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[TV Review] “The Walking Dead”: Episode 5.08, ‘Coda’

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Tonight brings the half-season boiling point of The Walking Dead and to the storytelling bottleneck we’re all too accustomed to at this point. The show has reduced itself to these bookends in order to garner buzz and it’s hard not to succumb to it. But, if you think about “Coda” for a moment, it’s comprised of the absolute best of the show and saddled with the absolute worst.

I’m somewhat of a casual The Walking Dead fan at this point. I don’t love the show, but I do love zombies. A lot of the show has fallen flat because far too often the scripts struggle with what to do with the characters. The middle episodes of a season feel meandering and devoid of a point, and to the story’s credit, there doesn’t need to be a point other than survival.

That doesn’t mean it can’t be compelling. Take for example the opening moments of tonight’s episode. It’s beautifully shot. Anonymous footsteps pound down an alley. Rick is in pursuit. He smashes Bob 2.0 with the cop car and executes him on the spot. It’s powerful stuff assisted by Bear McCreary’s awesome score. (It almost seems as if new showrunner Scott Gimple just realized that they had a composer for five years, as the show’s score is really coming into its own.)

This is the type of directed violence and retribution that makes sense in the context of the show. Now, take for example Beth’s death. The whole thing is orchestrated to make you care deeply about what’s happening. But, it all feels contrived. She’s far and away with her own group. She’s free, and she feels the need to march back and stab an armed woman with a pair of puny scissors. A woman who showed her compassion and oddly protected her, yet, Beth sought retribution. The shots of everyone’s face as Beth takes a bullet to the head show you that you should care.

But it’s really just orchestrated to keep people talking. It wasn’t the type of death that came from poor planning or was even motivated by character, or really even the story at all. It was senseless and random. All things that we’ve been shown in this world time and time again, but to make the point here in the finale shows a hand of deliberate manipulation and I for one am sick of it. It doesn’t feel compelling, or even upsetting, it just feels forced.

Now the middle of the episode did a lot of backtracking. Father Gabriel got his ass back to the church after being spooked by Bob’s maggoty leg. Maggie found out her sister was still alive through reuniting with Michonne. Tyreese and Sasha shared a moment of forced connection, since Tyreese kept something to himself for no reason at all. I couldn’t help but groan at the whole exchange on the rooftop, it felt inauthentic and not at all like siblings. But, I digress.

It was nice to see Maggie finally react to having a missing sister. A fact I never found too upsetting in the context of the show. Usually gone is gone in this world, better not to think of where people are and Maggie seems strong enough to know that. I would have perhaps enjoyed Tyreese’s confession a little more had it been about how he seemed to have gained 50 pounds since season four, but he wasn’t quite ready to bare his soul about that just yet.

Instead of a rollicking story that built to a natural conclusion, or a thematic conclusion for that matter, The Walking Dead sacrificed it’s momentum in the final moment for plain old shock value.

I’ll still keep watching in the New Year, but I can’t seem to find a compelling reason to continue.

Well… actually. Let’s talk about that scene with Morgan. It just so happened to be my favorite in the entire episode. I love what kind of man he’s become. He seems jovial, and a little more put together than we last saw him. Although contrary to that I couldn’t help but think he was about to kill himself in the church. The reveal of Abraham’s map was a nice little touch to end things on. Looking forward to when these old friends meet again.

 What did you guys think of “Coda”? What do you look forward to in the second half of Season Five? Did you find Beth’s death shocking?

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‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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