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Fear File #4: The Real Tony Todd

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I can’t begin to tell you how obsessed my mother was with Candyman. Aside from my early exposure to The Exorcist and Halloween, these were some of my first horror flicks. Looking back, I probably shouldn’t have been watching them THAT early in my lifespan, but I fell in love. The imagery, the urban legend, the way it was delivered to the audience- Candyman was a rush, an exquisite example of how horror should be. After all, there isn’t much that Clive Barker touches that doesn’t fall into the ‘awesome’ category. But it was Candyman himself that drew me to the series- the mystery of a man who had been murdered for his love of a woman and has since come back to take his revenge; gory revenge, sure, but revenge just the same. In short, it was an urban legend, and one that has stuck with me since.

Actor Tony Todd is Candyman. But he was also a villain on “24.” A CIA Director on “Chuck.” The voice of Fallen in Transformers: Revenge of the Fallen. And, as horror fans, he entertained as Reverend Zombie in both Hatchet flicks, and as Mr. Bludworth in Final Destination. His IMDB page reads like a journey- the path of a talented actor who has done every role imaginable and nailed each one with such grace that he’s always coming back for more. When I sat down for this interview, I had no idea what I was getting myself into. By the time I hung up the phone, I was awe struck. I walked into this assuming that I would be interviewing a horror icon; instead, I walked away knowing a skilled craftsman who has an undeniable love for Shakespeare and cats.

Yes, cats.

Candyman Tony Todd

Uncoordinated Yet Distinguished

Tony Todd doesn’t have a Twitter. He doesn’t have a Facebook page, either (except for the one the system miraculously bestowed upon him). But people know him- they know who he is. Whether it’s for a character he played on television, or a role in a familiar movie, Tony Todd is everywhere- and that’s not something that’s going to change. Even if it were, why would we want it to?

Todd was hit by the acting bug early on in life. A sports fan who wanted to fall into varsity greatness, a growth spurt of nearly six inches between his sophomore and junior year forced him to reevaluate his direction due to a lack of coordination. That was when his English teacher handed him a copy of Shakespeare’s Coriolanus and the theater bug hit hard. “You know those moments where you go, ‘wow, I want to be as close to this as possible’? That was it.” He spent high school immersed in one play after the next, but eventually went on to study the craft at not only the University of Connecticut, but also in several well-known conservatories. “I take it very seriously, but at the same time it gives me such joy to not only create but just to know that, occasionally, people are moved by what I do.” Todd completed seven years of in-depth studies, but would still love to go back and do even more. Being able to study in Moscow is a thought that crosses his mind often; being able to go into a controlled environment knowing what he knows now. “I love education. I love learning.” Those who act know that there is a distinct difference between film/television and theater. Hell, even those who aren’t actors know that the disciplines are unique. It’s like night and day- some may succeed in one area, yet struggle in another. Todd, who tries to do a play every few years or so, is fortunate enough to be able to do both. “Not everybody can do both. It’s two different disciplines, two different focuses. I’m very fortunate that A) I make a living doing film and television and B) theater is still deep in my blood.

Todd’s nickname should be ‘reality check’. He’s a realist; a breath of fresh air- after spending nearly an hour talking about life and business, I’ve learned a few things; even more so, I’ve learned that Todd is grateful for everything that he has done and will do in the future. “There is no guarantee of success. The sad reality is that maybe one out of ten are even going to get one job. When you’re young you think you’ll live forever and you’re gonna do what you say you’re going to do.” He’ll be the first person to tell you that Hollywood isn’t kind, either. “You better have a thick skin like a reptile without becoming a snake.

What can I say? The man has a good head on his shoulders. “You gotta keep your ego in check. You gotta keep it real, man. That’s why I was raised by the right woman and I have the right friends in my life and I have two beautiful children and I love life- and that comes first.

Tony the Gangster

I love good movies,” said Todd. “Anything that has a good beginning, middle and end is great.” He doesn’t just like horror movies, but he has his favorites. Abbott and Costello Meet Frankenstein. The great Universal horror films “have always resonated with me.” Rosemary’s Baby. The original Hitchhiker. George Romero’s Night of the Living Dead made Todd think “Wow, not only is that so creepy it could happen, but I saw Dwayne Jones and said ‘I can do this and not be Sydney Poitier.’

Todd’s love of film started early. Raised by a single mother, his aunt, she introduced him to a different movie every night, using it to build character. “What she was also building was my deep and fascinating love of movies.” In fact, Todd repaid her the best way he knew how in 1994 while filming the western, Black Fox. He invited her to the set and she was treated like a queen as she got to watch what she had loved so much come to life before her eyes. “The beam on her face just sort of validated everything that I was doing.

Looking over Todd’s vast career, he really has done it all. Westerns. Horror. Action. Thriller; everything has come together to showcase how much he loves what he does. He’s not a one-genre kind guy, and that’s what makes him a treasure; the fact that he can take on such different roles and do it incredibly well. “It builds character. The beautiful thing is that whatever role is meant for you to do, you’re going to do it.” Todd even admits to hating his flops; something many actors would deny, even going so far as to cite wanting a do-over on his 2006 take on Dr. Jekyll and Mr. Hyde. “You just don’t know at the time. You’re only as good as your weakest link in the cast.

Every actor, filmmaker, producer and even writer has their influences. I know for me, it’s Diablo Cody and the ever-changing writing style of Kevin Williamson. But Todd has several, including Robert Deniro and Martin Scorcese. Personally, I’d love to see Todd take on a gangster flick with the best of them. The biggest surprise to me was when Todd mentioned the likes of Humphrey Bogart, but cracked me up when he added “… he had a face only a mother could love.”

The Future

With Final Destination 5 in theaters, Todd is once again in the spotlight; but he’s constantly working. Video games, cartoons, whatever peaks his interest can easily find a place on his resume. Even the type of projects that churn out toys. “I counted one day when I was bored. I have 7 action figures. That’s pretty awesome.

Aside from FD5, Todd’s role in Jack the Reaper has been in headlines as well. The film recently earned top horror/sci-fi honors at the Cannes Film Festival. But it’s the upcoming film Sushi Girl that has Todd beaming with pride. “[It’s] one of the best roles I’ve ever filmed.” The movie is about a group of robbers who throw a welcome home dinner party for the member of their gang that spent six years silently in prison for a crime they all committed. The dinner is an array of sushi lined up on the body of a ‘sushi girl,’ a beautiful, naked young woman who is trained to remain in a cationic state. But as the four former partners in crime open up old wounds, will the sushi girl be able to keep her cool? It’s a question that I’m willing to ask, and a film that I’m more than excited to see.

The group of filmmakers behind Sushi Girl ‘script stalked’ Todd for awhile before he finally committed to the role. Initially, they dropped a script in his shopping basket at a local supermarket. “I ignored it. I gave it to the cashier.” They pushed and pushed until Todd fell for the content and agreed to play the role. “I gotta give them points for tenacity.

Todd doesn’t want to stick to just acting, though. Eventually he’d love to take the reigns as director at the helm of his own original project. In fact, he said he’ll keep going “… until I’m done and then I’ll travel and probably end up somewhere in Tahiti. I’ll be there, laying on the beach, having a coconut, maybe with a little rum, a woman on a boat arriving with my weekly groceries… and there in my bag will be a script sticking out of the top. Then I’ll know it’s time to move.”

Todd is a gem. He’s a rare breed; an iconic figure who is actually down to Earth and hates leaving his three cats when he has work to do (they hate it too, I’m sure). He loves fishing, gardening, traveling; but most importantly, he loves what he does. He loves entertaining; frightening people, bringing them to tears, making them smile. He is a master and the fact that he’s good at what he does makes him all the more prestigious. I can’t say enough good things about this man. Actor Kane Hodder agrees: “Tony is a very talented actor… and he happens to be the only guy I met in my life that intimidates me.” I guess that whole ‘be my victim’ mess is the equivalent of ‘you had me at hello.’

For more from ANDREA ALBIN, visit her rad blog THE ALBIN WAY

For more on SUSHI GIRL, visit the film’s official website.

And don’t forget, Todd returns as Mr. Bludworth in Final Destination 5, currently in theaters.

Hatchet Tony Todd

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Editorials

11 Years Later: The Horrific Cycles of Violence in ‘Only God Forgives’ Starring Ryan Gosling

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Traditionally, movie theater walkouts are usually associated with the horror genre, with infamous cases ranging from 1973’s The Exorcist (particularly during the crucifix masturbation scene) and even Lars Von Trier’s controversial serial killer memoir, The House That Jack Built.

That being said, there are exceptions to this rule, as some movies manage to terrorize audiences into leaving the theater regardless of genre. One memorable example of this is Nicolas Winding Refn’s 2013 revenge thriller Only God Forgives, a film so brutal and inaccessible that quite a few critics ended up treating it like a snuff film from hell back when it was first released. However, I’ve come to learn that horror fans have a knack for seeing beyond the blood and guts when judging the value of a story, and that’s why I’d like to make a case for Winding’s near-impenetrable experiment as an excellent horror-adjacent experience.

Refn originally came up with the idea for Only God Forgives immediately after completing 2009’s Valhalla Rising and becoming confused by feelings of anger and existential dread during his wife’s second pregnancy. It was during this time that he found himself imagining a literal fistfight with God, with this concept leading him to envision a fairy-tale western set in the far east that would deal with some of the same primal emotions present in his Viking revenge story.

It was actually Ryan Gosling who convinced the director to tackle the more commercially viable Drive first, as he wanted to cement his partnership with the filmmaker in a more traditional movie before tackling a deeply strange project. This would pay off during the production of Only God Forgives, as the filmmaking duo was forced to use their notoriety to scrounge up money at a Thai film festival when local authorities began demanding bribes in order to allow shooting to continue.

In the finished film, Gosling plays Julian, an American ex-pat running a Muay-Thai boxing club alongside his sociopathic brother Billy (Tom Burke). When Billy gets himself killed after sexually assaulting and murdering a teenager, Julian is tasked by his disturbed mother (Kristin Scott Thomas) with tracking down those responsible for the death of her first-born child. What follows is a surreal dive into the seedy underbelly of Bangkok as the cycle of revenge escalates and violence leads to even more violence.


SO WHY IS IT WORTH WATCHING?

There’s no right or wrong way to engage with art, but there are some films that clearly require more effort from the audience side in order to be effective. And while you can’t blame cinemagoers for just wanting to enjoy some passive entertainment, I think it’s always worth trying to meet a work of art on its own terms before judging it.

Despite being a huge fan of Drive, I avoided Only God Forgives for a long time because of its poor critical reception and excessively esoteric presentation. It was only years later that I gave the flick a chance when a friend of mine described the experience as “David Lynch on cocaine.” It was then that I realized that nearly everything critics had complained about in the film are precisely what made it so interesting.

If you can stomach the deliberate pacing, you’ll likely be fascinated by this stylish nightmare about morally questionable people becoming trapped in a needless cycle of violence and retaliation. Not only is the photography impeccable, turning the rain-slicked streets of Bangkok into a neo-noir playground, but the bizarre characters and performances also help to make this an undeniably memorable movie. And while Gosling deserves praise as the unhinged Julian, I’d argue that Vithaya Pansringarm steals the show here as “The Angel of Vengeance,” even if his untranslated dialogue is likely to be unintelligible for most viewers.

However, I think the lack of subtitles ends up enhancing the mood here (even though some editions of the film ended up including them against the director’s wishes), adding to the feeling that Julian is a stranger in a strange land while also allowing viewers to project their own motivations onto some of the “antagonists.”

And while Only God Forgives is frequently accused of burying its narrative underneath a pile of artsy excess, I think the heart of the film is rather straightforward despite its obtuse presentation. I mean, the moral here is basically “revenge isn’t fun,” which I think is made clear by the horrific use of violence (though we’ll discuss that further in the next section).

To be clear, I’m still not sure whether or not I enjoyed this movie, I just know that I’m glad I watched it.


AND WHAT MAKES IT HORROR ADJACENT?

There are two different kinds of gore effects. One of them is meant to entertain viewers with exaggerated wounds and excessive blood as you admire the craftsmanship behind the filmmaking. The other kind is simply a tool meant to simulate what actually happens when you injure a human body. Like I mentioned before, Only God Forgives isn’t trying to be “fun,” so you can guess what kind gore is in this one…

From realistic maimings to brutal fist fights that feel more painful than thrilling, the “action” label on this flick seems downright questionable when the majority of the experience has you wincing at genuinely scary acts of grisly violence. I mean, the story begins with an unmotivated rampage through the streets of late-night Bangkok and ends with the implication of even more pointless violence, so it’s pretty clear that you’re not really meant to root for an “action hero” here.

I can’t even say that the deaths resemble those from slasher flicks because the movie never attempts to sensationalize these horrific acts, with Refn preferring to depict them as straightforward consequences of violent people going through the motions – which is somehow even scarier than if this had just been yet another hyper-violent revenge movie.

Not only that, but the characters’ overall lack of moral principles makes this story even more disturbing, with the main antagonist being the closest thing to a decent person among the main cast despite also being a brutal vigilante.

Only God Forgives doesn’t care if you like it or not (and actually takes measures to make sure that the viewing experience is often unpleasant), but if you’re willing to step up to this cinematic challenge and engage with the narrative and visuals on their own terms, I think you’ll find an unforgettable nightmare waiting for you on the other side.


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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