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The 10 Best Clairvoyants in Horror, From ‘Carrie’ to ‘Thelma’!

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Parapsychology and clairvoyance, the ability to gain information about an object, person, location, or event through extrasensory perception, makes for a strong companion in horror. Especially when navigating the already confusing waters of puberty or adolescence. Life is hard enough, but the discovery of burgeoning latent powers lends a very complicated, and often horrifying new layer. Horror’s clairvoyants often have their worst fears realized with the discovery of their power, making for some of the most gripping stories. Which is why some of the best horror films to feature clairvoyants and psychics have earned accolades and sometimes even Oscar buzz; from Sissy Spacek’s best actress nomination for Carrie to Norway’s official foreign-language Oscar submission of Thelma, clairvoyants are some of horror’s most interesting, captivating characters. In celebration of Thelma‘s (one of 2017’s best) digital release, here are the 10 best clairvoyants and psychics in horror:


Carrie White – Carrie

Based on Stephen King’s first novel, and the first novel of his to be adapted for the big screen, there’s perhaps no other character that manages to elicit fear and sympathy quite like Carrie White. Played by the great Sissy Spacek, Carrie’s home life is one of oppression and abuse, and her life away from home isn’t much better. Already afraid of her own puberty, of which her mother failed to prepare her for, the realizing her powerful telekinetic abilities only frightens her further. Until her power teaches her to finally stand up for herself. The truly horrific part, though, is that that poor Carrie White’s story might have taken a very different path if she hadn’t been pushed too far.


Gillian Bellaver – The Fury

Brian De Palma followed up Carrie two years later with a sort of companion piece in The Fury. While the entire premise centers on a government agent searching for his son Robin, a powerful psychic that’s been kidnapped and experimented on to be used as a weapon, the one worth noting is young psychic and clairvoyant Gillian (Amy Irving). Robin may be the central plot point, but he remains off screen for most of the film. It’s Gillian that we get to know, and it’s her journey that’s far more interesting. With the ability to harm to people that physically touch or provoke her, finding out that the school she thought was a safe haven was anything but makes for the film’s best moments. Gillian’s character arch, and coping with her growing powers, builds into one powerful final scene.


Danny Torrance – The Shining

Another film based on a well-regarded Stephen King novel, the child at the center of this story must contend with a crazed father as well as a strong ability the “shine,” a name given to clairvoyance by fellow clairvoyant Dick Hallorann. This meant the most terrifying moments in Kubrick’s classic horror film, particularly when it came to room 237. Being able to see the lingering ghosts of the woman who died there is scary enough, but Danny’s ability meant the ghost could physically cause harm to him as well. Throw in torrential blood waves, spooky twins, and one of the worst father’s in horror history, and Danny Torrance understandably needs therapy.


Daryll Revok – Scanners

David Cronenberg’s sci-fi horror features a group of characters with an array of parapsychological powers; from clairvoyance to telekinesis, and everything in between. Nearly all of them on the run from a company that wants to harvest their powers and use them as weapons. It’s Michael Ironside’s Daryll Revok that steals the film, though, giving insight as to what happens when power corrupts. Initially seeming to hunt down any “scanners” that refuse to join him, and company ConSec, becomes something far more sinister, leading up to an epic showdown of combustible, explosive proportions.


Tangina Barrons – Poltergeist

The American dream turned nightmare becomes even more nightmarish for the Freeling family once youngest child Carol Anne gets sucked through a portal in her closet. Even the parapsychologists they enlist to help find her are stumped by the off the charts poltergeist activity. Enter Tangina, played by the charming Zelda Rubinstein. Her short stature and calm demeanor belies her incredible clairvoyant strength. Though it may be a smaller supporting role, Tangina all but steals the show as the one person capable of saving the Freelings.


Johnny Smith – The Dead Zone

If you’ve been paying attention so far, then it shouldn’t be any surprise to find the lead character in a David Cronenberg directed film based on a Stephen King novel. For Johnny Smith (Christopher Walken), his latent clairvoyance is triggered once he wakes up from a coma after a horrific car crash. It’s not enough that he has to cope with the world having moved forward in the 5 years he was asleep, but now he has to contend with visions every time he comes in physical contact with someone. Johnny’s clairvoyance means he can save people from the future he sees, but as with all gifts, it comes with a price.


Tina – Friday the 13th Part VII: The New Blood

Tina’s story is often underappreciated, and shares more in common with Carrie White and Thelma than first appears. Her psychokinetic powers came to her as a child, causing her to unwittingly kill her father during a moment of heightened emotions when he drunkenly beat her mother. It’s a complex set up that leads to her unknowingly wake up Jason Voorhees from his watery grave when attempting to make peace with her father and her remorse. In a way, this is two films in one, a teen girl dealing with both her powers and her profound guilt, and Jason Voorhees continuing his teen slaughter. They just happen to meet up for one big showdown at the end.


Elise Rainier – Insidious series

A parapsychologist and powerful clairvoyant when we first meet her in Insidious, Elise Rainier acts like a modern day Tangina in her guidance of the Lambert family in getting their lost son Dalton back from The Further. Played by the always fantastic Lin Shaye, Leigh Whannell found a way to bring her back, again and again, despite her character’s conclusion at the end of the first film. Not only the most empathetic and toughest character of all introduced in the series, Elise’s powerful clairvoyance and knowledge of The Further makes for no better audience proxy than her.


Lorraine Warren – The Conjuring and The Conjuring 2

Vera Farmiga’s take as potent clairvoyant Lorraine Warren, the perfect complement to Patrick Wilson’s demonologist Ed Warren, is easily one of the best things about the world James Wan has crafted in his Conjuring universe. Fully in control of her abilities when we meet her, Lorraine is both extremely empathic to other families in peril as she is in love with her own, always putting herself at peril to save the day, and a powerful fighter against the demonic forces in this universe. Vulnerable because of her love for her family, we’re deeply invested in her story. We’re also just as excited to see her take charge and save the day.


Thelma – Thelma

Sharing much in common with Carrie White, Thelma also comes from an oppressive, sheltered upbringing by a religious parent. It makes going out into the world, experiencing college on her own, a core shaking experience that awakens a latent power Thelma didn’t know she had. Though they may share common themes, including the devastation their powers unleash, Thelma and Carrie’s paths diverge in unexpected ways. Joachin Trier’s exquisite supernatural narrative, resting solely on the very capable shoulders of Eili Harboe as Thelma, makes it plain why this was Norway’s Oscar submission. Heartbreaking, mysterious, and often terrifying, Thelma is one of horror’s strongest clairvoyants.

Thelma is now on digital platforms everywhere from The Orchard.

Horror journalist, RT Top Critic, and Critics Choice Association member. Co-Host of the Bloody Disgusting Podcast. Has appeared on PBS series' Monstrum, served on the SXSW Midnighter shorts jury, and moderated horror panels for WonderCon and SeriesFest.

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

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Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

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