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Can We Please Give Ben Daniels an Emmy Nomination for “The Exorcist”?

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Daniels deserves a nomination for this past Friday night’s episode alone.

It’s no secret that major awards ceremonies rarely spread any love to the horror genre. Notoriously, the Academy Awards have honored horror movies on only a small handful of occasions, while the Emmy Awards similarly pay little attention to the genre – despite horror being hotter than ever on the small screen for the last several years.

Go figure.

Sure, mainstream series’ like “The Walking Dead” and “American Horror Story” have found themselves on the Emmy radar, but you’d be hard pressed to find other horror series’ that have had the same luck over the years. Can you believe, for example, that Mads Mikkelsen was *never* nominated for his performance in “Hannibal”?!

Another actor who has thus far been snubbed at the Emmys? Ben Daniels, whose character on “The Exorcist” has been one of the best on the small screen since the series debuted on FOX last year. And in the now-running Season 2, Daniels continues to deliver a powerhouse performance that commands attention.

You need only look to a select few scenes from Season 2 to see why Daniels deserves an Emmy nomination for the role of Marcus Keane, an exorcist haunted by both his own past and the terrifying work he’s dedicated himself to.

In the episode prior to this past Friday night’s, “There But for the Grace of God, Go I,” Keane almost literally bared his soul to a new love interest; Daniels’ monologue, recounting the character’s past and digging deep into the daily horrors that torment him, displayed some of the finest acting work I’ve seen on the small screen all year.

Keane is a man haunted, and you feel that pain in his every word and facial expression.

Daniels once again delivered a powerful, gripping performance in the most recent episode of “The Exorcist,” titled “Darling Nikki.” The centerpiece of the episode was Marcus trying to provoke a response from the demon that has wormed itself into Andy; sitting across from him on the couch, Marcus pushed and taunted Andy in the hopes that the demon would make a mistake and show itself. The scene may have appeared, on the surface, to be a conversation between two men, but Daniels and John Cho brilliantly sold it for what it really was: a verbal sparring session between man and demon.

“The Exorcist” is currently the scariest show on TV, but what makes it all work is just how strong the acting is. And as one of the series’ two titular characters, it’s Ben Daniels who is unquestionably shining brightest, consistently developing Marcus Keane into the most compelling character on horror television right now.

Here’s hoping the Emmys can break past their surface level dismissal of the horror genre and see the brilliance of what Ben Daniels has brought to the screen this year.

He has damn sure earned that nomination.

Writer in the horror community since 2008. Editor in Chief of Bloody Disgusting. Owns Eli Roth's prop corpse from Piranha 3D. Has four awesome cats. Still plays with toys.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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