Connect with us

Editorials

‘Buffy the Vampire Slayer’ Ended 13 Years Ago Today

Published

on

Buffy Series Finale

In every generation there is a Chosen One. She alone will stand against the vampires, the demons, and the forces of darkness. She is the Slayer.

On May 20, 2003 Buffy the Vampire Slayer went off the air for good. Joss Whedon’s groundbreaking series about a Los Angeles teenager who was chosen to save the world (a lot) by fighting the forces of evil (it wasn’t just vampires y’all) until her death. Buffy the Vampire Slayer holds a special place in many people’s hearts, and for good reason. It was filled to the brim with relatable, quirky and lovable characters that happened to live on top of a Hellmouth.

To say that Buffy the Vampire Slayer was critically lauded would be an extreme understatement. Since it premiered in 1997, it has ranked among many top publications’ “Best Of” lists,* including (but not limited to):

  • 41st on TV Guide’s list of 50 Greatest TV Shows of All Time
  • 2nd  on Empires “50 Greatest TV Shows of All Time”
  • 27th on The Hollywood Reporters “Hollywood’s 100 Favorite TV Shows”
  • 3rd in 2004 and 2007 on TV Guides “Top Cult Shows Ever”
  • Listed in Time magazine’s “100 Best TV Shows of All-Time”
  • List of “The 60 Greatest Dramas of All Time” and ranked it #38 on its list of the “60 Best Series of All Time”.
  • 3rd Best School Show of All Time by AOL TV.

*From Wikipedia.

It is interesting to talk to a younger generation about Buffy the Vampire Slayer. Even today, 13 years after its end, it is still misunderstood as “that silly show about a girl who fights vampires” by people who have never seen it. Or they start to watch the first season and think it’s lame (Just make it to season 2 you guys! “Surprise” was the turning point episode for me). If only everyone could have had the same experience so many other did while watching Buffy the Vampire Slayer. It was a truly special experience.

To describe my passion for Buffy the Vampire Slayer and how emotionally tied to it I am would take a novel’s worth of words, but I just wanted to use this space to bring attention to one of the greatest television shows of all time. Joss Whedon really made me feel like these characters were actually my friends, and watching reruns after the series ended was an important part of my teenage years (it’s very queer-friendly, in case you didn’t already know). It’s also a big part of the reason I would sell my soul to Satan himself to get to meet Sarah Michelle Gellar (or Emma Caulfield, or Alyson Hannigan, or Eliza Dushku, et al). But I watched Buffy the Vampire Slayer at a time in my life when I was bullied and picked on frequently, so the series acted as my safe haven. My umbrella, if you will. I feel like a lot of fans of the series were in a similar situation as me, and in that the show has brought many of us together.

As was usually the case with shows of Buffy’s kind, I was not allowed to watch it while I was growing up. My parents didn’t let me start watching it until I was in 8th grade, which is when the final season aired. I was just 14 when the series went off the air, and by that time I had rapidly caught up during the previous year by watching the reruns FX would air at 5am and 6am every morning (they would re-air those same episodes at 3pm and 4pm that afternoon, so it made it easy to catch up in case I missed one). By the time the finale aired I was mostly caught up, and what a satisfying finale “Chosen” was.

I could go on and on about how I’ve seen “Once More, With Feeling” at least 20 times and how I play the soundtrack on my iPhone at least once a month. I could describe the seven episodes that have made me cry (“Passion,” “The Body,” “The Gift,” “Hell’s Bells,” “Grave,” “Selfless” and “Chosen”). I could explain my reasoning behind ordering the seasons from best to worst like this: 3, 5, 2, 6, 4, 7, 1 (it’s not that I hate the first season, it just hasn’t aged nearly as well as the others). I could even write a character study on why Anya Christina Emmanuella Jenkins Harris is the absolute best character in the show.

I won’t do any of that though, because I want to hear all of your thoughts and stories on this fantastic series. If you’ve never watched it, go to Netflix right now and start a binge-watch. Just make it past that first season (as I mentioned above, it’s always difficult to get people into Buffy specifically because that first season, sans the finale, has not aged very well). If you’ve already seen the entire series three times or more, take an hour today to go back and re-watch “Chosen,” the series finale of this truly special show.

What are your fondest memories of Buffy the Vampire Slayer? What were some of your favorite episodes? Who were your favorite characters? Do you still watch episodes on Netflix (or your DVD box sets) today? Let us know in the comments below or shoot me a Tweet, as I’m always game for discussing some Buffy. In the meantime, please enjoy these 50 amazing Anya moments.

A journalist for Bloody Disgusting since 2015, Trace writes film reviews and editorials, as well as co-hosts Bloody Disgusting's Horror Queers podcast, which looks at horror films through a queer lens. He has since become dedicated to amplifying queer voices in the horror community, while also injecting his own personal flair into film discourse. Trace lives in Austin, TX with his husband and their two dogs. Find him on Twitter @TracedThurman

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

Published

on

Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

Continue Reading