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[Comic Book Review] “Sabrina” #3 Is a Dark Read That Continues on the Path of Greatness

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Blood moon, total lunar eclipse, Samhain (Halloween), and Sabrina’s 16th birthday. It’s a perfect night for a witch baptism…a perfect evening for a young Sabrina to get in bed with Satan. But before the ritual can be complete, our cute little blonde witch must deal with some boyfriend issues…because frankly, Harvey’s in deep shit.

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WRITTEN BY: Roberto Aguirre-Sacasa

ART BY: Robert Hack

PUBLISHER: Archie Comics

RELEASE: May 27, 2015

PRICE: $3.99

“Sabrina” issue #3 focuses on the most important night of her life in two distinct ways, her human Sweet 16 and her inhuman baptism. The comic starts off with a quickly paced and fascinating flashback “field trip” to the woods where Aunts Hilda and Zelda continue their witch schooling with 11-year-old Sabrina. I loved this scene particularly because in their schooling, they mention real Salem witch trials, even going so far as to teach the comic’s readers a bit about an actual historical figure, Giles Corey, a man accused of witchcraft during the trials and pressed to death. This was a very nice touch on the part of writer Aguirre-Sacasa. It added a sense of realism I wasn’t expecting. And when realism is paired with a book like “Sabrina,” it’s only more haunting in the end.

Before the witch trials, witch babies were baptized at infancy, after the witch trials however, the rules were changed. A witch needed to be of an appropriate age to understand the decision to be baptized and accept the Dark Lord’s “gift” –fully embracing their witchhood…this age is 16. Sabrina can actually choose to live as a mortal because of her mother being mortal, something her father made sure of, so she has a unique and difficult decision ahead of her: go to the pep rally, celebrate her birthday with her hot boyfriend, get it on with her hot boyfriend…you know, the normal teenage shit we think is the most important thing that will ever happen in our life, OR…sign her name in Satan’s book, becoming a full witch and forgoing many of those epic teenage pleasures and hardships.

On the day before Sabrina’s 16th birthday, Halloween, and a lunar eclipse, Sabrina has just been informed by her new drama teacher, Madame Satan (see issue #2) that she and her dreamy love, Harvey, will be the leads in Bye, Bye, Birdie. When she presents the news to Harvey, he suggests celebrating, then proceeds to pressure Sabrina into going all the way with him on her birthday. He pulls all the classic lines as Sabrina tells him “no” over and over. Which pretty much makes me want to cut his dick off. But regardless of what Sabrina wants, she continues to say no because there must be “no defilement” before a young witch’s 16th birthday. They must be pure for Satan (one of the most ironic things I’ve every typed).

Madame Satan (in teacher form) pops up here and there with her crow familiar who spies on Sabrina, causing trouble all over the place. Specifically, she sees to it that Harvey doubts his relationship with Sabrina and manipulates him into seeking out Sabrina in the dark woods on the night of her baptism.

Like I said, deep shit.

As usual, the creators of “Sabrina” completely nail it. One of the truly wonderful aspects of this comic is that both the witch plot and the growing-up-as-an-everyday-high-school-student plot are hyper-realistic, dark, and challenging. Because Sabrina’s human side of things is written so genuine and deft, it makes the supernatural side of things feel just as real. One might think there would be a stark juxtaposition, but instead, the entire story blends flawlessly into a truly haunting and believable comic.

One of the most obvious things I’ll say in this review is how stunning Hack’s art is. We’ve long praised Hack in the comic community for his intensely gorgeous art, but good lord, he does something entirely unique with “Sabrina” that makes it almost impossible to tear your eyes from each page. The colors are calm and somewhat muted, but within each panel there’s a pop of brightness, usually red, usually lips, something to give the page a bit of sexuality and danger.

This combination of creators has delivered yet again. They’ve given us so much in one issue without confusing us or rushing the story. And so I ask…are you reading this dark matter?

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‘Witchblade’ is Getting Resurrected This Summer in New Comic Series from Top Cow and Image Comics

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Witchblade cover

Witchblade, the popular comic series that initially ran from 1995 to 2015 and launched a TV series, is getting resurrected in a new comic series from Top Cow and Image Comics. It’s set to unleash heavy metal, black magic and blood this summer.

Look for the new Witchblade series to launch on July 17, 2024.

In Witchblade #1, “New York City Police Detective Sara Pezzini’s life was forever fractured by her father’s murder. Cold, cunning, and hellbent on revenge, Sara now stalks a vicious criminal cabal beneath the city, where an ancient power collides and transforms her into something wild, magnificent, and beyond her darkest imaginings. How will Sara use this ancient power, or will she be consumed by it?”

The series is penned by NYT Best-Selling writer Marguerite Bennett (AnimosityBatwomanDC Bombshells) and visualized by artist Giuseppe Cafaro (Suicide SquadPower RangersRed Sonja). The creative duo is working with original co-creator Marc Silvestri, who is the CEO of Top Cow Productions Inc. and one of the founders of Image Comics. They are set to reintroduce the series to Witchblade’s enduring fans with “a reimagined origin with contemporary takes on familiar characters and new story arcs that will hook new readers and rekindle the energy and excitement that fueled the 90’s Image Revolution that shaped generations of top creators.”

Bennett said in a statement, “The ability to tell a ferocious story full of monsters, sexuality, vision, and history was irresistible.” She adds, “Our saga is sleek, vicious, ferocious, and has a lot to say about power in the 21st century and will be the first time that we are stopping the roller coaster to let more people on. I’ve loved Witchblade since I was a child, and there is truly no other heroine like Sara with such an iconic legacy and such a rich, brutal relationship to her own body.”

“The Witchblade universe is being modernized to reflect how Marguerite beautifully explores the extreme sides of Sara through memories, her personal thoughts, like desire and hunger, in her solitude and when she is possessed by the Witchblade. So, I had to visually intersect a noir True Detective-like world with a supernatural, horror world that is a fantastic mix between Berserk and Zodiac,” Cafaro stated.

Marc Silvestri notes, “This is brand new mythology around Sara, and I can’t wait for you to fall in love with her and all the twists and turns. Discover Witchblade reimagined this summer, and join us as we bring all the fun of the 90s to the modern age and see how exciting comics can be. I can’t wait for you to read this new series.”

Witchblade#1 will be available at comic book shops on Wednesday, July 17th, for $4.99 for 48 pages. And it’ll come with multiple cover variants.

  • Cover A: Marc Silvestri and Arif Prianto (Full Color)

  • Cover B: Giuseppe Cafaro and Arif Prianto (Full Color)

  • Cover C: Blank Sketch Cover

  • Cover D (1/10): Dani and Brad Simpson (Full Color)

  • Cover E (1/25): Marc Silvestri and Arif Prianto, Virgin Cover (Full Color)

  • Cover F (1/50): J.Scott Campbell (Full Color)

  • Cover G (1/100): Bill Sienkiewicz. (Full Color)

  • Cover H (1/250): Line art by Marc. Virgin Cover, Inks (B/W)

Witchblade #1 will also be available across many digital platforms, including Amazon Kindle, Apple Books, and Google Play.

Witchblade comic panel Witchblade #1 cover image

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