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The Tiffany Epiphany in ‘Bride of Chucky’ [Horror Queers Podcast]
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Un-Queering a Queer Text in ‘Diabolique’ [Horror Queers Podcast]
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[SXSW Review] ‘Sound of Violence’ Has a Muddled Message About Trauma
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[SXSW Review] ‘Offseason’ Offers Mild Thrills Amidst a Thin Narrative
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[SXSW Review] ‘The Feast’ is Bloody Good Eco-Horror
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[SXSW Review] ‘Paul Dood’s Deadly Lunch Break’ Delivers Gory Charm
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Analyzing the Hit-and-Miss Parody of ‘Scary Movie 2’ [Horror Queers Podcast]
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Queer Protagonists, Mental Illness and Found Footage in ‘The Taking of Deborah Logan’ [Horror Queers Podcast]
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The “WTF?” of It All in Vincenzo Natali’s ‘Splice’ [Horror Queers Podcast]
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Wacky Colors and Nuns Aplenty in ‘Psycho III’! [Horror Queers Podcast]
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Ringing in the New Year With ‘Terror Train’ [Horror Queers Podcast]
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[Horror Queers Podcast] The Style (and the Substance) of Tarsem Singh’s ‘The Cell’
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‘Batman: Mask of the Phantasm’: The First (and Only?) Batman Slasher Film [Horror Queers Podcast]
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[Horror Queers Podcast] White Saviors, Magic Mirrors and Snow Cones in ‘Candyman: Farewell to the Flesh’
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[Horror Queers Podcast] Equal Opportunity Nudity from a Queer Director in ‘The Ruins’
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[Horror Queers Podcast] The Queer Love Story at the Heart of ‘Copycat’
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[Horror Queers Podcast] The Predatory Lesbian at the Center of Alfred Hitchcock’s ‘Rebecca’
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[Horror Queers Podcast] Entering the World of Hammer Horror with ‘The Vampire Lovers’
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[Horror Queers Podcast] Kidney Heists, Hitchcock Awards and Twins in ‘Urban Legends: Final Cut’
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[Horror Queers Podcast] Women and Their Rowboats in ‘What Keeps You Alive’
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[Horror Queers Podcast] The Gay Indentured Servant of Blumhouse’s ‘Fantasy Island’
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[Review] ‘Random Acts of Violence’ is a Brutal and Merciless Slasher from Jay Baruchel
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Lynchian Queer Horror Film ‘Rapture in Blue’ Hitting DVD Shelves in October
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[Horror Queers Podcast] Caving In With the Lovely Ladies of ‘The Descent’
