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The Hedonistic Pleasures of Clive Barker’s ‘Hellraiser’ [Horror Queers Podcast]
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Skeleton Keys and Sassy Gays in Michele Soavi’s ‘Stage Fright’ [Horror Queers Podcast]
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The Queer Safe Space of Midian in Clive Barker’s ‘Nightbreed’ [Horror Queers Podcast]
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The Positive Queer Representation in John Carpenter’s ‘Someone’s Watching Me!’ [Horror Queers Podcast]
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Netflix’s “Resident Evil” Series: All the Easter Eggs You Might’ve Missed!
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The Transgressive Brilliance of ‘Drop Dead Gorgeous’ [Horror Queers Podcast]
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‘The New Mutants’ Delivered Queer Horror With a Comic Book Aesthetic [Horror Queers Podcast]
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Adapting the AIDS Mary Urban Legend in ‘Def By Temptation’ [Horror Queers Podcast]
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‘Scooby-Doo’: A Compromised Parody Still Worth Watching On its 20th Anniversary [Horror Queers Podcast]
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Breaking Taboos With Rosie Perez in ‘Perdita Durango’ [Horror Queers Podcast]
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On Masculinity and Kangaroo Hunting in the Ozploitation Classic ‘Wake in Fright’ [Horror Queers Podcast]
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Internalized Homophobia and Tentacle Alien Monsters in ‘The Untamed’ [Horror Queers Podcast]
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The Self-Hating Queer Villain at the Center of ‘Who Framed Roger Rabbit’ [Horror Queers Podcast]
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‘The Cellar’ Review – A Familiar, Family-Friendly Haunted House Movie
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Spooky Sets and Roald Dahl’s Influence on ‘The Cellar’ [Interview]
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Glass Ceilings and An(other) AIDS Allegory in ‘Near Dark’ [Horror Queers Podcast]
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Elisha Cuthbert on Her Return to Horror With ‘The Cellar’ [Interview]
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Doused With Bikinis, Boobs and Blood in ‘Piranha 3D’ [Horror Queers Podcast]
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‘Hypochondriac’ SXSW Review – Tackling Mental Illness Through a Queer Horror Lens
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‘Slash/Back’ Review – A Delightful Throwback to ’80s Gateway Horror [SXSW]
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‘The Prank’ Review – Rita Moreno Dazzles, But This Dark Comedy Plays It Too Safe
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Talking Through Internalized Homophobia in ‘Spiral’ [Horror Queers Podcast]
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‘Everything Everywhere All at Once’ SXSW Review – A Magical Triumph of Cinematic Storytelling
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Doing It for the Lulz in ‘Assassination Nation’ [Horror Queers Podcast]
