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Before ‘The Odyssey’ There Was ‘Jason and the Argonauts’ and Ray Harryhausen’s Legendary Monsters
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The Mark of the Beast: The Lasting Impact of ‘The Omen’ at 50
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Revisiting ‘The Day the Earth Stood Still’: The Sci-Fi Classic That Warned Us About Ourselves
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‘The Most Dangerous Game’: The Horror Classic That Inspired Generations
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His Name Is Samuel: ‘The Babadook,’ Autism, and Me
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A New World of Gods and Monsters: The Long and Winding Road to ‘Bride of Frankenstein’
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A Modern Resurrection: The Return of Religious Horror Films
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Sleepless in (Fake) Seattle: Horror’s Love Affair with the Emerald City
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If It’s Not in Frame It Doesn’t Exist: ‘Shadow of the Vampire’ at 25
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Such Innocent-Looking Monsters: The Creepy Kids of ‘Village of the Damned’ and Its Sequel
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In Praise of Garbage Day: A Love Letter to ‘Silent Night, Deadly Night Part 2’
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Casting the Runes: Remembering ‘Night of the Demon’
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10 Easter Eggs in Guillermo Del Toro’s ‘Frankenstein’
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Maximum Monster Mash: Joining the ‘Mad Monster Party?’ This Halloween
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A Rediscovery of Witches: Uncovering the Hidden Gem ‘Burn Witch, Burn’
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Body and Soul: The Best of ‘Frankenstein’ Through the Decades
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Cursed Objects and Haunted Houses: How ‘The Changeling’ Is a Prototype ‘Conjuring’ Movie
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How ‘The Toxic Avenger’ Is the Unsung Heir to the Classic Universal Monsters
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They Came from Within: David Cronenberg’s ‘Shivers’ at 50
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Journey to the Center of Despair: ‘The Descent’ Has Lost None of Its Power After 20 Years
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The End Has Come: Standing Alone as ‘The Last Man on Earth’
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The Maddest Story Ever Told: Unearthing ‘Spider Baby’ and Its New Brand of Horror Comedy
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Recovered Memories: Karloff Film ‘The Walking Dead’ Is an Overlooked 1930s Horror Offering
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‘The Vatican vs. Horror Movies’ Is an Exceptional Work of Horror History [Book Review]