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HBO’s ‘The Staircase’ Ends On An Ambiguous, Satisfying Note [Murder Made Fiction Podcast]
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Boys Playing With Their Superpowers in 2012’s ‘Chronicle’ [Horror Queers Podcast]
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‘Influencers’ Review – Shudder Sequel Provides a Great Game of Cat and Mouse
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Accident or Murder? HBO’s Star Studded ‘The Staircase’ Opened With A Debate [Murder Made Fiction Podcast]
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The 10 Best Horror Movies Streaming on Tubi [December 2025]
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Stephen King Adaptation ‘Misery’ Made Kathy Bates A Star [Horror Queers Podcast]
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The Campy Delights and Dicey Racial Politics of ‘The Skeleton Key’ [Horror Queers Podcast]
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The Ocean is a Killer in 2000’s ‘The Perfect Storm’ [Murder Made Fiction Podcast]
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Chuck Parello’s ‘Ed Gein’ Is The Closest Approximation of Reality [Murder Made Fiction Podcast]
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The Shifting Genres of J.A. Bayona’s ‘The Orphanage’ [Horror Queers Podcast]
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‘Shelby Oaks’ $1M Reshoots: What Changed From The Festival Cut to the Version Now In Theaters?
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‘Deranged’ Is Low Budget Canuxploitation Take on Ed Gein [Murder Made Fiction Podcast]
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‘The Hand That Rocks The Cradle’ Review – Hulu Remake Dials Back the Crazy
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‘R.L. Stine’s Pumpkinhead’ Review – Tubi Original Is Prime Gateway Horror for Halloween
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‘On Gallows Hill’ Review – Indie Horror Film Tweaks The Vampire Rules [TADFF]
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Before Dahmer, John Wayne Gacy Was the Most Prolific Queer Serial Killer [Murder Made Fiction Podcast]
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The Rampant Sexuality of David Cronenberg’s ‘Shivers’ [Horror Queers Podcast]
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‘Match’ Review – An Uneven Tubi Exploitation Thriller
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The Perils of Reviewing 1/3 of a Movie with ‘The Strangers: Chapter 1’ [Horror Queers Podcast]
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Shoehorning a Legend into ‘The Conjuring Universe’ with ‘The Curse of La Llorona’ [Murder Made Fiction Podcast]
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In Its Finale, ‘Alien: Earth’ Creates a New World Order [Horror Queers Podcast]
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The Fowl Queerness of Alfred Hitchcock’s ‘The Birds’ [Horror Queers Podcast]
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‘Curse of the Crying Woman’ – Bad La Llorona Adaptation, But a Great Time [Murder Made Fiction Podcast]
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‘Night of the Reaper’ Review – Shudder’s 1980s-Set Slasher Is Lean and Slick
