Editorials
Black Friday Chopping List: Music
| MOVIES | GAMES | TV | MUSIC | TOYS |
Happy Thanksgiving week everyone! As many of you probably already know, that means Black Friday is right around the corner. While stores aren’t necessarily as packed as they used to be thanks to online deals and events like Cyber Monday, Black Friday is nonetheless a very stressful and busy day for some people. There are just so many deals out there! I don’t know about any of you, but I choose to stay out of the brick-and-mortar stores and stick to online shopping in my pajamas at my home. Here is a list of some of the must-have horror albums that we think you should consider purchasing this Black Friday!
It Follows
Let’s just get this out of the way right now: It Follows has one of the best horror soundtracks in recent memory. Reminiscent of the synth scores from the 70s and 80s, Disasterpeace’s score is a brilliant score that has earned its place in horror movie history with the other greats like the scores from Halloween and Suspiria.
John Carpenter’s Lost Themes
John Carpenter returned to us this year not in film, but in the form of this amazing collection of original piece of music that harkens back to the scores for Halloween, Assault on Precinct 13 and many others. Made in collaboration with his son Cody and composer Daniel Davies, it’s a return to form for the director who really needed a comeback.
Goblin Rebirth
Our own Jonathan Barkan gave this album a glowing review back in July, calling it a “breath of fresh decaying, rotten air that we so richly deserve.” Definitely give it a listen!
Army of Darkness
The soundtrack of the third installment in Sam Raimi’s Evil Dead trilogy arguably has the most memorable score out of all the films in the franchise (bold statement, I know), and it comes to life in this outstanding vinyl edition.
Cooties
Cooties the film didn’t fully live up to its potential, but it did have a pretty fun (and goofy soundtrack). If anything, this vinyl is worth getting just for the minimal (but fantastic) cover art.
House of the Devil
An oldie but a goodie, the soundtrack to The House of the Devil is very much like that of the soundtrack for It Follows in that it harkens back to the synth scores of the horror films from the 70s and 80s. It’s all one big nostalgia trip and it’s a total blast.
Trick ‘r Treat
Just because Halloween is over doesn’t mean that you can’t still listen to Trick ‘r Treat’s frivolous and light-hearted score on vinyl. Give yourself the best gift this Black Friday and check out Douglas Pipes’ extremely fun score.
What albums are you going to be purchasing this Black Friday? Let us know in the comments below!
Editorials
‘The Vampire Lestat’ Concert Event Launches New Season With The Ultimate Expression Of Fandom
There are thousands of passionate fans decked out in gothic chic and champing at the bit like feral creatures. They’re screaming for Lestat, a legendary vampire-turned-rock star, as if the entire crowd has been glamored into submission.
The entire experience is magic, but not because some supernatural thrall has been activated. What’s going on is even more special. It’s the power of the effusive fandom that’s been authentically assembled by AMC’s sublime Immortal Universe, namely Anne Rice’s Interview with the Vampire, now, The Vampire Lestat.
The Vampire Lestat is far from the first Anne Rice adaptation, and it’s not as if there’s been a lack of erotic vampire material for audiences to sink their teeth into. On June 2nd, during a one-night-only spectacle, New York City’s prestigious Beacon Theatre shook from Sam Reid’s bravado performance and an audience full of adoring fans who had already memorized Lestat’s songs.
It’s clear that The Vampire Lestat just hits differently than its predecessors. It’s become more than just a TV series at this point, and this opulent display of ego, swagger, and pure sex is the perfect way to premiere the new season and give back to the fans who helped make Interview with the Vampire/The Vampire Lestat such a breakout success. It’s exactly the sort of hyperbolized hedonism that would make Lestat cackle.

For all intents and purposes, AMC has successfully created the illusion that this concert/premiere is just one of the many destinations on Lestat and his band’s 54-stop tour that is simultaneously playing out on this season of television. It’s such a sophisticated and thorough level of interactive fan engagement that the audience doesn’t just understand, but also manages to accentuate through its involvement.
It’s a level of seamless synergy that’s not unlike the give-and-take relationship of vampire and victim.
Before the concert started, “LeStans” were sitting in the Beacon and flipping through a fake Rolling Stone issue with Lestat emblazoned on the cover, complete with interviews with the undead frontman inside. Other fans were admiring the vinyl pressing of Lestat’s EP as they walked past a section of undead band merch. Fandom and fantasy blur together, and it all becomes this elaborate, immersive experience. Fan celebration, erotic gothic fantasy, and a lavish rock concert transform into one beautiful thing.
To this point, AMC Global Media’s Chief Content Officer and President of AMC Studios, Dan McDermott, introduced the event by reiterating to fans, “You are the heartbeat of the series.” That’s abundantly clear on nights like this as that heartbeat collectively pulses to this performance. In terms of how AMC engages with The Vampire Lestat’s fans, it’s as bold a reinvention as the season itself.
This intuitive gamble speaks to AMC’s creativity in this department and a fandom that is eager to seize such opportunities. It’s the same innovation that led to zombie walks for The Walking Dead and real-life Los Pollos Hermanos restaurant pop-ups from Breaking Bad. It’s a great way to pump up the audience for The Vampire Lestat and then maintain that enthusiasm for the whole season.
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For most series, a rock ‘n’ roll concert just doesn’t make any sense as a promotional tool. The Vampire Lestat finds itself in a very unique position where it can deliver an excellent concert at an iconic theater, but also use it to showcase The Vampire Lestat’s music by Daniel Hart (who was shredding on stage alongside Reid and the rest of their band) and, more than anything, Sam Reid’s endless charisma.
The way in which Reid feeds off of the crowd’s energy, modulating his performance and giving different sections of the Beacon life, is a perfect distillation of the series’ thoughtful relationship with its audience and how it’s become such a breakout success for AMC. AMC Studios President Dan McDermott emphasized that the fans are the reason that the show is still here and why an event like this is even possible. It’s rare to see a series in which every single cog in the machine is so perfectly attuned to its fans. Reid’s fans already cheer whenever they see him, so why not translate that to a concert setting?
It’s clear in this season of television that Reid was born to be a rock star, but it’s surreal to see him effortlessly command the stage — and the audience — at every step of the concert. He recites Shakespeare monologues and bitches out Armand between songs, all while the audience screams in support. For the duration of this concert, Reid is Lestat, and he’s given thousands of fans a memory that’s as immortal as any vampire.
Now bring on the encore and get this show on the road!







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