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‘Blood Rage’: The Insane, Gory ’80s Slasher You Need to Watch This Thanksgiving

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“That’s not cranberry sauce!”

It’s Thanksgiving season again, which means it’s time to watch Thanksgiving horror movies… right? Well, unfortunately for us horror fans, there are only a few watchable movies that include the holiday, such as the Thankskilling movies and of course, Eli Roth’s faux Thanksgiving trailer in Grindhouse.

But that’s not all.

Thanks to the wonderful Arrow Video, we have the best Thanksgiving horror movie in beautiful 2K, Blood Rage, which was released a couple years back.

Filmed in 1983, but not released until 1987, Blood Rage revolves around twin brothers, Todd and Terry. As kids, Terry murders a teen at a drive-in and Todd takes the blame. Ten years later, Todd escapes and murders start happening again.

Blood Rage is a wonderful movie, filled with over the top insanity, great Thanksgiving scenes, strange performances, and amazing gore. I could call it a “so bad its good” movie, but it goes beyond that for me. What I enjoy about the movie is while they’re trying to cash in on the slasher craze, the movie also brings in new ideas and an over the top tone that makes the movie feel a bit fresher than your standard Halloween ripoff. While we wait for Eli Roth to make Thanksgiving, I highly recommend Blood Rage for a Thanksgiving watch if you haven’t already.

Mind you, Blood Rage isn’t exactly in your face that it’s a Thanksgiving movie (certainly not as much as Trick ‘r Treat is for Halloween, for example), but you have to appreciate what we’ve got. For instance, every once in a while, the murderer will see blood and say, “It’s not cranberry sauce.” It’s a hilarious line that reminds that yes, this is indeed a Thanksgiving slasher.

As per usual, the movie does have the cliched characters that come with many cheap slasher movies, including the final girl, goofy idiots, a frat type jock, and the promiscuous young woman. But this movie also has some fairly strange, but entertaining performances from Louise Lasser and Mark Soper. Now, they aren’t exactly well-acted performances, but they allow for much more colorful characters than you usually found in ’80s slasher movies.

Louise Lasser, who plays the mother of the twins, gets a lot of focus in the movie. Lasser brings an over-the-top seriousness to the movie that somewhat fits in perfectly with the insanity. I wouldn’t really say its a bad performance, but I also wouldn’t say it was good. The way she portrays Maddy on the brink of a nervous breakdown after learning that Todd has escaped the mental institution is entertaining to watch. She spends a lot of the movie cleaning, drinking wine, sleeping, worrying, and calling a phone operator so she can reach her fiancé. One scene has Maddy sitting on the kitchen floor, grabbing handfuls of Thanksgiving leftovers and shoving them in her mouth. It’s all very weird and surreal. And you can’t help but love it.

Mark Soper’s dual performance as both Todd and Terry can be awkward at times, but Soper does do a great job separating the twin’s personalities and portraying two completely different characters. He has weird moments, such as putting lots of unnecessary emphasis on lines like, “You play tennis?”, and giving shoddy delivery on important lines such as, “He’s got to be stopped!” His performance is truly based on whether or not he’s trying at any given moment. But Soper looks like he’s having a great time, and that’s what counts for a movie such as this.

The best thing Blood Rage has to offer is unquestionably the phenomenal gore and realistic looking effects. Ed French, who also plays Bill in the film, did a great job with the kills. 90% of the deaths were impressively creative and had more to them than being simple wounds. I have to admit, I was shocked to see how realistic it all looked. They almost feel out of place in the movie, because the effects artists are the only ones who gave their 100% to the project – but I suppose that’s often the case when it comes to slashers, huh?

Blood Rage is not perfect, or even very well made, but I can’t help but love the movie. I can’t even call it a guilty pleasure. The movie is so remarkably insane that I can’t help but feel it deserves a much bigger following.

Currently, Blood Rage is available on Amazon Prime and Shudder, and you can also buy the Arrow Blu-Ray, which includes some great interviews from some of the cast, including Louise Lasser, Mark Soper, Ed French, and even Ted Raimi, who makes a small cameo in the opening.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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