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[Review] ‘Late Phases’ Is a Badass Werewolf Shocker With Loads of Heart
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[Interview] Nick Damici Talks ‘Late Phases’, Werewolves, and Playing An Old Badass
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[TADFF ’14 Review] ‘Time Lapse’ Is a Clever Cursed Camera Thriller
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[TADFF ’14 Review] ‘Hellmouth’ Is Ambitious But Unfocused
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[TADFF ’14 Review] ‘Zombeavers’ Is More Than Just a Silly Title
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Happy Mischief Night! Or Cabbage Night?!
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Meet Weegee, the Original ‘Nightcrawler’
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[Interview] Tony Todd Talks ‘Candyman’, Filming In the Projects, and His Legacy
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[Review] Atmospheric ‘Stonehearst Asylum’ Is a So-So Period Thriller
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[Review] ‘Ouija’ Is Downright Insulting
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[MHHFF ’14 Review] ‘That Guy Dick Miller’ Spotlights One of Horror’s Great Character Actors
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[Screamfest 14 Review] ‘Julia’ Is a Grisly & Striking Revenge Thriller
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[Interview] Rob Zombie Says ’31’ Will Be His Most Brutal Film to Date
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[Interview] ‘Blair Witch Project’ Directors Look Back 15 Years Later…
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Was the Titular ‘Blair Witch’ Ever Supposed to Be Shown On Screen?! (Exclusive)
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[MHHFF Review] ‘Blood Punch’ Is a Supernatural Film Noir on Meth
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FREE Advanced Screening of ‘Ouija’ in Orlando!!!
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[MHHFF Review] Argentina’s ‘Still Life’ Is an Uneven Slasher-Mystery
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[Review] ‘Lost Soul’ Is a Fascinating Trip Back to Richard Stanley’s ‘Island of Dr. Moreau’
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2014 Mile High Horror Film Festival Descends on Littleton!
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[Review] ‘The Pact 2’ Lacks the Punch of First; Still Creepy As Hell
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[Review] ‘The Taking of Deborah Logan’ Is Creatively Bankrupt
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[Review] ‘A Good Marriage’ Is the Worst Stephen King Movie Yet
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[Review] ‘Paranormal Diaries: Clophill’ Flops and Fizzles Out