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31 for 31: Through the Decades Challenge – Week 3

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It’s almost time for Halloween which means it’s time to watch a crap ton of horror flicks! This year with my 31 films in 31 days of October I wanted to branch out a bit. I realized that most of the films I watch are generally from the 80s (with a sprinkling of late 70s). To push myself outside my norm, I’m donning this year’s adventure “31 for 31: Through the Decades Challenge”. Simply put, each day will correlate to a specific decade, and I must watch at least one film a day. No exceptions! Of course, I couldn’t leave well enough alone. I had to make a further set of rules for myself to ensure I’m getting lots of variety. Those rules as follows:

  1. One film must be watched from each decade (50s – 10’s)
  2. One film must be watched from a major horror franchise.
  3. One film must be watched from one of our late-great masters (Craven, Romero, or Hooper).
  4. One film must be watched that deals with witches or witchcraft.
  5. One film must be watched that deals with the undead.
  6. One film must be watched that stars either Christopher Lee or Vincent Price.
  7. One film must be watched that contains sci-fi/horror elements.
  8. One film must be watched that is a remake.
  9. One film must be watched that is from Italy.
  10. One film must be watched that takes place during Halloween.

After last week I was worried that I might have made my rules for this year’s challenge a tad too restrictive. Thankfully, that doesn’t seem to be the case. I’ve still crammed in plenty of classics, films that I’ve always loved and simply needed a good reason to rewatch, and and an undiscovered gem or two.


October 15th – House on Haunted Hill (1959)

Rules Met: 1, 6

“A millionaire offers $10,000 to five people who agree to be locked in a large, spooky, rented house overnight with him and his wife.”

After revisiting the remake last week, I realized I’d never seen the original House on Haunted Hill in its entirety. While William Castle was a true genius in the various ways he hocked his films, the gimmick attached to Haunted Hill is one of the best. During one of the climactic scenes, a plastic skeleton would go flying across the theater audience, suspended by a string. The film itself is cheeky fun, but manages to shoot itself in the foot by explaining away every supernatural occurrence while still expecting the audience to buy into the mythos, unlike the remake which balances both fairly well. Of course, Vincent Price is his always delightful self as the hateful millionaire offering up thousands of dollars to total strangers.


October 16th – Horror Castle (1963)

Rules Met: 1, 9, Bonus 6

“Women are being tortured to death with various torture devices in the dungeon of an old castle by a deformed, hooded, holocaust survivor.”

Knowing I needed to fit in an Italian flick, I was very close to rewatching one of Mario Bava’s classics, The Whip and the Body. Instead, I decided to dive deeper into the gothic horror cycle of the 60s. While I’ve pretty much torn through a majority of the Gialli from the 70s and most of the gore-fests of the 80s, I didn’t realize how many Italian directors were tackling the genre in the 60s outside of Bava. Director Antonio Margheriti is one such filmmaker. Horror Castle starts slow but quickly escalates with one intense set piece after the other. The gore is surprisingly brutal for a film made at this time with one set-piece involving an ancient torture device and ravenous rat being particularly revolting. It’s hard to go wrong with this Italian gothic horror film with Christopher Lee playing a possibly gay ex-Nazi, a “living skeleton”, and some truly wicked effects work.


October 17th – Season of the Witch (1972)

Rules Met: 1, 3, 4

“A bored, unhappy suburban housewife gets mixed up in witchcraft and murder.”

Season of the Witch began Romero’s foray into placing social commentary at the forefront of his narrative. It’s not subtle in the slightest. The opening scene is a trippy dream sequence where Joan (or Jack’s Wife, the original title of the film) is led carelessly by her husband through a park. He eventually leashes her up like a dog, swats at her with the newspaper, and boards her up in a kennel. This housewife is not living life to her fullest potential. Thankfully, a little bit of hoodoo voodoo might be the key to setting her free. This is certainly an overlooked film in Romero’s oeuvre. It’s a strong dramatic piece that toes the line with the supernatural. Season of the Witch is a captivating film that tackles witchcraft in the same grounded way that Romero did with vampires in Martin.


October 18th – Halloween 2 (1981)

Rules Met: 1, 2, 10

“While Sheriff Brackett and Dr. Loomis hunt for Michael Myers, a traumatized Laurie is rushed to hospital, and the serial killer is not far behind her.”

With recent news that everything beyond the original would be discarded in the forthcoming reboot of John Carpenter’s seminal slasher flick, I thought it a great time to revisit Halloween 2. There was a lot stacked against this follow up to one of the greatest horror films of all time. Carpenter didn’t really want to be involved, the production was rushed, and Jamie Lee Curtis’s wig is far more frightful than any of Michael’s shenanigans. Nonetheless, it’s an enjoyable slasher sequel that mixes things up with the hospital setting and familial ties reveal. It’s hard to imagine a Halloween film at this point without the Myers-Strode blood relation looming overhead, we’ll just have to wait for next October to see if the gamble pays off.


October 19th – Village of the Damned (1995)

Rules Met: 1, 7, 8

“A small town’s women give birth to unfriendly alien children posing as humans.”

Many consider this remake to be one of John Carpenter’s worst films. Truthfully, it’s not that bad. The main issue with Village of the Damned is in the casting of Christopher Reeve and Kirstie Alley. One alone may have worked against a different actor but together – they just feel off. The first half of the film is successfully eerie as the entire town falls under a mysterious fainting spell, only for the women to wake up pregnant hours later. Once our glowy eyed, killer tots show up the groundwork gets shaky under the weight of cheese filled moments and puzzling government conspiracies. There are huge leaps in logic and narrative that are surely the fault of studio meddling: an out of nowhere romance, possible alien connections, etc. While at first glance, this may seem like a strange choice for Carpenter, echoes of the director’s “Apocalypse Trilogy” become evident by the final reel.


October 20th – Ginger Snaps (2000)

Rules Met: 1, Bonus 10

“Two death-obsessed sisters, outcasts in their suburban neighborhood, must deal with the tragic consequences when one of them is bitten by a deadly werewolf.”

Ginger Snaps has always been one of my favorite films. It’s dementedly funny at times and heartbreaking at others, all building to a true wham bang finale amidst a rowdy Halloween party. While the effects and creature work are top notch, the true shining stars are Emily Perkins and Katharine Isabelle. As sisters who have always been attached at the hip whose relationship becomes strained over an unfortunate mixture of puberty, jealousy, and lycanthropy – the duo draw the viewer in almost immediately. Ginger Snaps is a perfect feminist, coming of age horror film that doesn’t skimp on the “horror”.


October 21st – Scout’s Guide to the Zombie Apocalypse (2015)

Rules Met: 1, 5

“Three scouts, on the eve of their last camp-out, discover the true meaning of friendship when they attempt to save their town from a zombie outbreak.”

From the opening moments featuring a slacker janitor singing Charli XCX and Iggy Azalea’s Black Widow into the handle of his mop, I had a good inclination this movie might just be for me. The scene culminates in fun product placement for both Takis and Tic-Tacs while giving a gory nod to one of the best moments in John Carpenter’s The Thing. Christopher Landon, you get me. Beyond the insane opening, Scouts Guide to the Zombie Apocalypse succeeds at being a cute throwback to films of the 80s. However, it never truly elevates itself beyond amusing pastiche, but there are far worse ways (especially within the modern zombie subgenre) of spending 90 minutes. Landon has a colorful and zany approach to horror that hasn’t been seen from modern genre directors in quite some time. I haven’t had a chance to check out Happy Death Day yet, but here’s hoping he continues to grow this POV with each film.


BONUS WATCH: I recently started a local horror pop-up cinema in my hometown, and we held our first screening this past Saturday. We started with a double feature of two black and white classics, Night of the Living Dead and City of the Dead. Obviously, we should all know how amazing NOTLD is. City of the Dead, on the other hand, is terribly underrated! Also known as Horror Hotel, it’s an early effort from the producers who went on to create the Amicus studio. It’s filled with gorgeous cinematography and chilling atmosphere. Seek it out, pronto!

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Editorials

38 Things We Learned from the 2013 ‘Evil Dead’ Commentary

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I’m relatively new to the Bloody Disgusting family, but I feel the need to admit something that you might find disturbing, distasteful, and downright disappointing. Basically, and with the utmost respect for your feelings, I’m of the opinion that Fede Alvarez’s Evil Dead is the best entry in the entire franchise.

To be clear, I like Sam Raimi’s original trilogy well enough, especially 1987’s Evil Dead II, but the zaniness can’t help but neuter the horror for me. They’re fun movies! I’m entertained by them, but I’m just drawn to Alvarez’s meaner, gorier, and more tonally unrelenting take on the same material.

A new Evil Dead film is now in theaters, and just as 2023’s Evil Dead Rise followed this same brutal vibe, Evil Dead Burn is continuing that wet slide into utter carnage.

Now keep reading to see what I heard on the commentary for…


Evil Dead (2013)

Commentators: Fede Alvarez (director/co-writer), Rodo Sayagues (co-writer), Jane Levy (actor), Lou Taylor Pucci (actor), Jessica Lucas (actor)

1. The family watching in the basement at 3:11 includes producer Rob Tapert’s son and a local actor from New Zealand, the one with the disfigured face, who has survived two separate plane crashes.

2. The decision to flip the opening shot (post title) upside down came in editing as Alvarez recalled being unsettled by a shot from Raimi’s original Evil Dead. “Something that really impressed me about the original was all the camera work, and there’s a moment… where Bruce [Campbell] runs from one side of the room to the other, and the camera looks back and upside down.”

3. It was composer Roque Banos who came up with adding the siren sounds. His inspiration came after living in Los Angeles for a short time and hearing many, many sirens.

4. It was Pucci’s idea for his character, Eric, to have a beard and long hair – partly as a visual nod to the film’s 1970s vibe, and partly because “you never have to do anything” with it.

5. “In any good story you have one of the main characters taking a bad step in the beginning,” says Alvarez as David (Shiloh Fernandez) fails to simply turn around and apologize to his sister Mia (Levy). “He makes another mistake,” adds Levy when he ignores her pleas for help after she’s been assaulted by the tree, but Alvarez says that choice is far more understandable.

6. Pucci is asked if it was his choice to be playing with the deck of cards on the porch swing, but he says it was Alvarez’s suggestion. The director adds that he had just tried impressing Pucci with a card trick – turns out they’re both amateur magicians – and Pucci carried it into the scene. It’s also a nod to the original film.

7. The clock at 14:56 is the actual one from the original film.

8. Most of them agree that the blood would send them packing in real life well before the book would. They’d be curious about the latter.

9. “It smells like burnt hair” was improvised by Pucci.

10. The script called for dead crows in the basement, but Tapert suggested they try something different, so they went with cats. A dead one had been found “in an alley” somewhere, and they took a mold of it to craft additional prosthetic cat corpses.

11. All of the closeups of people touching the book feature Alvarez’s hands.

12. Mia’s front yard vomit consisted of cold soup.

13. Early scenes of a wet and angry Mia were preceded by her doing sprints or jumping jacks offscreen to make her seem more exasperated. She was so amped up while driving the car that Alvarez, who was hidden in the backseat, was scared “while Jane is going crazy.”

14. Levy recalls Alvarez suggesting a similar scene from Wild at Heart as a reference point for her own performance after crashing the car into the pond.

15. They shot the film mostly chronologically, and that left producers a little concerned as they were seeing a lot of character drama. “They didn’t know what we were doing, and they were really anxious to get to the horror.” Those concerns were put to rest when they saw the dailies for the assault and bunkbed scene that follows.

16. It was Tapert who suggested they include the tree vine assault, and Alvarez was happy to see it used as more than just a shocker. “Being raped is her being injected with the devil,” says Levy, and he adds that it moves the story forward rather than just disturb.

17. The shower burn was the first bit of graphic mutilation that the writers conceived when they started working on the script.

18. The attempted escape in the Jeep after Mia is burned originally included a shot of David trying to call for help on his cell phone only to be stymied by a lack of service, but Alvarez took it out. He doesn’t think the audience needed it, and he didn’t want it to knock viewers out of the scene’s intensity.

19. The flooded river at 35:16 “is a real river.” It’s the same one the Jeep passes through at the beginning, and they simply waited for a heavy rain and then filmed the result.

20. Alvarez asked the sound department to come up with a unique sound for the Deadites, and the result was the crackling, “bug in a jar” noise.

21. “This was the hardest thing ever,” says Levy at 37:54 as her character projectile vomits blood onto Olivia’s (Lucas) face. They did four takes of the scene with Lucas having to be completely rinsed off and reset each time.

22. That’s not digital trickery at 39:32 as Olivia’s reflection gives an evil grin. “This was a timing thing because the mirror had to go away from me, and as it went away from me I had to actually do that face.” We see mostly the back and slight side of her outside of the reflection at this point, and the result is a cool little shot.

23. The bathroom encounter between Olivia and Eric originally ended with her hitting her head, but Raimi watched the dailies and asked Alvarez to milk the horror and gore a little bit longer.

24. “So everyone actually kills each other,” says Levy, “Mia never kills anybody in this movie.” Alvarez adds, “That’s the whole beauty of the story; Mia is the only innocent person, she’s a victim all the way.”

25. Alvarez recalls that one of Raimi’s “three rules of horror” is that “the innocent must be punished.” Does that contradict the point immediately above? Maybe, but she went through hell, and at the end of the day, are any of us actually innocent?

26. He acknowledges that the film, like many horror movies, is filled with characters making questionable choices, but he defends most of them as being understandable given the context.

27. “It’s my first sex scene,” says Levy at 1:31:11 as her character licks Natalie’s (Elizabeth Blackmore) leg. “This one was her stunt double’s leg.” She adds that “Kiss me, you dirty cunt!” is the favorite thing she’s ever said.

28. Natalie’s attempt to rinse her hand wound was originally written to include a black worm coming out of the gash, “but we didn’t want to be too supernatural.” Mr. Alvarez, my good man, have you seen your own movie?

29. Alvarez sees the theme of the movie as accepting that sometimes the only way out of a problem is through it – and here that means killing your friends before dismembering or burning their bodies. A good lesson for us all, really.

30. Eric’s laughter at Natalie saying “My face hurts” was real as Pucci found the line – one that Alvarez added on the fly – to be very funny given the situation and the fact that both of her arms are gone.

31. “Those woods were really, really creepy,” says Pucci, and Lucas adds that their New Zealand filming location was near a Maori burial ground.

32. Mia, gasping for her life in the hole with the plastic bag over her head, was apparently Levy’s audition scene.

33. They see Mia’s resurrection – the real Mia coming back to life after her brother’s janky defibrillator attempt – as a reward from beyond for David finally apologizing to her like he should have done from the start. I don’t mind saying that this is an odd take given how clear this film (and franchise as a whole) makes it that there’s absolutely no good supernatural entity looking out for these characters. Characters in these movies are absolutely and utterly fucked, and they should probably just accept that. Alvarez ultimately concedes that you can also just believe that the defibrillator actually worked.

34. For those who missed it, the necklace chain on the ground at 1:16:51 is in the shape of a skull as a nod to the scene in the original film where Ash (Campbell) goes for a necklace and sees a skull.

35. The machete comes through the wall at 1:20:10 and slices Mia’s leg, and they used Natalie’s prosthetic arm for the shot – it’s getting cut at the elbow.

36. They went through various versions of the Abomination Mia (Randal Wilson), including one that was made up of all five of the friends.

37. The original ending saw Mia walking on the road, but they cut it. The image still made it into the one-sheet poster.

38. The end credits feature extremely bloody shots filmed at high speed and meant to reference various beats from the film itself in tighter, close-up detail that viewers might have missed.


Quotes Without Context

“You kind of want to put the rape idea in people’s minds.”

“The car, of course.”

“I would definitely open the book.”

“Swimming through the swamp was fun.”

“Duct tape fixes everything.”

“How come David is such a bad boyfriend?”

“This kiss, I was really suffocating her.”

“I’m such a perv.”

“It’s like Beetlejuice.”

“Fede kept telling me this is my Bruce Willis moment to pump me up.”


Keep up with more horror commentary breakdowns here.

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