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‘Rasputin: The Mad Monk’ Delivered One of Christopher Lee’s Finest Hours [Hammer Factory]
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‘Blood From the Mummy’s Tomb’ Was One of Hammer’s Last Great Monster Movies [Hammer Factory]
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‘The Devil Rides Out’: Christopher Lee and Richard Matheson Brought the Occult to Hammer’s House of Horror [Hammer Factory]
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‘Captain Kronos: Vampire Hunter’: The Action-Horror Hybrid That Reimagined the Hammer Vampire Film [Hammer Factory]
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‘The Abominable Snowman’: The Ambitious Adventure That Was Overshadowed By Hammer’s Monster Icons [Hammer Factory]
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‘Dracula: Prince of Darkness’ and the Resurrection of Christopher Lee’s Count [Hammer Factory]
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‘The Legend of the 7 Golden Vampires’: When the Masters of Horror Met the Masters of Kung Fu [Hammer Factory]
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‘Frankenstein Created Woman’ Ended an Era With a Masterful Fairytale for Adults [Hammer Factory]
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The Mismarketing and Misunderstood Beauty of Hammer’s ‘The Phantom of the Opera’ [Hammer Factory]
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How ‘The Kiss of the Vampire’ Evolved Hammer Horror to its Next Creative Stage [Hammer Factory]
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A Night With Two Masters: Exploring the Legacy of Vincent Price’s “An Evening of Edgar Allan Poe”
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‘The Curse of the Werewolf’ is One of Hammer’s Most Delicate and Emotionally Reflective Films [Hammer Factory]
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5 Years Later: ‘Goosebumps’ Brought R.L. Stine’s Twisted Imagination to the Screen With Epic Execution
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‘The Plague of the Zombies’ Delivered a Frightening, Gothic Spin on the Zombie Mythos [Hammer Factory]
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‘Horror of Frankenstein’ and Hammer’s Attempt to Reboot a Classic for a Young Audience [Hammer Factory]
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‘To the Devil… A Daughter’ Was One of the Better Post-‘Exorcist’ Satanic Horror Films [Hammer Factory]
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Richard Stanley’s ‘Color Out of Space’ Offers Wonder, Horror and a Peek into the Iridescent Unknown