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That One Time “The Munsters” Gave Us an Animated Special

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Images courtesy of Marky-Munster

Once upon a time, in the golden year of 1973, “The Munsters” evolved for a split-second into cartoon form, and then disappeared into the seventh layer of animated Hell. Or maybe it was chucked into Spot’s lair under the stairs of 1313 Mockingbird Lane. That damn Dragon ate everything from cars to trash can lids.

Premiering in the same week as “The Addams Family” back in September 1964, CBS brought an element of horror fun into homes of the Baby Boomer Generation and re-introduced a post- Frankenstein era that seemed to meet its end of horror-inducing screams in turn for comic relief on the heels of the respectable success from Abbott and Costello Meet Frankenstein. While both programs offered similar themes and plotlines, there seems to be a raging war even present to this day as to which ghoulish show from the early ‘60s reigned supreme. As a fan of both, “The Addams’” brought a charming, spooky wit while “The Munsters” gave us ghoulish, goofy laughs with the end result the same for both programs: A feeling of fuzzy-horror-goodness.

The winner? Who cares. They both rock, am I right?!

While “The Munsters” and “The Addams Family” had us both hooked on those feel-good spooky feelers, both programs only lasted two seasons. It wasn’t until a full seven years later in 1973 that “The Addams Family” would make a return in glorious animated form as an official Hanna-Barbera production that ran with 16 episodes in total.

Oh, and “The Munsters” did as well – but with only one measly episode.

Much like the original series run in 1964, “The Munsters” were to pit themselves again against the creepy and kooky family via the Saturday Morning cartoon lineup. The cartoon titled “The Mini-Munsters” aired as part of ABC’s Saturday’s Superstar Movie program and was set in doing so to kick off the rest of the episodes; but alas, it never came to be.

The central plot of the pilot episode centers around a now teenage Eddie Munster and his two rock and roll loving cousins, Lucretia and Igor, who come for a visit to Mockingbird Lane. So what happens? Duh, it’s the ‘70s. They start a band and thus the story ensues of a musically annoyed Herman buying Eddie the campiest hearse they can find so he can take their little band elsewhere. But of course, the used hearse that is now in Eddie’s possession is haunted by the previous owner. Now enter a couple of gangsters, and a now pimped out hearse courtesy of Grandpa Munster that allows the car to run on music instead of gas and we got ourselves a story, folks!

Of the original cast, Al Lewis (Grandpa Munster) was the only actor to reprise his role for the animated special. Bless that Al Lewis as he truly embraced his Grandpa character from 1-900 Grandpa Munster numbers to Grampa Presents. That man truly was a national treasure to the horror community.

So let’s honor him by checking out this little obscure gem from 1973 uploaded courtesy of YouTuber Vinnie Rattolle!

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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