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Has Overhype Ever Ruined a Movie For You?

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It Follows: TWC Weinstein Radius

It Follows was released in New York and Los Angeles on March 13th. While I won’t get to see it until March 27th, when it’s finally released in Austin (damn you South By Southwest!), I have to say that I am incredibly excited about it (read both of our glowing reviews here and here), but a tiny part of me is terrified that I’m not going to like it as much as I think I’m going to. My reasoning for this is because it is becoming incredibly hyped, and I am a person who can let hype really get to me. Now, before I go on: I would like to point out that I am fully aware I could choose not to read reviews and news about movies before they are released, but it’s kind of part of my job. Call me masochistic if you want. All of this got me thinking about movies that have been overhyped for me in the past. I’m also quite interested to hear your thoughts on movies that have disappointed you in the past.

The most recent example of overhype for me was my experience with The Babadook last year. I had been following it for a while since it premiered at Sundance last January. Think about it: that is about 11 months of me reading glowing things about the film (I finally saw it in November). I probably should have expected to be disappointed, and I definitely was. Don’t get me wrong, I liked the movie. It just didn’t live up to the admittedly impossible expectations I had set for it. I’ve already pre-ordered the BluRay on Amazon though so I’m hoping that a second viewing with more perspective will help, but mostly I just want it for the special packaging.

Haute Tension was also a victim of overhype for me. This was due mostly to the fact that I still can’t stand the ending (and yes, I have seen it more than once). I don’t appreciate movies that flat out lie to the audience and this movie was one of them. It was very well made, had some amazing gore effects and all of the performances were great; but every time I watch it the final 10 minutes completely take me out of the film. To this day I still do not understand the hype this film still receives.

Suspiria Overhype

How I felt while watching Suspiria.

The biggest example of overhype for me isn’t even a recent film. It’s Suspiria. I have only seen Suspiria once, and it was over a decade ago when I was still in high school. I admit that I probably need to watch it again. I’ve been to film school and taken a few classes on horror films since then so I could probably appreciate it a little bit more now. I just remember being incredibly bored the first time I watched it. Suspiria is the reason I don’t buy movies without watching them first anymore. This is probably something most people do already, but since Suspiria is such a highly regarded classic, I thought it was pretty much guaranteed that I would like it. Undoubtedly, that added to my bad memory of the film. Nevertheless, whenever someone mentions overhype my mind always goes back to the first time I watched Suspiria.

My goal in writing this post is not to bash on the movies I have listed. I have a respect for most films and the effort that goes into them, but I fully realize I may be inviting a lot of backlash by writing this post. The three films I listed above had a lot of care and effort put into them, and I take most of the blame for allowing myself to fall victim to overhype. I’ve tried to not actually read the reviews for It Follows and just read the blurbs on Rotten Tomatoes. I don’t think I’ll be disappointed, but I am still wary about it. Fingers crossed it lives up to my (slightly more managed) expectations!

So now that I’ve shared my experiences with you and I would like to hear about yours. When has overhype ruined a movie for you? Let me know in the comments below!

A journalist for Bloody Disgusting since 2015, Trace writes film reviews and editorials, as well as co-hosts Bloody Disgusting's Horror Queers podcast, which looks at horror films through a queer lens. He has since become dedicated to amplifying queer voices in the horror community, while also injecting his own personal flair into film discourse. Trace lives in Austin, TX with his husband and their two dogs. Find him on Twitter @TracedThurman

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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