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Stop Bitching About ‘Dog Soldiers,’ Be Glad You Have It!

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You, yes you, are keeping physical media formats alive. Not the average movie goer, you who will watch endless amounts of utter shittastic celluloid for that one gem. You who watches movies that fall under such sub-genre names “naziploitaion” and “slasher”. Hell, you even seek out satanic panic and psychological mind fucking because you enjoy it god dammit! Don’t worry, you aren’t alone if no one else you have me too. In a world that is becoming increasingly digital the average movie viewer is primarily streaming, downloading, and video on-demand-ing their media. To hell with special features and “bulky” boxes, they say. Bullshit. It’s the Scream! Factories and the WaxRecords that keep us broke but happy.

And then something happens that endangers it for everyone. We get greedy, we take things for granted. And that’s what has happened with the long awaited Scream! Factory Collector’s Edition of Dog Soldiers. After being delayed for about a year, Scream! was finally able to release the Blu to eager fans after taking painstaking measures to get the best print that was available to them. Director Neil Marshall himself gave the seal of approval and it was released to the public.

Dog Soldiers

Who then promptly ripped it to shreds much like the werewolves featured. But here’s the thing, they did the best they could. They delayed the release to try and find better prints but in the ever-present digital age most hard prints have been destroyed or lost. Major complaints come from the grainy quality of the film which should be expected when something that was originally shot on 16mm is blown up to 35mm. It’s like when you print out that awesome spaghetti picture you filtered to perfection Instagram and it still looks blurry. Technology can only do so much folks!

But the bottom line is if we want to continue to have these horror gems coming to us we have to realize some are going to be rough around the edges. There are an endless amount of rough-cut gems just waiting to get a Blu-ray release be it from Scream! Factory or Arrow or any other number of awesome horror distributors popping up. But if all we do is complain and stop buying things, there will be no one to cry to when these companies go away.

Dog Soldiers is a great werewolf movie and it should be seen by all and to be honest it’s a gritty film. It shouldn’t be glossy and slick, it’s rough and tumble soldiers running through the woods and battling gargantuan werewolves, and you want to complain about some grain? I’ve watched my copy twice now and the number of special features and time put into this release is more than enough to make up for less than perfect visuals.

Never bite the hand that feeds.

Jess is a Northeast Ohio native who has loved all things horror and fringe since birth. She has a tendency to run at the mouth about it and decided writing was the only way not to scare everyone away. If you make a hobby into a career it becomes less creepy. Unless that hobby is collecting baby dolls. Nothing makes that less creepy.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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