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[Review] ‘Bedeviled’ Is a Familiar but Well-Crafted Supernatural Thriller

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Bedeviled

When movies and television try to incorporate modern conveniences into their stories, the end result usually winds up feeling more than a little bit condescending, if not entirely misguided. With few exceptions, the portrayal of internet and cellphone culture in Hollywood is less than accurate, and many filmmakers actively shy away from utilizing these elements into their plots entirely. However, Abel and Burlee Vang are more than willing to deal with these ideas in their latest technological/supernatural thriller, Bedeviled.

Bedeviled stars Saxon Sharbino, Mitchell Edwards, Brandon Soo Hoo, Victory Van Tuyl, Alexis G. Zall, Jordan Essoe (as Mr. Bedevil) and a few others as an ensemble cast of high schoolers united by the mysterious suicide of a teenage friend. Things take a turn for the worst when the mourning teenagers begin to receive invitations from their dead friend’s account, inciting them into downloading a peculiar app. While the “Mister Bedevil” initially seems to be just a harmless piece of programming wizardry, it eventually manifests itself in the real world in horrifying, life-threatening ways.

Taking cues from other teen horror flicks like The Ring and Final Destination (not to mention Stephen King’s It, as the app begins to bring the user’s worst fears into reality), the plot here is standard enough once you move away from the curious premise. Despite a few genuinely clever ideas, the movie finds itself constantly tripping over the usual narrative tropes, though the Vangs execute everything well enough that this doesn’t become all that distracting. The real backbone of the film is actually the well-defined cast of characters, making it hard to dislike the feature, even with some predictable moments here and there.

Bedeviled‘s teenagers are, for the most part, far removed from the usual body-count-inflating generic high schoolers that populate many horror movies. The characters and their relationships feel extremely believable, with some of them even defying certain racist/sexist tropes that are all too commonplace in the genre. Mitchell Edward’s performance as Cody is a great example of this, subverting quite a few “token black character” clichés, though his dialogue can sometimes seem a bit too on the nose.

All in all, Bedeviled isn’t really the technologically focused horror-thriller that the marketing might lead you to believe it is, but that’s not necessarily a bad thing. What we have here is a charming, albeit occasionally predictable, character-driven horror movie with a splash of modern sensibilities. While some of the scenes involving the titular app’s capabilities may seem cheesy at first, especially with how gullible the teens seem to be, there are still some honest scares to be had with the film. In fact, it could be said that Bedeviled gives a new meaning to the term “killer app”.

Bedeviled screened at the Screamfest Horror Film Festival.

Born Brazilian, raised Canadian, Luiz is a writer and Film student that spends most of his time watching movies and subsequently complaining about them.

Indie

“Bite Size Short: Her House of Horrors” Announce Short Grant Program!

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Her House of Horrors, the horror division of Independent Production House WOMXNOGRAPHY, has launched its Bite Size Short Grant Program, ahead of its film festival Dollhouse of Horror, which will take place in March 2025 in Los Angeles, CA.

The Bite Size Short Grant Program awards $2,000 film grants to female-identifying and queer horror filmmakers. Shorts must be able to be made for $2,000, with a minimum runtime of 8 minutes. Submissions are now open on Filmfreeway, and are being judged by a panel of horror lovers and content creators.

The 2024 Bite Size Short Grant Program judge lineup is as follows:

“James H. Carter II- A documentary director, film producer, podcaster, marketing specialist, and writer. James is the founder and co-owner of Creepy Kingdom. Creepy Kingdom was founded in 2011 and is a multimedia website, and production studio specializing in creepy content. Their primary focus lies at the intersection of childlike fantasy and the macabre, covering horror films, theme parks, haunts, and much more. Beyond their extensive media coverage, Creepy Kingdom hosts events, offers original merchandise, and engages in film production under the Creepy Kingdom Studios brand producing original films like “Foolish Mortals”, exploring Disney’s “Haunted Mansion” fan culture, and “Georgie”, featuring Tony Dakota from the original “It” miniseries.

“In addition to founding Creepy Kingdom, James has won awards for his documentary work, including the award-winning “Foolish Mortals,” which has earned him recognition. He has been featured on Freeform’s 31 Nights of Halloween special.

“Ashleeta Beauchamp is the editor-in-chief of Peek-A-Boo! Magazine, a cheeky horror magazine created to uplift marginalized writers, artists, models and other creators within the horror community. She also runs The Halloween Coalition, a community group to provide support and marketing for horror and Halloween events around the Southern California area.

“Titeanya Rodríguez is a multi-hyphenate creative, and the founder and owner of HER HOUSE OF HORRORS, home of DOLLHOUSE OF HORROR and the horror division of WOMXNOGRAPHY. As a fellow storyteller and a self-proclaimed artivist, Titeanya’s mission is to create opportunities for women of color and queer women, across film, tv, sports, music, and beyond. She is also the creator of the BITE SIZE SHORT grant program.”

Winners will have a one-night theatrical screening at Regal Cinemas. Submissions Close April 8 at Midnight. Winners will be announced on May 27, 2024. Shorts must be shot and through post-production by June 30, 2024. The screening will take place on July 8, 2024, in Los Angeles, CA.

WOMXNOGRAPHY, HER HOUSE OF HORRORS, and Rodriguez are represented by Azhar PR, Granderson Des Rochers, and Kinsella Holley Iser Kump Steinsapir.

To submit your short to the Bite Size Short Grant Program, go to the FilmFreeway link here.

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