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[Sundance Review] ‘Revenge’ Is a Bloodbath Heavy On Social Commentary

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Spoilers.

Coralie Fargeat‘s aptly-titled Revenge helicopters to a desert canyon in which Rings star Matilda Lutz must fight for her life against three wealthy, middle-aged CEOs. Poetically timed for release this year, the film is an allegory for workplace harassment, abuse, and how it’s handled. While strong on social commentary, it’s also harrowing, thrilling, and immensely entertaining.

Revenge opens with a helicopter arriving in the middle of nowhere. Richard (Kevin Janssens), a presumably successful CEO, steps out with his young mistress, Jennifer (Lutz), a sexy Lolita who is painted as a floozy. They waste no time getting hot and heavy until they’re interrupted by a phone call – the man’s wife and kids. Dick — er, I mean Richard, exclaims, “Everything would be so simple if the kids weren’t there.” It’s an important moment because it announces that Jen is fully aware that this is an affair, which gives her a much-needed character flaw. Jen may not be perfect, but that doesn’t mean she deserves what is coming…

Richard’s two friends arrive and are startled by Jen’s beauty. It becomes a flirtatious dance into the night as they party with booze and drugs. When Richard refuses to dance with Jen, she seductively slithers around one of his friends, Stan (Vincent Colombe), until the sexual tension nearly pops. Richard can’t take it anymore and whisks her away back to their room for the evening.

The next morning, Jen finds herself at a breakfast table with Stan, who explains that Richard will be back in a bit. He corners her in the bedroom, blaming her for his forthcoming acts of sexual violence: “Now, suddenly, I’m not your type? Yesterday you were dying for it.” Jen is raped. When she confronts Richard, he hits her and calls her a whore. She’s chased into the desert where she stands backed to the edge of a cliff. Richard pushes her off. She lays pinned to a rock and left for dead.

While Revenge carries inspiration from predecessors like The Crow and the criminally underseen Avenged, it forges its own path as a realistic and grounded revenge thriller more in tune with Wolf Creek, I Spit On Your Grave or Irréversible. The highlight of the movie comes when Jen must remove a sharp tree branch from her stomach. In a sequence for the ages, she takes a heavy dose of peyote. Echoing the desert scene in Oliver Stone’s Natural Born Killers and going full Beavis and Butt-Head Do America, Jen hallucinates a rebirth that’s fueled by hellish visions and several perfectly timed scares. Still wounded, she now becomes the hunter and will stop at nothing to get her revenge.

[Related] All Sundance Reviews, Interviews, and News

In a complete reversal, Fargeat ratchets up the tension in what will become one of the most violent and bloody films of the year. While there isn’t a whole lot of death, the injuries are gruesome. Fargeat (dangerously) pushes the camera in and holds on a series of grotesque moments, making it impossible not to cringe.

Jen becomes death incarnate. The friends took the bite of the forbidden fruit and now they will be punished. The final act becomes a different kind of dance, a brutally rigid fight to the death that plays out like a chase sequence in “Scooby-Doo”, only with blood spraying all over the place. Fargeat’s camerawork is superb and takes the intensity to another level. In fact, Revenge reaches such heights that, when the end credits smash on screen, it will leave most viewers sitting in silent reflection for several minutes. Social commentary aside, Revenge is fucking hardcore. It’s beyond a shadow of a doubt the first great horror film of 2018.

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Editorials

Not Another ‘Scary Movie’: Revisiting Forgotten Parody ‘Shriek If You Know What I Did Last Friday the 13th’

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Shriek If You Know What I Did Last Friday the 13th

After Scream (1996) made a killing at the box office, as well as won over critics and audiences, a lot of folks in the movie biz thought they could do the same thing (and yield similar results). That thing, of course, being a slasher. Most of these opportunists wound up being pretty straightforward; they were low on humor or commentary. Yet others, like Scary Movie (2000), saw the potential for spoofing Scream, and acted on that impulse with both haste and excitement.

A few months after the Wayans’ comedy first hit theaters, Shriek If You Know What I Did Last Friday the 13th landed on the USA Network, as part of the channel’s “Shriek Week” programming. That straight-to-cable (then home video) destination is possibly why many people still don’t know about this one. Or they simply chose to forget. Whatever the reason, only one of these two horror parodies came out on top—and it’s certainly not the movie where Coolio channeled Prince, and Tom Arnold saved the day.

Shriek If You Know What I Did Last Friday the 13th previously went by the name of I Know What You Screamed Last Semester. That Trimark acquisition then settled on a wordier title, just so it could avoid the litigious wrath of Miramax Films. Folks may or may not remember that Columbia Pictures was sued over the “implied connection” between I Know What You Did Last Summer (1997) and Scream. So, yeah, there was no way that this competing Scream parody wasn’t going to be kept on a tight rein.

A Heavy Reliance on Late ’90s TV References

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Simon Rex, Julie Benz, Majandra Delfino, Harley Cross, Danny Strong, Tom Arnold and Tiffani-Amber Thiesen in Shriek If You Know What I Did Last Friday the 13th.

Naturally, there would be similarities between Shriek If You Know What I Did Last Friday the 13th and Scary Movie—their scripts are built on the backs of the same two movies. It goes without saying that the other big slasher of the 1990s, I Know What You Did Last Summer, was as much of a target as Scream. However,the film pads itself with more TV references than Scary Movie did.

Half the cast coming off of (and in some cases, returning to) a WB show could be a reason why. Dawson’s Creek is particularly zeroed in on, based on how there’s a central character namedDawson Deery, and how the teen drama’s teacher-student affair plotline is satirized to the nth degree. As if there weren’t enough nods to television, Baywatch, VH1’s Pop Up Video, and even those cheesy Mentos commercials all serve as joke prompts.

Shriek director John Blanchard and writers Sue Bailey and Joe Nelms all hailed from television, so it’s understandable that they would stick close to home. The movie’s humor in general makes more sense, in light of learning that Blanchard worked on SCTV, Kids in the Hall, and MADtv. The writers, on the other hand, were each fairly green, with Bailey being the most experienced of the two; she wrote and produced the game show BattleBots. Nevertheless, they, plus Blanchard, churned out a passable, joke-a-minute movie. The whole thing is staggeringly of its time, but no one here was aiming for longevity.

Having seen enough of these kinds of movies, we know to expect jokes of the low-hanging fruit variety. That’s the parody’s whole prime directive. From the characters having names likeScrew FrombehindandDoughy Primesuspect, to stereotyping that feels taboo nowadays, this is a movie from a different era of comedy. Its coarse, corny, and unapologetic sense of humor won’t sit well with everyone in these more enlightened times. In which case, Shriek If You Know What I Did Last Friday the 13th can be treated as a time capsule.

Does Shriek If You Know What I Did Last Friday the 13th Humor Still Hold Up Today?

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“You may already be a victim”—Someone receives a most peculiar threatening piece of mail in Shriek If You Know What I Did Last Friday the 13th.

Although Shriek doesn’t live up to its own claims of being so funny that you’ll die of laughter, its bawdier parts could still lead to some nervous laughter. For instance, after this movie’s parallel to Drew Barrymore’s Scream character is done in—not by the killer but by a bug zapper—the movie throws a newspaper next to the victim’s fresh corpse. The headline?Popular slut killed! Football team mourns.

We then move on to the wacky and inappropriate goings-on at Bulimia Falls High School, home of the Hurlers. At this nexus of constant absurdity, indecency, and surrealism, students are seen fornicating on the lawn, cheerleading squad applicants are advised to be comfortable with partial nudity, and terrorists openly prepare for an anthrax attack. It can be a tad jarring to watch, especially if you didn’t grow up witnessing this style of comedy firsthand. Hell, even if you did, you may still have awhat the hell were they thinking?reaction.

It’s not just the aggressively edgy humor here that can make you chuckle—the slapstick, the sight gags, and the ribaldry all have a decent chance of landing. The movie’s own villain, whose hockey mask was instantly transformed into a crudely Ghostface-esque one after coming in contact with an open flame, commits more cheap laughs than kills. His and his victims’ chase sequences, most of which are cartoonish in nature, left this writer grinning. The Scooby-Doo fan in me also totally ate up that clever unmasking joke.

Final Thoughts on This Forgotten Horror Parody

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Shriek If You Know What Did Last Friday the 13th

Now, the jury is still out on whether these comedies are to blame for the death of the first slasher revival. There is more to consider than some parodies. At the very least, the likes of Scary Movie didn’t exactly encourage big studios to put their money on a trend that was being derided to death (and not as profitable as the spoofs). These sorts of movies also felt unnecessary at the time, given how their principal inspiration is already a deconstruction of the genre. But like anything else that quickly becomes popular, mockery is unavoidable.

Shriek If You Know What I Did Last Friday the 13th is indeed a movie nobody asked for, much less needed. As a sample of pre-millennium humor and cultural attitudes, it’s not always precise. But as I’ve laid out, your mileage may vary. Horror parodies typically don’t have the best track record, so managing one’s own expectations here is recommended.

Upon rewatching, I for one laughed a bit more than I did back then. Only this time, I responded to the jokes that my younger self didn’t notice or find all that amusing. So it just goes to show that the movies don’t change—we do.

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Harley Cross and Majandra Delfino must unmask the killer a number of times in Shriek If You Know What I Did Last Friday the 13th before learning their true identity.

 

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