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‘The Amityville Horror’ Represents the Best & Worst of the Aughts Remake Trend [Murder Made Fiction Podcast]
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How “Yellowjackets” Season 3 Brings Human Sacrifice into the Modern Age [Spoilers]
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‘Battle Royale’ and the Horror of Generational Warfare [The Lady Killers Podcast]
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Uncovering the True Villains of Gore Verbinski’s ‘The Ring’ [The Lady Killers Podcast]
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Does the Brutal ‘Hounds of Love’ Adapt a String of Unthinkable Crimes? [Murder Made Fiction Podcast]
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‘Eyes Without a Face’ Is a Horrific Quest for Identity [The Lady Killers Podcast]
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‘Locked’ Director David Yarovesky on Crashing Two Horror Icons Together
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Untangling Sister Faith and Sister Chance in Andrzej Żuławski’s ‘Possession’ [The Lady Killers Podcast]
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Director Pete Chatmon Talks THAT Jaw-Dropping Moment in the Latest Episode of “Yellowjackets” [Interview]
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Welcome, Fools: The Creepiest Cult Compounds In Horror
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The Scariest Cult Leaders in Horror
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How ‘Wolf Creek’ Remixes a Series of Horrific Murders [Murder Made Fiction Podcast]
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‘Freaky’ Offers a New Kind of Slasher Killer [The Lady Killers Podcast]
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Stephen King Finds Hope in the Mystery of Death with ‘Elevation’ [The Losers’ Club Podcast]
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Witches, Outlaws, and Dangerous Women in David Lynch’s ‘Wild at Heart’ [The Lady Killers Podcast]
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‘The Monkey’ – Comparing Osgood Perkins’ Movie to Stephen King’s Original Story
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Oz Perkins’ ‘The Monkey’ Takes Stephen King to the Extreme [The Losers’ Club Podcast]
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‘Society of the Snow’ Is a Disaster Film Done Right [Murder Made Fiction Podcast]
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“Everybody Dies”: The Most Bizarre Deaths in Stephen King’s Work
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Gus Van Sant’s ‘To Die For’ and the Monstrosity of Female Ambition [The Lady Killers Podcast]
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Murderous Monkeys and Carnivorous Cats: Stephen King’s Most Terrifying Animals
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‘Bones and All’ Is a Love Story for Nihilists [The Lady Killers Podcast]
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How Frank Marshall’s ‘Alive’ Scarred a Generation [Murder Made Fiction Podcast]
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Finding Hope in the Horror of Survival Cannibalism [Murder Made Fiction Podcast]