Books
Best of 2023: The 10 Best Horror Books of the Year
Much like movies, television, and streaming platforms, it’s been a densely packed year for horror books as well. If the selection of horror movies available this year feels overwhelming, it pales in comparison to the horror renaissance that the book world offered this year.
The horror book industry has truly become more robust and expansive than ever, with 2023 bringing no shortage of fear-inducing reads through fiction and nonfiction alike.
Whether you’re in the mood for supernatural chills, slasher thrills, visceral terror, or insight into your favorite horror films and tropes, 2023 had it all.
Here are the ten best horror reads of the year.
10. How to Sell a Haunted House by Grady Hendrix
Bestselling author Grady Hendrix gives his spin on a horror staple: the haunted house. Louise gets called back to her hometown after her parents die in an accident. More than begrudgingly leaving her daughter with her ex, Louise dreads dealing with her brother Mark most of all. She’ll have to put aside her volatile differences with Mark to prep their parents’ house for sale, but that’s before the place reveals that it doesn’t want to be sold. Enter mom’s creepy puppets, led by the reigning champ of creepy: Pupkin. Hendrix’s distinct blend of scares and sentimentality aims to give a fresh spin on the familiar horror story, and its southern setting and depiction of family sets it apart.
9. The Black Guy Dies First: Black Horror Cinema from Fodder to Oscar by Robin R. Means Coleman, Ph.D. and Mark Harris
This one is a must for fans of the acclaimed documentary Horror Noire, based on Robin R. Means Coleman’s 2011 nonfiction book. Coleman teams up with prominent horror expert and journalist Mark Harris to analyze themes, tropes, and traits that have come to characterize Black roles in horror since 1968. The pair chronicle the history of Black horror films, from fodder like Spider Baby to the Oscar-winning Get Out and beyond. Unlike most academic texts, though, Harris and Coleman bring a charming sense of humor that makes their examination of the genre and its tropes easily digestible and fun.
8. Mister Magic by Kiersten White
Kiersten White’s novel follows a group of surviving cast members three decades after an unspeakable accident on the set of their children’s show stopped production permanently. The survivors assemble for a podcast to share their memories working on the kid’s show, but the more they look to the past, the more they realize sinister forces were at play. Mister Magic employs unimagined horrors, a creepy kids’ show host, and a hefty dose of ’90s pop culture nostalgia for a strange, abstract horror story that feels akin to a creepypasta.
7. Looking Glass Sound by Catriona Ward
As prolific a writer as Catriona Ward is, it’s impressive how layered, complex, and twisty her horror stories can be. Such is the case with this psychological horror story that follows a writer, Wilder Harlow, embarking on his last novel. He intends to pen the story of his childhood, of the summer where a killer prowled his New England town. The more he gives himself over to his work, the more Wilder’s grip on reality changes. Ward uses a meta narrative to explore the horrors of buried trauma and society’s true crime obsessed culture, but with mind-bending storytelling that rewards.
6. Silver Nitrate by Silvia Moreno-Garcia
Whereas Mexican Gothic delivered a Gothic romance, and The Daughter of Doctor Moreau retooled a sci-fi horror classic, Silvia Moreno-Garcia’s latest takes on Nazi occultism and cursed films set in the film industry in ’90s Mexico City. The author blends occultism, mysticism, cultural specificity, and a love of the horror genre into a compelling read made richer by the world-building. Much like Stephen Graham Jones, Moreno-Garcia wields horror movie history to her narrative advantage here for a fun genre page-turner.
5. Our Share of Night by Mariana Enriquez, translated by Megan McDowell
Technically, this sprawling horror tome was first published in Argentina in 2019. Thanks to translator Megan McDowell, complete with stunning prose, Our Share of Night made its way stateside early this year. The story spans several decades, from ’60s London to Argentina’s military dictatorship, anchored by the occult pursuits of the Reyes family. As expected for its massive scope, this journey is long and arduous. But it’s also melancholy, haunting, unexpected, and sometimes downright cruel in a way that impresses.
4. The Reformatory by Tananarive Due
It’s not surprising at all that Stephen King referred to Tananarive Due’s latest as “one of those books you can’t put down.” There’s an almost Castle Rock type of small town evil bubbling just beneath the surface of a Florida town in the Jim Crow era. It’s also a personal horror story for the author; Due drew inspiration from her great uncle Robert Stephen’s death at the far-too-young age of fifteen. The Reformatory toggles between two perspectives, that of young Robbie as he’s sent to the reformatory school and his sister Gloria as she attempts to set her brother free. Robbie also happens to have the ability to see ghosts. Due’s stunning, emotionally charged masterwork of historical fiction blends supernatural with reality based horror in a way that gets under your skin.
3. Boys in the Valley by Philip Fracassi
Described as “The Exorcist meets Lord of the Flies, by way of Midnight Mass,” Philip Fracassi’s novel is scary! The novel is set at an orphanage over winter, where a group of men arrive one night with an injured, sickly man in need of dire help from Father Poole. The man’s death unleashes an evil that spreads within the orphanage, leading to more death as hard battle lines form between good and evil. While the setup may feel familiar, Fracassi ensures what transpires is anything but with a full-throttle horror story that’ll leave you scrambling for the light switch with your jaw on the floor. It’s unnerving in the best, most propulsive way.
2. Don’t Fear the Reaper by Stephen Graham Jones
The second entry in the Indian Lake Trilogy reintroduces final girl Jade Daniels as older, wiser, and worn down by the enduring problems that she faced in the wake of the last book’s massacre. This Jade has left her slasher obsession behind in Proofrock. But four years later, Jade’s return to the town that scorned her coincides with the escape of convicted serial killer Dark Mill South, who’s out for revenge in her neck of the woods. Stephen Graham Jones’ endless well of slasher knowledge makes for a gripping sequel that expands the characters and body count while slowly peeling back the layers to Jade’s vulnerability in an unbelievably satisfying slasher sequel. Good thing we don’t have too much longer of a wait for the trilogy’s conclusion.
1.Whalefall by Daniel Kraus
Jay Gardiner feels a tremendous weight of guilt over his father’s passing. So much so that he decides to retrieve his father’s remains from the sea. But his solo dive proves to be a grave mistake when an eighty-foot, sixty-ton sperm whale swallows him whole amidst a fierce battle with another sea creature. Daniel Kraus’ brisk-paced novel toggles between survival horror and an internal journey through grief in the most propulsive way possible. Jay’s keen survival instincts and the insanely disturbing obstacles that comes from being swallowed alive gets grounded by the melancholy process of forgiveness. It results in the most pulse-pounding, fast read of the year, making it no surprise that a movie adaptation is already in development.
Books
‘Halloween: Illustrated’ Review: Original Novelization of John Carpenter’s Classic Gets an Upgrade
Film novelizations have existed for over 100 years, dating back to the silent era, but they peaked in popularity in the ’70s and ’80s, following the advent of the modern blockbuster but prior to the rise of home video. Despite many beloved properties receiving novelizations upon release, a perceived lack of interest have left a majority of them out of print for decades, with desirable titles attracting three figures on the secondary market.
Once such highly sought-after novelization is that of Halloween by Richard Curtis (under the pen name Curtis Richards), based on the screenplay by John Carpenter and Debra Hill. Originally published in 1979 by Bantam Books, the mass market paperback was reissued in the early ’80s but has been out of print for over 40 years.
But even in book form, you can’t kill the boogeyman. While a simple reprint would have satisfied the fanbase, boutique publisher Printed in Blood has gone above and beyond by turning the Halloween novelization into a coffee table book. Curtis’ unabridged original text is accompanied by nearly 100 new pieces of artwork by Orlando Arocena to create Halloween: Illustrated.
One of the reasons that The Shape is so scary is because he is, as Dr. Loomis eloquently puts it, “purely and simply evil.” Like the film sequels that would follow, the novelization attempts to give reason to the malevolence. More ambiguous than his sister or a cult, Curtis’ prologue ties Michael’s preternatural abilities to an ancient Celtic curse.
Jumping to 1963, the first few chapters delve into Michael’s childhood. Curtis hints at a familial history of evil by introducing a dogmatic grandmother, a concerned mother, and a 6-year-old boy plagued by violent nightmares and voices. The author also provides glimpses at Michael’s trial and his time at Smith’s Grove Sanitarium, which not only strengthens Loomis’ motivation for keeping him institutionalized but also provides a more concrete theory on how Michael learned to drive.
Aside from a handful of minor discrepancies, including Laurie stabbing Michael in his manhood, the rest of the book essentially follows the film’s depiction of that fateful Halloween night in 1978 beat for beat. Some of the writing is dated — like a smutty fixation on every female character’s breasts and a casual use of the R-word — but it otherwise possesses a timelessness similar to its film counterpart. The written version benefits from expanded detail and enriched characters.
The addition of Arocena’s stunning illustrations, some of which are integrated into the text, creates a unique reading experience. The artwork has a painterly quality to it but is made digitally using vectors. He faithfully reproduces many of Halloween‘s most memorable moments, down to actor likeness, but his more expressionistic pieces are particularly striking.
The 224-page hardcover tome also includes an introduction by Curtis — who details the challenges of translating a script into a novel and explains the reasoning behind his decisions to occasionally subvert the source material — and a brief afterword from Arocena.
Novelizations allow readers to revisit worlds they love from a different perspective. It’s impossible to divorce Halloween from the film’s iconography — Carpenter’s atmospheric direction and score, Dean Cundey’s anamorphic cinematography, Michael’s expressionless mask, Jamie Lee Curtis’ star-making performance — but Halloween: Illustrated paints a vivid picture in the mind’s eye through Curtis’ writing and Arocena’s artwork.
Halloween: Illustrated is available now.
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