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What Was Your First R-Rated Horror Film?

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Faculty Queen

Do any of you get asked why you love horror films so much? I know there are countless studies on the whole “why do we love being scared” question and people who aren’t into horror think we’re all demented for loving such a brutal genre; but for as long as I remember I have always been into them. I think a part of it was because I was never allowed to watch them (or any R-rated movie, for that matter) until I was in my late teens, so of course I wanted to watch everything that I wasn’t allowed to. My dad was really into horror films though, and I think he really wanted to be able to share that passion with me. So lucky for me, whenever my mom was out of town (which was very rarely) he would sneak me a movie or two that wasn’t too inappropriate so I could get my fix. My mother probably still thinks my first R-rated movie was The Patriot (well, probably not anymore after she reads this…sorry Dad). While all of that backstory isn’t completely necessary, it’s all part of the memory of the first R-rated horror movie I ever saw: The Faculty. I have a lot of strong emotion and vivid memories of watching it, so my question is: what was yours?

I didn’t see The Faculty until I was in fifth grade, so I would have been ten old. I remember spending an insane amount of time looking for PG-13 (or in some cases PG) horror films that didn’t look terrible which, as you know can be a rather difficult thing to do. I’d made my way through PoltergeistTemple of Doom (I consider it to have many aspects of horror), Gremlins, Tremors and other various classics but at some point I was really scraping the bottom of the barrel and watching things like Komodo and King Cobra (I really liked creature features). I used to walk around my local Blockbuster (RIP) and just stare at the VHS covers and read the backs of the boxes just to get an idea what watching an R-rated movie would be like. Similarly, I would roam the halls before every movie at the AMC Theater in my town looking at all the posters hanging on the walls, to see if there was something new coming out. I remember coming across the poster for The Faculty, which got me really excited because it had Elijah Wood in it, whom I had loved ever since seeing him in North (not proud of that statement, but I was 10).

Faculty Poster

Anyway, my dad had rented the movie to watch himself (my mom isn’t really a fan of these types of films so he never got to go see them in theaters) and for some reason, my mom was not going to be home all afternoon the Saturday after my dad watched it, and it wasn’t due back until Sunday. My sister was going over to a friend’s house for a few hours so he called me upstairs and (very seriously) told me that he would let me watch the movie but I couldn’t tell my mom or my sister and if I had nightmares I had to stay in my room and deal with it. Also, if my sister or her friend came back home we had to turn it off. I agreed to his terms.

Needless to say I got to watch the whole movie, but there was a point near the very end of the film when Mary-Beth had just punched Stokely and started turning into the queen alien where my sister and her friend came back. Luckily I saw them coming in the backyard through the window and I ran and locked the door so they wouldn’t be able to come in. They eventually left on their bicycles  and went back to the friend’s house, probably thinking my Dad had left to run an errand. I know it was kind of douchey but I was on a mission: I was going to finish this movie and no one was going to ruin it.

In the end, I got to finish the movie, and then I went to school the following Monday and told everyone about it. It was the highlight of my life at that point, which sounds dumb now but my 10-year-old self was ecstatic. I also got to watch Deep Blue Sea and Halloween: H20 that same year which pretty much made my memories of fifth grade the best ever (it’s also why I love all 3 of those movies, no matter what their quality is).

While I know some of you might not find this story that interesting, it’s one of my favorite memories and I just thought I’d share it to ignite some friendly discussion. I’m very curious to know what your memories are of your first time seeing a R-rated horror movie (or ANY horror movie, for that matter). Discuss in the comments below and share your experiences!

A journalist for Bloody Disgusting since 2015, Trace writes film reviews and editorials, as well as co-hosts Bloody Disgusting's Horror Queers podcast, which looks at horror films through a queer lens. He has since become dedicated to amplifying queer voices in the horror community, while also injecting his own personal flair into film discourse. Trace lives in Austin, TX with his husband and their two dogs. Find him on Twitter @TracedThurman

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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