and it begins to spread like wildfire during a chemical lockdown, turning everyone from the mail boy to the head of scientific studies into a walking corpse. That’s where the fun begins. There’s everything from sex, to some pretty good gore, to a back story that nearly jerks a tear from the viewer- and that’s only the beginning. In all honesty, this flick has more to it than some mainstream films that I’ve seen in recent years.

And like I said, I’m picky when it comes to my zombie movies.

The characters alone make this movie worth a view or two. Everyone from the head of development whose husband died in combat to the worked up, testosterone driven male coworker, to the intern with a foul mouth and little to lose, there definitely wasn’t a dull moment in the span of the movie’s 80 minute run. I also have to give some serious props to adult film star Alexis Texas for her role as Andrea in the movie. Though it was a smaller part, and she does spend half of the film naked and riding an old salesman with a cowboy fetish, her final moments in the film are substantially good. That includes her Matrix-esque attack on a zombie where she could easily establish herself as an action goddess in future movies- or at least pretend to be one.

Was Bloodlust Zombies scary? Absolutely not. Was it comparable to George Romero and his band of the undead? I’d have to say no. But it was still fun, bloody and entertaining as shit. I laughed, I yelled, I sat through the entire movie without complaining about a thing- and that says something for the multitude of screeners coming across my desk. Take my advice- watch director Dan Lantz’s debut feature and give the guy a chance. I’d love to see what he could do with a bigger budget and a whole lot of corn syrup.

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‘The Invisible Man 2’ – Elisabeth Moss Says the Sequel Is Closer Than Ever to Happening

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Universal has been having a hell of a time getting their Universal Monsters brand back on a better path in the wake of the Dark Universe collapsing, with four movies thus far released in the years since The Mummy attempted to get that interconnected universe off the ground.

First was Leigh Whannell’s The Invisible Man, to date the only post-Mummy hit for the Universal Monsters, followed by The Last Voyage of the Demeter, Renfield, and now Abigail. The latter three films have attempted to bring Dracula back to the screen in fresh ways, but both Demeter and Renfield severely underperformed at the box office. And while Abigail is a far better vampire movie than those two, it’s unfortunately also struggling to turn a profit.

Where does the Universal Monsters brand go from here? The good news is that Universal and Blumhouse have once again enlisted the help of Leigh Whannell for their upcoming Wolf Man reboot, which is howling its way into theaters in January 2025. This is good news, of course, because Whannell’s Invisible Man was the best – and certainly most profitable – of the post-Dark Universe movies that Universal has been able to conjure up. The film ended its worldwide run with $144 million back in 2020, a massive win considering the $7 million budget.

Given the film was such a success, you may wondering why The Invisible Man 2 hasn’t come along in these past four years. But the wait for that sequel may be coming to an end.

Speaking with the Happy Sad Confused podcast this week, The Invisible Man star Elisabeth Moss notes that she feels “very good” about the sequel’s development at this point in time.

“Blumhouse and my production company [Love & Squalor Pictures]… we are closer than we have ever been to cracking it,” Moss updates this week. “And I feel very good about it.”

She adds, “We are very much intent on continuing that story.”

At the end of the 2020 movie, Elisabeth Moss’s heroine Cecilia Kass uses her stalker’s high-tech invisibility suit to kill him, now in possession of the technology that ruined her life.

Stay tuned for more on The Invisible Man 2 as we learn it.

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