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From ‘It Follows’ to ‘Longlegs’: Maika Monroe Has Defined a Decade of Horror
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Traversing the Cinematic Nightmares of Oz Perkins
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Daughters, Monsters, and Not So Nice Girls: Mia Goth in the ‘X’ Trilogy
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‘Birds of Prey’ Falls in Love With a Female Anti-Hero [The Lady Killers Podcast]
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‘Happy Birthday to Me’ Novelization Review – A Horrific Slice of Bloody Birthday Fun
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Ti West’s ‘X’ Explores the Connection Between Sex and Death [The Lady Killers Podcast]
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Unpacking the Harrowing Choice at the Heart of Ari Aster’s ‘Midsommar’ [The Lady Killers Podcast]
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‘Bodies Bodies Bodies’ and the Terror of Toxic Femininity [The Lady Killers Podcast]
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Tackling the Complicated Legacy of ‘Sleepaway Camp’ [The Lady Killers Podcast]
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How ‘In a Violent Nature’ Twists and Reverses the Slasher Formula
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Magicians, Devils & Death: The Cards Featured in ‘Tarot’ and What They Mean
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Lars von Trier’s ‘Antichrist’ Explores the Nature of Feminine Evil [The Lady Killers Podcast]
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‘Scream 2’ Puts a Killer Mother Behind the Mask [The Lady Killers Podcast]
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‘The Strangers’ Showdown: The Ultimate Comparison of All Three Movies
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The Power of Believing: Diving into Stephen King’s Fictional Tabloid ‘Inside View’
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Stephen King’s ‘You Like It Darker’ Finds Beauty and Hope in Nihilistic Horror [Review]
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‘High Life’ Explores the Prison of the Human Body [The Lady Killers Podcast]
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‘Heathers’ – 1980s Satire Is Sharper Than Ever 35 Years Later
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‘Evil Dead Rise’ Is a Perfect Horror Film for Mothers Day [The Lady Killers Podcast]
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Beverly Sutphin Slays to Defend Suburbia in John Waters’ ‘Serial Mom’ [The Lady Killers Podcast]
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David Slade’s ‘Hard Candy’ Subverts the Concept of Predator and Prey [The Lady Killers Podcast]
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‘Death Becomes Her’ and the Horror of Aging [The Lady Killers Podcast]
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First Omens and Immaculate Conceptions: Pregnancy Horror Is Having a Moment
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Did ‘Carrie’ Give Birth to “Good For Her” Horror? [The Lady Killers Podcast]