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We all carry baggage around deep down in our gut. Whether it be an ex-lover or a lost job or opportunity, this baggage can clog up our insides – making it impossible to move on with our lives. If you somehow live without this baggage, I’d love the number of your therapist.

In his debut feature The Master Cleanse, writer/director Bobby Miller takes this concept of stunting emotional baggage quite literally. Starring Johnny Galecki (I Know What You Did Last Summer), the film is a lot of things – all of them honest. A send up of the self-help dieting fad culture, a Cronenbergian body horror, and a deeply personal look at love, loss, and letting go. Phew. And it’s all rolled up in a darkly comedic package featuring awesome performances and really wicked practical creatures.

Galecki plays Paul, a heartbroken, socially awkward guy who lost his fiancé and his job. Grasping for some meaning in his life, Paul signs up for a spiritual retreat out in the woods, orchestrated by elusive self-help guru Ken Roberts (Oliver Platt). The purification process involves consuming nothing but foul cleansing drinks and meditation. Oh, and caring for a small creature that Paul vomits up the first night of the retreat.

Paul’s joined on the retreat by three other broken people, including Maggie (Anna Friel) and Kyle Gallner (Elm Street remake). Roberts’ mouthpiece is played by none other than Anjelica Huston, who brings a heavy level of grace to the screen. The small ensemble is phenomenal across the board, but Galecki is the anchor. He plays Paul with an incredible amount of vulnerability and honesty. You can’t help but root for the poor bastard.

The other true star is Paul’s “thing” – the tiny tadpole-looking creature he vomits up and feeds bits of chocolate. Every member of the retreat actually barfs up their own creature, which act as manifestations of their personal demons. These things are a seamless combination of animatronics, puppeteers, and touches of CGI. And holy Moses are they adorable. They’re also the source of major conflict for Paul and the others on the retreat, especially when Roberts finally shows up in the flesh and reveals the final step of his cleanse. It ain’t pretty.

Miller balances the horror and comedy really well and like I mentioned, everything on screen feels painfully honest. As the situation with the creatures reaches a tense breaking point, Miller doesn’t let his film dissolve into gore or satire. The Master Cleanse closes on a moment that feels abrupt at first, but makes perfect sense in light of what Paul and Maggie have endured and revealed about themselves.

We’ve been reporting on The Master Cleanse since May 2014, when the cast was announced (although Chloë Sevigny dropped out). It was definitely worth the wait. Miller’s debut is a poignant and darkly funny look at personal demons and how they weigh us down.

The film screened at the ongoing Fantasia Film Festival in Montreal.

Patrick writes stuff about stuff for Bloody and Collider. His fiction has appeared in ThugLit, Shotgun Honey, Flash Fiction Magazine, and your mother's will. He'll have a ginger ale, thanks.

Indie

“Bite Size Short: Her House of Horrors” Announce Short Grant Program!

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Her House of Horrors, the horror division of Independent Production House WOMXNOGRAPHY, has launched its Bite Size Short Grant Program, ahead of its film festival Dollhouse of Horror, which will take place in March 2025 in Los Angeles, CA.

The Bite Size Short Grant Program awards $2,000 film grants to female-identifying and queer horror filmmakers. Shorts must be able to be made for $2,000, with a minimum runtime of 8 minutes. Submissions are now open on Filmfreeway, and are being judged by a panel of horror lovers and content creators.

The 2024 Bite Size Short Grant Program judge lineup is as follows:

“James H. Carter II- A documentary director, film producer, podcaster, marketing specialist, and writer. James is the founder and co-owner of Creepy Kingdom. Creepy Kingdom was founded in 2011 and is a multimedia website, and production studio specializing in creepy content. Their primary focus lies at the intersection of childlike fantasy and the macabre, covering horror films, theme parks, haunts, and much more. Beyond their extensive media coverage, Creepy Kingdom hosts events, offers original merchandise, and engages in film production under the Creepy Kingdom Studios brand producing original films like “Foolish Mortals”, exploring Disney’s “Haunted Mansion” fan culture, and “Georgie”, featuring Tony Dakota from the original “It” miniseries.

“In addition to founding Creepy Kingdom, James has won awards for his documentary work, including the award-winning “Foolish Mortals,” which has earned him recognition. He has been featured on Freeform’s 31 Nights of Halloween special.

“Ashleeta Beauchamp is the editor-in-chief of Peek-A-Boo! Magazine, a cheeky horror magazine created to uplift marginalized writers, artists, models and other creators within the horror community. She also runs The Halloween Coalition, a community group to provide support and marketing for horror and Halloween events around the Southern California area.

“Titeanya Rodríguez is a multi-hyphenate creative, and the founder and owner of HER HOUSE OF HORRORS, home of DOLLHOUSE OF HORROR and the horror division of WOMXNOGRAPHY. As a fellow storyteller and a self-proclaimed artivist, Titeanya’s mission is to create opportunities for women of color and queer women, across film, tv, sports, music, and beyond. She is also the creator of the BITE SIZE SHORT grant program.”

Winners will have a one-night theatrical screening at Regal Cinemas. Submissions Close April 8 at Midnight. Winners will be announced on May 27, 2024. Shorts must be shot and through post-production by June 30, 2024. The screening will take place on July 8, 2024, in Los Angeles, CA.

WOMXNOGRAPHY, HER HOUSE OF HORRORS, and Rodriguez are represented by Azhar PR, Granderson Des Rochers, and Kinsella Holley Iser Kump Steinsapir.

To submit your short to the Bite Size Short Grant Program, go to the FilmFreeway link here.

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